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The short story, Geraldo No Last Name, comes from a collection of many stories written in the book The House on Mango Street. The narrative is about a young Puerto Rican woman named Marin. Marin enjoys dancing and tends to go out to different dance halls around the city, one night she meets a young, attractive Mexican man named Geraldo. Although they dance and talk together for hours Marin only learns two things about the young gentleman. One, he worked at the restaurant and two, his name was Geraldo. Later that night, Geraldo dies in a hit and run accident and is brought to a hospital’s emergency room. Being that Marin was the last person with Geraldo and he has no form of identification on his person, Marin has to come to the hospital to
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
In the second story of Drown by Junot Diaz, Yunior and Rafa have already been in the United States of America for about three years. In this story, their mother’s sister came to the United States. They travel to the Bronx in order to celebrate their aunts and uncles’ arrival. In Fiesta 1980, we meet their father and sister, and learn more about their mother. Through the way they all interact, we learn more about each family member’s characteristics and their family dynamic.
Through the view of a young girl, this story really captures what it’s like to feel like immigration is the only option for a family. In the story, set in the 1960’s, Anita lives in the Dominican Republic, a country with a dictator named el jefe. One day at school, Anita’s cousin is called out of class, and Anita is asked to go with. She finds out that her
The short story No Oyes Ladrar a Los Perros emphasizes the importance of family. The protagonist in the story is Ignacio. He got mixed in the wrong crowd after his mother died and became a thief and a murderer. One night, he is robbing someone's house and in self-defense, the person stabs Ignacio, which causes a fatal injury. His dad then finds him, carries him on his shoulders, and carries him into the city in an attempt to find a doctor. On their way there, his dad asks him ¿Lloras, Ignacio? Lo hace llorar a usted el recuerdo de su madre, ¿verdad? Pero nunca hizo usted nada por ella. Nos pagó siempre mal. Parece que en lugar de cariño, le hubiéramos retacado el cuerpo de maldad. ¿Y ya ve? Ahora lo han herido. ¿Qué pasó con sus amigos? Los
In this short story Sandra uncover the tension between Mexican heritage and demands of the American culture. Cleofilas life consisted of never ending chorus, no good brothers, and a complaining father. She is so excited when the day come for her to become married so she can move away from her town where she grew up, were there isn’t much to do except accompany the aunts and godmothers to the house of one or the other to play cards. She was excited to be far away, all she could think about was to have a lovely house and to wear outfits like the women on the tele. Her picture of the ideal Mexican wife soon became a nightmare when she finally arrived to Texas, where she
matter how hard people wish on a star or on a candle, the wishes never seemed to be
Many writers focus their works of written art on life situations. They focus on drugs, poverty, stereotypes, young adults living in a difficult world, and of course a topic that has been present for many years, male dominance. Abraham Rodriguez Jr. in “The Boy Without a Flag” captures all these themes and more in his Tales of the South Bronx, which relate to the lives of many Hispanics and minority residents of the United States. He begins his book with his short story, The Boy without a Flag. This story is really touching, especially for very patriotic people that live in the United States, but that come from other parts of the world, in this case Puerto Rico.
The stories of Sandra Cisnero center on the ideas that Mexican-American women have a hard time dividing themselves between two separate worlds, countries and cultures. Traditionally, Mexican and Chicano women are quiet, obedient and not sexual. American women are outgoing, do their best to be different from traditional standards and have freedom in their sex lives. In the stories “Woman Hollering Creek” and “Never Marry a Mexican,” this separation is explored in the mode of strong, female characters. The analysis shows that the struggle for a Mexican-American woman is real in modern times, but can be overcome with a strong female identity – as a woman undefined by her ethnic background.
While writing the book House on Mango Street Sandra Cisneros uses unusual language throughout the story to highlight the theme, characters, setting, and conflict. For example, on page eight during the Boys and Girls vignette, Cisneros uses the word we to show the contrast between the girls and the boys that live on Mango Street.
For most Hispanic families, the grandmother, if she has lost her husband, will live with one of her children. The grandmother also only mainly speaks Spanish, which is how most older Hispanic people are as well. Hispanic families are often always numerous in that there is usually more than one child per family. The author, a Hispanic person herself, portrays this aspect of the story successfully. Continuing, the play begins with the family on the boat except for Margarita who is already in the water. The main person involved in this marathon aside from Margarita is her father, Eduardo. They seem to have a close relationship and I say this because he is the main person encouraging her and cheering her on. He really wants her to succeed and I felt that that represents how Hispanic immigrants feel about succeeding in America. They will do whatever it takes if it means having a home, a successful job, and a happier
The opening section of this story is a third person narrative. The narrator immediately introduces a poor Chicano family with two young children. A few initial facts that the reader picks up in the opening paragraph are that both parents have to work, the children often play by themselves in back allies and carry their own keys, and the father has warned the children to always avoid the police.
Junot Diaz is a Dominican-American writer whose collection of short stories Drown tells the story of immigrant families in the urban community of New Jersey. His short story “Fiesta, 1980” focuses on Yunior, an adolescent boy from Dominican Republic and his relationship with his father. On the other hand, Piri Thomas was a great Latino writer from Puerto-Rico whose memoir Down These Mean Streets tells his life story as an adolescent residing in Harlem and the challenges he faces outside in the neighborhood and at home with his father. Both Diaz and Thomas in different ways explore the dynamics of father-son relationships in their work. Furthermore, both expose masculinity as a social construct.
Geraldo was an unknown man, no one knew or where he came from and one night he comes across a girl named Marin who caught his interest. Marin was the only girl that knew him that occurring night. An example of the short story is when Marin described him the way no one else would be able to describe him the way she did” Just another wet. You know the kind. The ones who always looked ashamed. And what was she doing out at 3:00 AM anyway”(cisneros 7).The quote proves that although Marin had a certain impression of him she not only did not know Geraldo that well she was there for him when no one else cared.According to the short story Marin was the only one that cared in the world to what had happened to Geraldo“Only marin can’t explain why it mattered, the hours and hours, for somebody she didn’t know.The hospital emergency room.Nobody but an intern working all alone.And maybe if the surgeon would’ve come, maybe if he hadn’t lost so much blood, if the surgeon had only come, they would know who to notify and where”(Cisneros 6).The quote proves that Marin was there for Geraldo throughout the hit and run accident for a man who had no family with him but only her by his side without knowing she was there trying to help in any way she could. Through the actions Marin had shown for Geraldo she shows her consideration towards him by being there when no one else
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
Sandra Cisneros reveals her feminist views through her novel The House on Mango Street. She does this by forcing the reader to see the protagonist as an alienated artist and by creating many strong and intelligent female characters who serve as the protagonist's inspiration.