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Essay on the age of enlightenment
Enlightenment period literary criticism
Essay on the age of enlightenment
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Jean-Baptiste Poquelin Moliere wrote Tartuffe during the beginning of the Age of Enlightenment. One of the main characteristics of the Age of Enlightenment was a push towards using reason over emotions to make decisions. The leaders of the enlightenment truly believed that the world could be made a better place if people did this. In Tartuffe, when the characters use their emotions to make their decisions they find themselves in undesirable situations. While those who let their emotions rule them find their lives spinning out of control, there are other characters in the play who try to approach them with reason and logic. Out of these characters the lady’s maid Dorine stands out as the voice of reason.
There are several stock characters in Tartuffe, but Dorine is not one of them. Servants are expected to be submissive and silent, but Dorine is stubborn and outspoken. She often uses sarcasm and satire to make her point. She is repeatedly chastised by Orgon and Madame Pernelle for her loose tongue. In Critical Essay on Tartuffe author David Partikian describes her character by writing, “… Dorine, has a saucy tongue, she is constantly told to shut up, and on one occasion, Orgon even tries to slap her.”(David Partikian 1)
While Dorine’s voice stands out more than the others, she is not the only character that uses reason. Cleante’s character for example, is very reasonable and well educated. In fact most would recognize him as the voice of reason, but his advice often comes across as a boring lecture. The reader can easily become lost in his drawn out pleas for Orgon to see the truth about Tartuffe. Elmire’s character also has control over her emotions, but her character does not speak out against irrationality as strongly as Dorine’...
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...es to put an end to the foolishness that is caused by the other characters emotions and folly. She speaks out against the absurd, she fights for reason, and she is a character that other characters turn to for advice. Dorine is Moliere’s voice of reason in Tartuffe.
Works Cited
Moliere, Jean-Baptiste Poquelin. "Tartuffe." The Norton Anthology Western Literature. 8th ed. Eds. Sarah Lawall et al. Vol 2. New York, NY: W.W. Norton & Company, Inc., 2006. 19-67. Print.
Partikian, David. "Critical Essay on Tartuffe." Drama for Students. Ed. David A. Galens. Vol. 18. Detroit: Gale, 2003. Literature Resource Center. Web. 25 Jan. 2014.
Zwillenberg, Myrna Kogan. "Dramatic Justice in Tartuffe." Modern Language Notes 90.4 (Apr. 1975): 583-590. Rpt. in Drama Criticism. Ed. Linda Pavlovski. Vol. 13. Detroit: Gale Group, 2001. Literature Resource Center. Web. 25 Jan. 2014.
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In Tartuffe, Moliere creates a play that is interesting in so many ways. His comedy reflects a lot on the role of men and women within a family. During this time, it was common for the man to be the head of the household and women to be submissive to the men. Men held the power in the family and made all the decisions. In this play, a man's point of view is the only view that matters. All else do not serve an importance. His lack of trust and awareness for other people's feelings and needs has caused great conflict in his family. The actions taken by Orgon and his family members express how this play views marriage and relations between men and women. It is a extremely different view (in some cases) of marriage today in average American family.
The play "Tartuffe", by Moliere, is a work that was created to show people a flaw in their human nature. There are two characters who portray the main flaw presented in the play. Both Madame Pernelle and Orgon are blinded to the farces of Tartuffe and must be coaxed into believing the truth. The fact that Orgon and Madame Pernelle are too weak to see the truth is an important theme of the play.
The Flawed Characters of Tartuffe To be perfect is to be inhuman. Human nature is complete with many flaws and imperfections, one of which is represented in the play "Tartuffe", by Moliere. “Tartuffe” was written specifically to show the reader a basic flaw in human nature. This flaw is shown through two characters, Madame Pernelle and Orgon.
"Othello." Shakespearean Criticism. Ed. Lynn M. Zott. Vol. 68. Detroit: Gale, 2003. N. pag. Literature Resources from Gale. Web. 8 May 2014. .
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
One way Moliere reveals Dorine is through what she says. Dorine first appears in the first act of the play attempting to interrupt Madame Pernelle’s outburst of criticism towards the family. She later reveals that Madame Pernelle’s son, Orgon, is even more stubborn than she is. “Yes, but her son is even worse deceived; His folly must be seen to be believed. In the late troubles, he played an able part And served his king with wise and loyal heart. But he quite lost his senses since he fell Beneath Tartuffe’s infatuating spell… Unholy vanities and holy prose” (18). Dorine foreshadows what the conflict may be later on in the story. This immediately tells the audience what kind of person Dorine is and what she might provide throughout the story.
Both The Christians and Molière’s Tartuffe explore themes of religion and understanding, although the former takes a more serious approach, while the latter is more light-hearted and satirical. These themes were emphasized in each performance through spectacle, characterization, acting, and their connection with each other, all of which contributed to my understanding and enjoyment of the plays.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994. (page 39-55)
Donne begins Satire III by talking about the folly of religion as a whole. The opening lines (1-9) tackle an odd combination of meaningful and ethical questions that he cannot seem to answer and is truly perplexed by. “Kind pity chokes my spleen; brave scorn forbids/Those tears to issue which swell my eyelids;/I must not laugh, nor weep sins and be wise;/Can railing, then, cure these worn maladies?/Is not our mistress, f...
In Moliere's comedy, Tartuffe, the main focus of the play is not of Tartuffe, but of Orgon's blind infatuation with Tartuffe. It just so happens that the title character is the villain, rather than the hero. Orgon is Moliere's representation of how a man can be so blind in his devotion to a belief that he cannot make accurate judgment as to the sincerity of others who would use that belief to deceive him. Tartuffe easily achieves total power over Orgon's actions because of his gullibility. However, as the play progresses, Orgon's view of Tartuffe changes and results in Tartuffe's removal.
The two topics of religion and hypocrisy in the play go hand in hand. The overall play is intended to ultimately bring to light religious hypocrisy, but not to necessarily demoralize it. The play aims to make fun of religious hypocrisy, while hinting that it’s problem or flaw is the way it slanders and makes one question the grandeur of pure religion. Tartuffe’s character portrayal is made up solely by his outspoken and unapologetic displays of religious devotion. Through his actions and displays of religious devotion he gains Orgon’s trust and manipulates him into overlooking his family's wellbeing and overall safety. He used Orgon's want and need to feel close to God himself against him, which left Orgon blinded by ignorance and own self
Imagine the Paris home of Orgon, who meets Tartuffe at church and is completely taken in by him...so much so, that he foolishly not only invites this relative stranger, Tartuffe, to live in his home, but also promises his daughter (Mariane) in marriage to the man, though she has promised her heart to Valère.
The female characters in Molière’s Tartuffe display feminist behaviors years before the feminist movement emerged historically. Many of their actions, words and behaviors are completely out of character for women of their time. Moliere makes a strong statement with this play by presenting female characters that go against convention. The gender inequality when the Enlightenment began was extreme. The women in this play try to fight against this inequality and in the end it is the patriarch of the family that is fooled by Tartuffe yet most of the female characters remain un-fooled throughout the play. Two of the female characters in this play, Doreen and Elmire play significantly different roles in the home. They have different personalities, different household duties and drastically different social standing. As different as these women are, they both show signs of early feminism. To various degrees they fight for want they believe is right. Dorine speaks her mind openly and does not hold anything back. Elmire is sneakier and uses her sexuality to get what she wants.
Bradley, A.C.. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. New York: Penguin Books, 1991.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare’s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.