The varying amounts of self-reflection for Hector’s decision to go to war and Andromache’s decision to plead with Hector to not go to war cause a split in the passage for the definition and amount of agency, or the capacity to act freely. Hector and Andromache’s awareness of the potential consequences and understanding that their societal role as a male warrior and a wife contribute to this, combined with their realization of the future and the emotional factors within both of them. The passage focuses on Andromache’s emotional plea for Hector to stay with her and Hector’s response, though containing pity, to go to war. Hector is aware of the forces at work in his decision to go to war, and in his understanding of what could happen as a result …show more content…
In her plea, Andromache attempts to grasp the future that awaits her with Hector leaving to war, but also heading towards death. She mentions “‘the destiny that weighs me down’” as a part of her calculated move in appealing to Hector’s emotional state (Iliad 6.485). Using the phrase “weighs me down” demonstrates the extent to which she is affected by Hector’s decision to go to war; it is not only a burden emotionally but physically as well. The threat of Hector dying and leaving her is incomprehensible and structures her argument as she later discusses “‘Achilles butchered them all,’” thus recognizing the threat of Achilles and his affect on Hector’s fate (Iliad 6.502). Fate depends upon the gods, propelling the story—it is what fate does to the characters and the passage that define it. The syntax of Andromache’s argument uses a lengthy argument with specific concise phrases drawing out an emotional response from Hector. Despite the calculated structure of her argument, Andromache is unable to recognize and respond to Hector’s words and implications. As a result, she does not comprehend the consequences for her …show more content…
His reply to Andromache discusses fate candidly, saying, “‘no one alive has ever escaped it’”, emphasizing that fate is inevitable in the both passage and the story (Iliad 6.582). He also mentions that “‘sacred Troy must die’”’ which connects to the ending, serving as a bridge between the passage and the ending of the epic poem (Iliad 6.531). Instead of being passive, Hector chooses to be active, which shows the effect that fate has. Fate is compelled to happen and inevitably will in the Homeric world; it is just a matter of when and
In The Iliad, Hector isn't always shown as a courageous character. In book 18, Achilles discovers Patroclus is dead. Upon the realization that Hector is to blame, he is ready to rejoin the fight against Troy. The Trojans start to lose their courage until hearing Hector’s speech in which he says, “Tomorrow at daybreak armed to the hill for battle we slash to attack against their deep curved Hills!...I for one, I'll never run from his grim assault.(18.353-357)” In
While Phoenix and Meleager seemed to have issues with their respective parents, Achilles has none of the same issues. Achilles has a loving mother as well as a father and Phoenix, a father figure. Achilles and Phoenix are so close that Phoenix claims, “I made you what you are, my godlike Achilles, And loved you from my heart” (Homer’s Iliad 9.498-499). In contrast, the relationships depicted through Phoenix’s story are filled with rage and promises of death. The importance of structuring symmetrical relationships when invoking an emotional argument is imperative, and this paradigm fails to pick appropriate examples. Though Achilles may feel pity, he isn’t able to wholeheartedly empathize with the narrative laid before him. Without empathy, there can be no universal bonds in which others can be held accountable for each other. The dearth of empathetic material in Phoenix’s speech is largely proportional to Achilles’ acute refusal as well as a broader representation of the tragedy of the Trojan war on the
Given his strong familial bonds, it is ironic that Hector’s first real introduction involves him harshly berating his brother, Paris, for his unworthiness on the field of battle. He angrily proclaims that it would have been better had his sibling never been born or had been killed young (3.39-40). Despite this, one must understand that this outburst was likely due to frustration at the long war incited by Paris’ kidnapping of Helen and his subsequent unwillingness to fight in his own war. It is important to note that despite his anger at his brother’s actions, Hektor nevertheless leads the charge against those that would attack his home and family despite seeming to understand that Paris was in the wrong in his actions (3.46-51). Because of his own strong sense of duty, it is likely that he is unable to tolerate the absence of responsibility in others, especially in those related to him, who he most likely feels also have a duty to Troy given their noble positions. Despite his brother’s shortcomings, Hektor feels th...
