What would literature be had every author used the same perspective for every single story? Literature would not be as well received as it currently is received. Take three American short stories, “Hills Like White Elephants,” “A Rose for Emily,” and “The Yellow Wallpaper,” for example. These stories, by Hemingway, Faulkner, and Gilman respectively, each utilize a different a point of view. The perspective of a story heavily influences the impact of the story on a reader and that impact varies based on the content of the story. Ernest Hemingway’s story “Hills Like White Elephants” is written in third person. This narrator is objective and limited. It is objective, by not giving thoughts or opinions about the story. The narrator is limited by having no insight to thoughts of the other characters in the story and has …show more content…
Being a “we” and not an “I,” a reader is left to decipher the identities of the narrator. The narrator talks about the men and women, allowing the reader to decide that the voice is both male and female. This narrator also discusses what happened after the Civil War and Miss Emily’s death. This variety of members to the narrator impacts the story by explaining how Miss Emily grew up, how she lived through adulthood, and what happened after her death. The way the point of view almost intrudes on Miss Emily’s life reminds readers that even though the story is in first person perspective, it is also outside of Miss Emily’s reclusive life. The way the narrator speaks without respect to time, allows readers to understand what the narrator believes in regard to Miss Emily. Had they spoke chronologically, the shock at the end of the story would not have made as much of an impact. Readers would not be able to go along with the narrator’s opinions that Emily is not crazy; readers would automatically conclude the Emily is crazy. Similarly to “A Rose for Emily,” a crazy main character appears in “The Yellow
In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
This short story is about a couple arguing about abortion. The girl, Jig, does not want to, but the American man says that it is the only thing between them. The girl wants to continue on with her life of exploring the world with the addition of the baby, but the man says that it would take the world away from them. The man has experience in this, but the woman seems not to. She is reluctant, and does not want to talk about it any more after a point. There are many elements in the story, such as disconnection, manipulation, dominance, innocence, and irresponsibility.
The narrator in The Yellow Wallpaper was told what not to do by her husband and his sister. She was forced to write in secret, because her husband thought it would hinder her provement when she was sick. The main character Emily in A Rose for Emily is always the main topic in conversations between the women in the story. The women believe it to be odd that she isn’t married for her age, when she does find someone to be with, the women judge her because of rumors that her partner is a homosexual.
There is a never ending list of what makes some people amazing story tellers. Some writers have vast imaginations, other writers use the lives of others in their stories and other writers use their lived experiences in order to write moving works of art. Most books, works of poetry and short stories that revolve around lived experiences share a common theme of love, hate or both. As these are emotions that all humans share, However, there are some stories that have far more unique. Stories like “The Things They Carried” by Tim O’Brien and “Hills Like White Elephants” by Ernest Hemingway. Both O’Brien and Hemingway come from two completely separate walks of life but were both able to write stories using the same theme of emotional and physical
Hills like White Elephants by Ernest Hemingway is a short story that deals with the idea of conformity and the conflict caused by internal desire and pressure from another party. The short story is very subtle, and often uses these subtleties in combination with incredible amounts of symbolism interlaced throughout the narrative to cause the reader to look and think deeper into the motives, values and convictions of the conflict between the two protagonists respective desires. When two parties are at an impasse of desire, the conviction of their opposing beliefs becomes increasingly unshakeable. This results in dissension due to the severe lack of understanding between the parties involved and furthermore, they refuse to be held responsible for the inability to communicate their feelings to one another.
When writing literature, authors will adapt points of view to mold the perceptions of their readers. Three points of view that authors use to draw readers into their works of fiction are the limited perspective, the first-person perspective, and the objective perspective. Three stories will be examined and critiqued for their use of these narrative techniques. Of the three perspectives that will be examined, the first-person perspective is the most useful for sharing the authors’ vision.
The nature of human communication requires that only a certain number of details may be expressed. A photograph leaves out what is beyond its frame, statistical data generalizes answers into categories to make results meaningful, and words distinguish between specific concepts to present ideas. The author of a written work chooses the details to express not only what they want, but how they want the audience to feel about it. I will analyze what the author chooses to include and to ignore in The Perks of Being a Wallflower by Stephen Chbosky and “Hills Like White Elephants” by Ernest Hemmingway.
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
In “A Rose for Emily”, the point-of-view is in third-person, but the narrator of the story is not given. Throughout the story, the narrator use “They”, but sometimes the narrator tend to change to first-person and use “We” instead of “They”. When the narrator manage to use the word “We”, they refers it to the townspeople. By using the word “We”, the narrator changes his or her thoughts to the townspeople that make his ideas into a belief in the society. The point of the narrator talk about this story is to tell us the reason of Emily’s death. Just like the protagonist, the narrator is also a mysterious person that doesn’t want to reveal his or her identity. According to the story, the narrator seems understand and care about Emily. The narrator called her as “Miss Emily” whenever s/he states her. In “Why I live at the PO”, the point-of-view is in first person and the sister as the narrator. Throughout the story, the narrator always writes the story with “I” instead of “he” or “you”. The main reason of the narrator to talk about the story is to tell us how there is a conflict in the family. The narrator feels that she is shunned by her family, although she is the breadwinner in her family. Sister can be called as an unreliable narrator as she wants to have revenge on her own sister, Stella-Rondo, who makes her alienated from the family. She is jealous with Stella-Rondo as she becomes the dearest child. Moreover, the narrator is a coward as she doesn’t want to face the truth that she snatched Stella-Rondo’s
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
Some of the characteristics of Modernism are: a desire to break conventions and established traditions, reject history, experiment, remove relativity, remove any literal meaning, and create an identity that is fluid. The rejection of history sought to provide a narrative that could be completely up for interpretation. Any literal meaning no longer existed nor was it easily given; essence became synonymous. Narrative was transformed. Epic stories, like “Hills Like White Elephants”, could occur in the sequence of a day. Stories became pushed by a flow of thoughts. The narrative became skeptical of linear plots, preferring to function in fragments. These fragments often led to open unresolved inconclusive endings. This echoes in the short story’s format. The short story functions in fragmented dialogue. Focusing on subjectivity rather than objectivity. Creating characters with unfixed, mixed views to challenge readers.
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Stukas, Jake. "Literary analysis: Hills Like White Elephants, by Ernest Hemingway." Helium.com. Web. 21 Nov. 2009. .
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.