In Moliere’s Tartuffe, the most important male characters in the play (Orgon, and Tartuffe) appear to be good men to some. Orgon thinks that Tartuffe is a good man and even tries to make his daughter Mariane marry him. Everyone thinks that Orgon is a good person, when in reality he is not. Orgon is stupid and oblivious. He almost forced his daughter into marrying a creepy pervert who does not care about religion or morals. Tartuffe tries to have sex with Elmire, Orgon’s wife. He has no morals and does not care for others. Both of these men are misunderstood in that people think they are good. In these two characters, Moliere is mocking the gaps in other people’s judgement. Although most people in the play think that Tartuffe is a bad person, Mme. Pernelle and Orgon both think he is good. Mme. Pernelle says, “he is a good man” and he “leads the way to heaven” (250). Tartuffe is so deceptive that he fools Mme. Pernelle, a …show more content…
Orgon used to be wise and smart; however since Tartuffe came around Orgon is not that way anymore. He is in a way under Tartuffe’s spell, because Tartuffe promises Orgon will go to heaven. In this way, Orgon kind of sees Tartuffe as God and is willing to do anything to get salvation. In Act 1, Dorine the maid even sees what is going on. She saw that Orgon used to be good, so she says, “During our civil wars [Orgon] showed good sense, and served with courage in his king’s defense; But since he’s taken Tartuffe as his hero, his sanity has been reduced to zero” (255). Although Dorine is a maid and is the least educated out of every character, she still can realize that Orgon is not a good person anymore. People just write off all his mistakes, but do not realize how huge the mistakes really are. He befriends Tartuffe, invites him into their home, tries to make him marry his daughter, gives his home and his money to Tartuffe, before realizing that Tartuffe is the exact opposite of what he originally
Tartuffe is the embodiment of the seven sins masquerading as the exact opposite. His gluttony is on display in scene four when Dorine informs Orgon of his overconsumption. Tartuffe has blinded Orgon to his nature and made him disregard his wife’s wellbeing. Lust and Envy are most likely his greatest follies, leading to his ultimate downfall. Tartuffe accepts Orgon’s daughter as his bride and lust after his wife. Tartuffe makes no attempt to deny the engagement which was conscripted because of his position to Orgon. Tartuffe under the guise of making sure Elaine stay pure reporting her every movement to Odom uses the opportunity to confesses she is his “peace, my solace, my salvation on you depends my bliss-or desolation.” (3.3.79-80) He demonstrates his pride when attempting to seduce Elmire comforting her concerns by telling her “if Heavens is all that holds you back, don’t worry. I can remove that hindrance in a hurry.” (4.7.95-96) Tartuffe so entranced with getting what he wants, he makes the same mistake as Lucifer, calling for action against Heaven. Tartuffe is the embodiment of sloth, acting indifferent towards others in his pursuits; from Elaine being ill to feigning defense of Damis. Tartuffes’s final stop on the “how damned are you” show culminates with wrath and greed. When he is confronted by Orgon after lusting for his wife, Tartuffe divulges his intentions to acquire all Orgon’s
Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants.
He refuses to accept the fact that Tartuffe is an imposter and is more of a hypocrite than a reverent man. " My mother, children, brother and wife could die, And I'd not feel a single moments pain.oh, had you'd seen Tartuffe as I first know him, your heart, like mine, would have surrendered to him". Orgon makes this completely irrational declaration regarding Tartuffe. This nonsensical statement proves just how deeply fixated he was with believing that Tartuffe was a righteous and honest individual.
In Tartuffe, the nobility (mostly Orgon and his mother) is depicted as being fools because of the way they are easily tricked by the “holy impostor”. When Madame Pernelle praises Tartuffe for being a good holy man, her grandson Damis says “No, look you, madame, neither father nor anything else can oblige me to have any regard for him. I should belie my heart to tell you otherwise. To me his actions are perfectly odious; and I foresee that, one time or other, matters will come to extremity between that wretch and me” (Act 1, Scene 1). This representation of the nobility places them exactly where Louis intended. Spielvogel says that Louis removed the nobles from the royal council and lured them to be part of his court as a way to keep them occupied with trivial matters and out of important roles in politics
Orgon refuses to see the fact that Tartuffe is a hypocrite and won't believe it until he sees it with his own eyes near the end of the play. To see how dedicated to Orgon is to Tartuffe, just look at page 319. When Dorine is telling him about the sickness his wife had, Orgon's only concern is Tartuffe, who was doing very well.