Homer’s Iliad focuses on the war and its heroes, their emotions and their ultimate glory. In Book 6 of the Iliad, Hector comes home for the last time and shows tenderness as a father, “Then his beloved father laughed out and his honored mother, and at once glorious Hector lifted from his head the helmet… Then taking up his dear son he tossed him about his arms, and kissed him.” This quotation shows us the tender and fatherly nature of Hector while he is still fighting a war. Homer is emphasizing that although one can love his wife and his children, fighting for the city is always the highest duty for a soldier, which transcends all his other personal responsibilities. As Hector leaves, his wife cries; “so glorious Hector spoke and again took up the helmet with its crest of horse-hair, while his beloved wife went homeward turning to look back on the way letting the love tears fall.” Hector’s wife understands that the ultimate glory of a soldier lies in carrying fighting the war bravely and fearlessly, Even though she ...
Throughout the Iliad, heroic characters make decisions based on a specific set of principles, which are referred to as the “code of honor.” The heroic code that Homer presents to readers is easy to recognize because the heroic code is the cause for many of the events that take place, but many of the characters have different perceptions of how highly the code should be regarded. Hector, the greatest of the Trojan warriors, begins the poem as a model for a hero. His dedication and firm belief in the code of honor is described many times throughout the course of the Iliad. As a reward for heroic traits in battle, prizes were sometimes awarded to victors of war. In Book 1 Achilles receives Chryseis as a prize and a symbol of honor. Heroism had its rewards and its setbacks which ultimately was the backbone of the Illiad in the case of Achilles prize. Hector, arguably the greatest Trojan warrior or even the bravest of the Homeric heroes is very fierce and fights for what he believes is his destiny. In book VI Hector expresses his bravery when Andromache pleads with Hector not to fight when Hector says, “But I would die of shame to face the men of Troy and the Trojan woman trailing their long robes if I would shrink from battle now, a coward. Nor does the sprit urge me on that way. I’ve learned it all too well. To stand up bravely, always to fight in the front ranks of Trojan soldiers, winning my father great glory, glory for myself” (VI, 387).
“ My Hector. It is for him I have come to the Greek ships, to get him back from you. I’ve brought a fortune in ransom. Respect the gods, Achilles. Think of your own father, and pity me. I am more pitiable. I have born what no man who has walked this earth has ever yet borne. I have kissed the hand of the man who killed my son” ( Book 2...
"Andromache, dear one, why so desperate? Why so much grief for me? No man will hurl me down to Death, against my fate. And fate? No one alive has ever escaped it, neither brave man nor coward, I tell you it 's born with us the day that we are born. So please go home and tend to your own tasks, the distaff and the loom, and keep the women working hard as well. As for the fighting, men will see to that, all who were born in Troy but I most of all" (Homer 6. 579-589). These particular lines demonstrate Hectors ' loyalty to his family and how far he is willing to go for his family. He is willing to die for his family but before he does, he starts to ensure that his family remains safe. Family seems to a driving factor in Hectors ' life, which could be viewed as a negative thing. For him to drop everything in the world for his family, even risk his life for them could stab him in the back if he let it. For example, if his wife was in grave peril and he had to choose between the lives of his people during a war or her life, he would choose her life but a smart leader would choose the lives of his
Throughout the text, major characters seem to be at constant battle with their different emotions. This inner conflict is mirrored by the everyday conflicts between the gods. Just as Zeus and Hera are constantly at odds with one another, so are the different sides of Achilles: his cultural responsibility, pride, honor, and revenge. No one is completely at peace with his or her conflicting emotions in The Iliad – and therefore, neither are the gods, who represent these emotions. Hector is a prime example of a human who finds himself torn between two forces: his love for his growing family, and his duty as a prince of Troy. He admits to Andromache that he worries about his own mortality, but emphasizes that “I would die of shame to face the men of Troy…if I would shrink from battle now, a coward.” (Homer 6: 523, 525). Hector’s deeply ingrained sense of honor and loyalty to home is clearly established in the beginning of the text. Therefore, when Zeus later grants Hector “power to kill and kill till you cut your way to the benched ships” (Homer 11: 241-242), it is not too much of a stretch to attribute Hector’s dodged perseverance to his upbringing and rigid sense of duty, rather than to the
Simone Weil argues that the way Homer presents war and the use of force in the Iliad, in all of its brutality, violence, and bitterness bathes the work in the light of love and justice (pg 25). The point Weil is making is that by depicting the suffering of all of these men regardless of their side, or strength Homer equalizes them in a “condition common to all men”(pg 25). Because Homer equalizes them the reader can feel empathy, or at least compassion for all of the men. However while Weil is correct about how Homer’s descriptions of war and force reveal justice and love, she is wrong in thinking that justice and love are mere “accents” to the Iliad, and progress through the story “without ever becoming noticeable”(pg 25). Homer not only reveals this underlying idea to the reader through his tone and even handedness, but also through Achilles’ journey. By the end of the Iliad Achilles understands justice and love in much the same way that the reader does.
