Devil In The White City Analysis
Black and white, dark and light, demon and angel, are things many argue are inseparable. Throughout history this common theme of good and evil has shown in religion, lore, and everyday life. In American history this theme is also expressed. In the gilded age of U. S. history, a fair and an architect are the angels and a city and a murderer are the demons. The fair being the Chicago World fair, the architect being Daniel Burnham, the city being Chicago and the murderer being H. H. Holmes. In The Devil In The White City, Erik Larson uses juxtaposition, imagery-inducing diction, and light and dark metaphors of the Chicago World Fair and Chicago and of H. H. Holmes and Daniel Burnham to argue that good cannot
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H. Holmes and light and pleasant metaphors to describe the Chicago World fair, good and evil are portrayed as inseparable. In the story H. H. Holmes was the evil; “Events and people caught his attention the way moving objects caught the notice of an amphibian; first, a machine like registration, next a calculation of worth” (Larson 37). The comparison of Holmes to an animal takes away, in the reader’s mind, Holmes’s basic human right of compassion, and when he is compared to a machine, his soul is also taken away from him. The lack of a soul and a lack of compassion leaves Holmes without a heart, further showing the evil in him, and strongly contrasting the reader’s view of Burnham. In the book “Burnham was handsome, tall, and strong, with vivid blue eyes, all of which drew clients and friends to him the way a lens gathers light” (Larson 26). The complementary metaphor gives the reader a friendly image of Burnham; unlike the unwelcoming description of Holmes, Burnham is seen as handsome and trustworth. A lens gathers light with a shine showing that Burnham shined in the lackluster gilded age of America. The fair was also a “brilliant light that for a time dispelled the shadows” of Chicago (Larson 321). The fair being compared to a light shows that even though the buildings had a white hue the shine came from deeper within the fair. The fair affected people and changed the way people thought, destroying the darkness if only for a moment. After the fair Chicago’s depression only worsened; the winter became a crucible for American labor. To workers, Eugene Debs and Samuel Gompers came increasingly to seem like saviors, Chicago’s merchant princes like devils” (Larson 335). The comparison of Chicago’s winter to a “crucible for American labor,” shows that the depression the rest of America was facing did not take long to show in Chicago. The union leaders seen as angels and the big business owners seen as
On the surface, a beautiful, poisonous girl and a preacher shadowed by a black veil share no similar characteristics. However, in the works of Nathaniel Hawthorne, these characters share two remarkably comparable stories. The Minister’s Black Veil and Rappaccini's Daughter both share the symbolic use of colors, yet the characters’ relation to the outside world deviates. Hawthorne expertly contrasts colors to illustrate the battle of good against evil. In The Minister’s Black Veil, Mr. Hooper’s black veil contrasts sharply against the pale-faced congregation, just as Beatrice’s likeness to the purple flowers, described as being able to, “...illuminate the garden,” contrasts the darkness of Dr Rappaccini’s black clothing. These clashes of colors
In the late 1800’s America began to take on its own individual identity as a country. The Chicago World's Fair was a great influence for that notion. In Erik Larson’s The Devil in the White City he tells a duel nonfictional storyline of one of the fair’s architects and a serial killer living just outside the fair. By using imagery, juxtaposition, and syntax Larson is able to enchant the reader and make the novel read like a fiction.
The World Fair of 1933 brought promise of new hope and pride for the representation of Chicago, America. As Daniel Burnham built and protected America’s image through the pristine face of the fair, underlying corruption and social pollution concealed themselves beneath Chicago’s newly artificial perfection. Erik Larson’s The Devil in the White City meshes two vastly different stories within 19th century America and creates a symbolic narrative about the maturing of early Chicago.
All of these strategies combined make the reader imagine and want to see all of the amazing qualities Chicago has. Larson’s use of these writing strategies creates an image of the fair and the small but extravagant parts to make it the dreamlike qualities in The Devil in the White
Brumwell, Stephen. White Devil: A True Story of War, Savagery, and Vengeance in Colonial America. Da Capo Press Inc. March, 2005.
