More than a millennium ago, hand rock art came into the making. Hand rock art is done all over the world. These images can be reviled in many different ways on how the look and what they mean. When starting off with your hand rock art it can be drawn by pressing a hand on the rock as a stencil, spraying paint from the mouth or charcoal powder through a reed; the outline of the hand may have been painted around by brush; or simply painting the hand and then placing it on the rock" ( ). As one can see, it can be done in a variety of way. However, the interpretation of each individual hand rock art is unlimited.
Since hand rock art is discovered from all over the world. There is one particular hand rock art that catches my eye. This type
Unknown (2014). Glossary of Art Terms. [ONLINE] Available at: https://www.moma.org/learn/moma_learning/glossary#w. [Last Accessed 28 April 2014].
The paint is spread thinly along the surface showing no raised areas for texture. The objects within the painting have similar line weights. There are different directional lines as well
The nature in which we live is truly beautiful and something to preserve and treasure. When the Europeans first came to North America, they were immediately in love with the views they encountered. They were interested in wanting to know more about the land, the animals that peeked around, and the people who called it home. Artists such as, John White had heard the tales of what Christopher Columbus had described during his time in North America, which led to them wanting to make their own discoveries (Pohl 140). Everyone had their own opinions and views of the world, but artists were able to capture the natural images and the feeling they had through their paintings (Pohl 140).
This is an extremely high relief sculpture made of limestone. It is to be viewed from a frontal standpoint. It however does have a potential for movement. There seems to be a great deal going on in such a close space. It is very crowded, but dramatic. The figures are intertwining with each other all at once even though there are different things happening. It reminds me of a play with scenes. You can actually step in to it and feel as though you are a part of what is happening because of all the different directions each individual is facing.
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
In the University Of Arizona Museum Of Art, the Pfeiffer Gallery is displaying many art pieces of oil on canvas paintings. These paintings are mostly portraits of people, both famous and not. They are painted by a variety of artists of European decent and American decent between the mid 1700’s and the early 1900’s. The painting by Elizabeth Louise Vigee-Lebrun caught my eye and drew me in to look closely at its composition.
Covach, John. What's That Sound? An Intoduction to Rock and its History . New York: W.W. Norton & Company, 2009.
Graeme Base uses lines of different thicknesses to make the drawing look more realistic. He also uses different tones of colours. An example would be from ‘Six Slithering Snakes Sliding Silently Southward’, the main snake’s body and tail contains at least four different colours. He also repeats the way the books are place in the library.
“Dance is movement aware of itself. Dance is purposeful movement that employs artful communication to express ideas and feelings, meaning that aesthetic intention is present” (Cornett, 2014, p 394). Art could be anywhere and anything it just needs to have creativity in order to make it unique and beautiful. One simple art form, could speak for a thousand words and convey many significant messages such as the art form of dance. Baile Folklorico is a great example of communicating in a unique and a stunning art form. Baile Folklorico is a folk dance that elaborates different dances, music and costumes to represent a Latin or Mexican culture.
Hunt, Lynn, et al. The Making of the West: Peoples and Cultures. Boston, New York:
The second painting was by George W. Bellows and named Shoghead. This painting brought a sense of ease and relaxation. I can picture myself on the top of the mountain listening to the waves crash on the sides. The open countryside topped by the clouds give the painting a sense of realism. The extremely bright blue water stands out the most, though the focal point is not clear. There is not an excessive use of paint. It is as if Bellows caked it on his brush and made quick short strokes. The use of such dark colors on the hill is a mystery. The terrain has a roughness that makes the painting come to life. The artist did a great job of showing the depth. If I had to guess, he was influenced by Picasso’s work because of the extensive use of thick point.
My inference is that this picture was created by wind erosion. My evidence that supports my claim “It looks like wind erosion” is that this rock is out in the desert where there is a lot of sand that can create a sand storm. The stone is is chipped and sanded down, you can tell by the ridges on the rock, the shape of the rock, and the small pieces of the rock that have been broken of. Another part of why I think this rock has been eroded with wind is that there is a higher level of sand underneath this rock meaning that it was chipped off of the rock. These are some reasons why I think that this rock has been affected by wind erosion. Before this, I think that this stone could have been a huge boulder. I think this because you can see the rock
The traditional hand-held palette comes in various sizes and shapes with a hole to accommodate the artist’s thumb for ease in holding it horizontal for long periods. This stems mainly from the artist standing at an easel to paint on a canvas that may be large and require him to move from one side to the other. This allows the artist to have his paint with him at all times and reduces the amount of movement necessary to continue working. These palettes are available in wood, Plexiglas, plastic and safety glass. They are ideal for the artist whose work is very large or if it is inconvenient for him to have a table adjacent to his easel.
Dots, squares, vertical and horizontal lines, human and animal figures both abstract and illustrative can be found in rock shelters and caves. They are found on the seals and amulets of the Indus valley. References to folk paintings are found in early classical texts. The Vishnudharmottara Purana, an ancient piece of painting refers to dhuli chitra (use of powder colours) and rasa chitras (use of wet colours).