Gerard Nanley Hopkins’ Poem “God’s Grandeur”
Gerard Nanley Hopkins’ poem “God’s Grandeur”, illustrates the relationship connecting man and God. Hopkins uses alliteration and stern tone to compliment the religious content of this morally ambitious poem. The poem’s rhythm and flow seem to capture the same sensation of a church sermon. The diction used by Hopkins seems to indicate a condescending attitude towards society.
The first stanza states that we are “charged with the grandeur of God”, or the direct quality of God’s being. This statement begins to express the overall feel or idea of a lecture by stating that society will be held accountable for its actions. Hopkins exhibits his lack of faith in humanity by stating that God’s quality will “flame out” on the account of mankind. He feels mankind will be “crushed” while attempting to bear this burden. He then asks why mankind is not attentive to God’s right to rule. The question proposed, changes the final tone of the last stanza from judgment to curiosity.
The second stanza reinforces Hopkins’ idea concerning the capability of mankind with undertaking such an enormous commission. He states that “Generations have trod, have trod, have trod” (Hopkins 880). This verbal repetition emphasizes the importance of our generations past; that we have destroyed much of the Earth. The diction used in the second and third lines of this stanza seems to illustrate a furious rant by Hopkins. He states that we are guilt...
A poem which evokes a mood of pity in the reader is “Assisi” by Norman MacCaig. In this poem, MacCaig recounts an experience that shaped his own life while visiting the Basilica of St Francis of Assisi in Assisi, Italy. While the church is known for it’s outstanding beauty and priceless artwork, the poet discovers a beggar with severe physical disabilities begging outside the church. MacCaig then exposes the irony of the church constructed to celebrate a man devoted to poor, is now a symbol of hypocrisy. Instead of being a lasting monument to the original and noble philosophies of St Francis. Norman MacCaig evinces pity within us by effectively applying techniques such as vivid imagery, emotive word choice and contrast.
On July 8th 1741, Jonathan Edwards preached the sermon “Sinners in the Hands of an Angry God” in Enfield, Connecticut. Edwards states to his listeners that God does not lack in power, and that people have yet not fallen to destruction because his mercy. God is so forgiving that he gives his people an opportunity to repent and change their ways before it was too late. Edwards urges that the possibility of damnation is immanent. Also that it urgently requires the considerations of the sinner before time runs out. He does not only preach about the ways that make God so omnipotent, but the ways that he is more superior to us. In his sermon, Edwards uses strong, powerful, and influential words to clearly point out his message that we must amend our ways or else destruction invincible. Edwards appeals to the spectators though the various usages of rhetorical devices. This includes diction, imagery, language/tone and syntax. Through the use of these rhetoric devices, Edwards‘s purpose is to remind the speculators that life is given by God and so they must live according to him. This include...
Yet the Reverend also uses the word 'beautiful' and appreciates the wonders of the natural world. Certainly, a sense of something beyond the pragmatic permeates Maclean?s story. This ?something? is incarnated in Paul, who obviously does not conform to a narrowly-defined description of a ?good Christian.? He is a rabblerouser adrift in the world, a sophisticated ladies? man and gambler who squanders what is seemingly ample journalistic talent. Paul, however, is also effortlessly artistic, able to break free of his father?s strict fishing instructions to create his own poetry with a rod. Surely, something holy must reside in the sheer, effortless beaut...
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Extensive work has been done on this alliterative four-part poem written by an anonymous contemporary of Chaucer. Feminists have attacked his diatribe against women at the end, or analyzed the interaction between Gawain and the women of Bercilak’s court; those of the D. W. Robertson school seek the inevitable biblical allusions and allegory concealed within the medieval text; Formalists and philologists find endless enjoyment in discovering the exact meaning of certain ambiguous and archaic words within the story. Another approach that yields interesting, if somewhat dated, results, is a psychological or archetypal analysis of the poem. By casting the Green Knight in the role of the Jungian Shadow, Sir Gawain’s adventure to the Green Chapel becomes a journey of self-discovery and a quest – a not entirely successful one – for personal individuation. The Jungian process of individuation involves “.... ...
Blake was not satisfied merely to write poems and send them off to a publisher; instead, he designed illustrations to accompany his poems, engraved the poem-illustration works onto copper plates, printed the plates onto paper, and (when color was desired) colored the pages by hand, then bound the printed pages into volumes for sale. Blake was assisted in much of this work by his wife, Catherine, who had been illiterate when he ma...
Welch opens the story with this line to show a relationship between the narrator's feelings of worthlessness and the worthlessness of his environment. In addition, the author melodically begins the novel in a somber manner ? so the reader may immediately adjust to the tone encompassing the story.
William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.
...ense of guilt or transgression remained important in his more mature works.” (Riede, G, David).The overall poem covers how he really feels about life and that it shouldn’t be taken for granted.
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
The Myth of the Latin Woman: I Just Met a Girl Named Maria, an essay written by Judith Ortiz Cofer, discusses the racial stereotypes Cofer struggles with as a Latin woman who travels across America. Throughout her life, Cofer discusses her interactions with people who falsely misjudge her as a Latin woman. Additionally, Cofer mentions other Hispanic women she has met in her life, who also suffer with racial assumptions. Although several people would disagree with Cofer and claim that she is taking racial remarks too seriously, racial stereotyping is a significant issue that should not be overlooked in our society. People should not base someone’s worth by their outward appearance or their ethnic background.
Edward Taylor’s poem “The Preface” consist of questions as to how the world was created. The purpose of this poem is to reveal God's sovereign authority over creation and life itself. No sooner do you understand one paradox that he changes to a different set that gets a little confusing. The need to understand the next set of metaphors and picture it and then to put all together to get the message that Taylor was trying to give.
...s,'; and “waste allotments.'; This stanza is the most important because it claims that “When logics die, / The secret soil grows through the eye, / And blood jumps in the sun.'; Making the final connection with the holy presence in the earth that grows up through the body and into the brain, Thomas conveys that God will save us and be there when we are empty and he will bless us at times when we need it most.
Butt, John (Ed). The Poems of Alexander Pope. A one-volume edition of the Twickenham text with selected annotations. London. Methuen & Co Ltd. 1963. First published in University Paperbacks 1965, Reprinted with corrections 1968. Reprinted 1977;
In doing this, the usher of the church on “Fifth Avenue,” abandoned someone less fortunate in order to maintain a good appearance. This “house of God,” which should be opening its doors to give a he lping hand, turns away a man in need of help. Hughes shows betrayal in the same poem, when the less fortunate man asks St. Peter if he can stay. St. Peter replies, “You ca...