Erik Larson’s book Devil in the White City is full of magic and madness that has shaped the society of the late 19th century that is specific to in Chicago. The issues that have been handled through this time frame that are addressed in this book is that how Chicago was known to be the black city at first, and how the city hoped that hosting the World’s fair would increase their reputation. Secondly, the magic of a man named Daniel Burnham that did put the plans of the world fair in Chicago into life and the obstacles that he had overcame. Next, once the world fair was complete, it has made Chicago “The White city,” by its dazzling designs and attractions that made it memorable. Then, the madness of H.H. Holmes and how his evil deeds has seemed to undermine the world fair and the things that are going on within it with his murders and treachery that does grip Chicago once his evil deeds have been found out. Finally, the events that happened in the world fair that relate to the issues that occur in the late ninetieth century within the United States. The city of Chicago was in a desolate condition before it hosted the World Fair.
In the note “Evils Imminent,” Erik Larson writes “Beneath the gore and smoke and loam, this book is about the evanescence of life, and why some men choose to fill their brief allotment of time engaging the impossible, others in the manufacture of sorrow” [xi]. The purpose of this novel is to compare and contrast the book's main characters, Daniel Burnham and Henry H. Holmes. The characters have contrasting personalities and feelings, but a few similar motives to a certain extent.
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
Two men with two different ways of life are connected through a time period and these two words: determination and dedication. Erik Larson does a great job developing these two characters in The Devil in the White City. On one hand, Daniel Burnham is trying to build the world’s fair in Chicago, on the other H.H. Holmes is a dedicated doctor who is determined to open a hotel for the world 's fair. Burnham is determined and works diligently to get the job done, and he won’t stop for any reason. Holmes driven dedication towards this isn’t for the common reason of making money, but instead he wants to create a safe place that he can murder people. The major difference is that Burnham choose the better path, so he was able to help others in the process. Burnham gave a blank canvas to so many inventors and creators, so that they could change the way things are viewed in the world. These two men show the opposite ends of the spectrum, which is why we have different results caused by their determination and dedication.
“The Devil in the White City” by Erik Larson was a mix between two stories that overall worked well together. The stories worked together to convey the true overall meaning of the theme good versus evil. Good and evil are seen everywhere throughout the novel, even in the most obvious of places such as the title. Good and evil, dark and light, they all stand for the same thing. White is normally found to be pure and good. By the author naming the book, The Devil in the White City, he is trying to tell the reader that the novel is about how even in truly pure places evil will follow. Although, good and evil is the main theme of this novel, I found that if you look deeply into the way he tells the story, he is also trying to tell his reader about other themes. These other themes that you can find all throughout the book are things such as pride and determination. These other themes were very prominent and played very well into the plot and the theme of the story.
The book, The Devil in the White City, takes place during the late nineteenth century. During that time, the total picture of the late nineteenth - century America that emerges from The Devil in the White City is very different than now.
“Young Goodman Brown”, by Nathaniel Hawthorne, delves into the classic battle between good and evil; taking the protagonist, Goodman Brown, on a journey to test the resolve of his faith. Goodman ventures out on his expedition deep into the sinister forest, in order to repudiate the attempt of the devil to sway him from Christianity; a test he believes his devout faith is prepared to confront. Goodman Brown is forever altered in ways unforeseeable by taking a stroll with the ultimate antagonist, the devil himself. The prevailing theme in this literary work, which is common in Hawthorne’s gothic writing, is the realization that evil can infect people who seem perfectly respectable. Throughout the course of his journey, Goodman Brown discovers that even highly reputable people of Salem are vulnerable to the forces of darkness.
The lines that define good and evil are not written in black and white; these lines tend to blur into many shades of grey allowing good and evil to intermingle with each another in a single human being. Man is not inherently good or evil but they are born innocent without any values or sense of morality until people impart their philosophies of life to them. In the words of John Locke:
The battle between what is right and wrong is a classic struggle that has existed from the beginning of time. The most honorable people face the crossroad of choosing either the angel’s path or the devil’s; one path leads to an honest yet difficult life while the other is an easy and selfish one. Throughout history, women have been portrayed as the reason of Man’s downfall. The male dominated world has created stereotypes to blame females for their defeats due to ignorance. Leo Tolstoy’s “The Devil” explores the dichotomy of the objectification of women as the angel and the devil.
of Heaven with a third of the angels into the abysses of Hell. Satan then has only one