John White: Depicting Roanoke through Watercolors

925 Words2 Pages

John White was an English artist most renowned for his watercolor paintings of the Roanoke colony located on the coast of North Carolina. Although much of White’s early life is implied through secondary sources, his later contributions to Roanoke are well documented. His watercolors were some of the first illustrations portraying England’s claims of the New World; showing The Algonquin people as adept farmers, religious, and civilized with an established hierarchy. Though relations with the native people were strained at the time, White painted the Indians with precious metals and generous harvest as a way to attract investors without showing the growing English influence and hardship on the people. While Roanoke was an eventual failure, White …show more content…

With an improved perspective on surviving, Raleigh sent White as Governor, venturing back to Roanoke along with a better assembly of people including farmers, craftsmen, laborers, and their kin. Elinor Dare, White’s surviving child, accompanied her father to Virginia and gave White a granddaughter, the firstborn English child of the New World. While White knew of the land and natives, he wasn’t a natural born leader and made many mistakes as Governor, including venturing for England to bring back goods and more colonist even though he could have sent one of many to do so. Unfortunately, due to battle with the Spanish, White could not return until three years later, in 1590. This is where the Lost Colony became a mystery, because upon returning, all of the colonists disappeared. White searched for the colonists in a very short manner, and never found anyone, including his own family. The last years of White are also a mystery, as the only thing on record is a letter that he wrote in 1593 to Richard Hakluyt, an English author, and friend. This same year it is implied White passed away, though his art lived …show more content…

Though most of his artwork was lost, the last of the original watercolors spoke large volumes of how the culture of the Indians was portrayed, however possibly embellished. Throughout White’s journeys of the New World, he did a number of paintings and sketches of many Algonquian towns including Pomeiooc, Aquascogoc, Secotan, and Skicoak in great aspect. The artworks show how the Algonquians existed in small towns having water and farming land near their huts made of sticks with mostly curved roofs. Satisfying a food supply all year was possible through different patches of farmland, separating out the newest to the oldest of the crops. Alongside cultivating, the paintings show one Indian man with a bow and large animal tail hanging from his backside, insinuating the natives also ate and used land animals, and another with spear fishing and trapping them in nets or traps. Cooking seafood and meat was done over a small fire with wooden grates; corn along with other foods boiled in large earthware pots sitting on top of fires. Religious ceremonies seem vast and important and consisted of music and dancing. Women and men alike wore garments shown much like an apron and in the colder months covered in cloth designed like a dress. Both sexes wore jewelry and had different patterns tattooed on them with body paint. Children looked as if they wore less clothing and played

Open Document