The Iliad portrays fate and destiny as supreme and ultimate forces. The Iliad presents the question of who or what is finally responsible for a man's destiny, yet the answers to this question are not quite clear. In many instances, it seems that man has no control over his fate and destiny, but at other points, it seems as if a man's fate lies in the consequences of his actions and decisions. Therefore, The Iliad reveals a man sometimes controls his destiny.
The Iliad may be seen as an account of the circumstances that irrevocably alter the life of one man: Achilles, one of the greatest warriors. Throughout the course of the poem Achilles goes through many ordeals that change his character immensely. Starting with his quarrel with Agamemnon and withdrawal from battle, to the death of Patroklos, and with the slaying of Hektor. Achilles emotions and actions decide the fate of many warriors on both sides. Achilles struggles with anger, honor, pride, loyalty and love make the poem more that just a gruesome war story.
One of the most compelling topics The Iliad raises is that of the intricate affiliations between fate, man and the gods. Many events related by Homer in his epic poem exhibit how these three connections interweave and eventually determine the very lives of the men and women involved in the war. Homer leaves these complex relationships slightly unclear throughout the epic, never spelling out the exact bonds connecting men's fate to the gods and what can be considered the power of fate. The motivation for the ambiguousness present in The Iliad is not easily understood, but it is a question that enriches and helps weave an even greater significance of the results into Homer's masterpiece. I feel that the interaction between man, god, and fate can be shown to be one great fluidity that ultimately leaves life mysterious, giving much more depth and complexity to the bonds between the three.
In Homer’s The Iliad he tells of the battles and events during the time of a quarrel between King Agamemnon and the warrior Achilles. This was just a small portion of the Trojan War that had lasted ten years. The Iliad shares the ideas of the glory of war, military values over family life, and the impermanence of human life and its creation. One thing that Homer does is characterize the two different warriors Achilles and Hector. These two great warriors both show different kinds of traits that shape the character they become throughout the The Iliad. Achilles is the main hero in The Iliad, but Homer subliminally tries to persuade the reader that Hector is the true hero in this story.
In the poem, Iliad, Achilles and Hector both show relative heroism in their own different ways. Achilles may have been the more popular hero, but Hector had great heroism as well. Each of these characters possess their own different strengths and weaknesses. These two characters both have pride as being one of their main weaknesses. Hector seems as if he would suit best in the modern world, but there are a few different reasons as to why the ancients may have chose Achilles. Hector and Achilles both lost a lot by letting their pride get in the way of their heroism. Both of these characters were their country’s best warrior. Achilles and Hector have very different personalities, and very different ways of approaching situations.
In Homer’s epic, the Iliad, the legendary, has no two characters that are so similar yet so different as Greek warrior, Achilles, and the Prince of Troy, Hector. Achilles is the strongest fighter in the Greek side, and Hector is the strongest Trojan. They are both put into the mold of a hero that their respective societies have put them into; however; it is evident that they are both extremely complex characters with different roles within their society and with their families, and with the gods.