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
She believes that their distaste for Tartuffe stems from his ability to condemn their sins and point out their moral flaws. At Dorines’ intimation that Madame only spends her time so harshly criticizing the world around her due to her fear of abandonment, Madame Pernelle takes her leave, reminding them that they should count themselves fortunate to have such a holy and blessed man such as Tartuffe present among them. Upon her departure, the remaining family puzzles at how their grandmother, as well as their father, could be so blind to Tartuffe’s insincerity, recounting the many instances in which Tartuffe deceived Orgon and Madame Pernelle with his charms. As Cleante leaves to rest, Damis asks her if she would inquire as to the status of Mariane’s marriage to Valere because, should they not wed, Damis would then not be able to marry Valere’s
While Molière satirically criticized and warned against certain aspects of absolutism, divine right, and the patriarchal family, it was also evident that he supported them and did not believe in alternative ways that matters should be handled. He simply recognizes that in order for the kingdom to be conducted under these policies, rulers (both the King and heads of the household) had to be careful and wise in their decision-making to avoid corruption. Molière definitely makes some good points, and even though it was banned for a period of time, Tartuffe remains one of his most famous works.
Moliere sets up the exposition of the play in Act I by the apothecary bills Argon is reading aloud. After Toinette, the maid, then enters the scene she sarcastically makes a comment about all of the bills lying on the table. Toinette lets the audience know that Argon is a hypochondriac by rebutting everything he says about his doctors and illnesses with sarcastic comments. For instance, when Argon says, “You leave my insides alone.” She comes back with, “I wish you would. You’d be a different man.” She also lets the audience know by saying, “Why, if it wasn’t for him you wouldn’t even know you were ill,” speaking of the apothecary. The main conflict of the play is Argon’s unwillingness to accept that he is not ill and he is, in fact, a very healthy man. This “illness” leads to the selfishness that he shows his family, especially his daughter Angelica. Later in Act I his “illnesses” prove to have relevance to the conflict when she speaks of Cleante, the man she loves. Cleante is not a doctor; therefore, Argon will not give his blessings for Angelica to marry him.
In Moliere's comedy, Tartuffe, the main focus of the play is not of Tartuffe, but of Orgon's blind infatuation with Tartuffe. It just so happens that the title character is the villain, rather than the hero. Orgon is Moliere's representation of how a man can be so blind in his devotion to a belief that he cannot make accurate judgment as to the sincerity of others who would use that belief to deceive him. Tartuffe easily achieves total power over Orgon's actions because of his gullibility. However, as the play progresses, Orgon's view of Tartuffe changes and results in Tartuffe's removal.
Tartuffe is a satirical comedic play written by Molière in 1664. It is focused around the family of Orgon and the character of Tartuffe, who has become Orgon’s personal holy man. Before being brought into Orgon’s home, Tartuffe was nothing more than a common beggar who learned how to act pious. Throughout this play, we see Orgon give everything he owns to Tartuffe: his love, his money, his daughter, and even the deed to his house. While everyone else in the household sees Tartuffe for who he really is, Orgon remains blind to it throughout most of the play. Orgon is warned many times by different members of the household, including his own son, yet he only chooses to lash out against those speaking. From early on in the play we as readers are able to recognize that Tartuffe is no more than a hypocrite and Orgon is a blind fool. In the play Tartuffe by Molière there are several different important themes that impact this work,
Imagine the Paris home of Orgon, who meets Tartuffe at church and is completely taken in by him...so much so, that he foolishly not only invites this relative stranger, Tartuffe, to live in his home, but also promises his daughter (Mariane) in marriage to the man, though she has promised her heart to Valère.
Tartuffe is a comedy, but it still follows these characteristics. Firstly the appearance of a tragic hero. In this play, our tragic hero is not Tartuffe for whom the play is named, but is instead Orgon, the head of the household where the play takes place. Orgon is our tragic hero because he really isn’t a bad person. He isn’t seeking to ruin anyone with hidden plans or deception, he is just very unaware of what’s happening right under his nose. The tragic flaw that Orgon shows is just taking everything that tartuffe says as absolute truth and not questioning it at all. This is what ultimately leads to his error in judgement which is telling his daughter that she is to marry tartuffe and not Valere who she’s already proposed to. Of course, this doesn’t