The Canterbury Tales by Geoffrey Chaucer
Are there many ways that themes and symbols can be shown in stories? Geoffrey Chaucer uses many different themes, symbols and styles in writing all of tales in The Canterbury Tales. By using these things, Geoffrey utilizes several specific symbols to illustrate various central themes. The characters in the tales make the same mistakes that ordinary people would make, and they receive the same or even worse consequences. One message that is portrayed is greed can make people to evil actions.
Chaucer, Geoffrey. "The Pardoner's Tale." Chaucer's Works. Ed. Walter W. Skeat. Vol. 4. London: U of Oxford, 2007. N. pag. Web. 24 Apr. 2014
Canterbury Tales-A personal perspective on the Medieval Christian Church
In researching Geoffrey Chaucer’s collection of stories named The Canterbury Tales, an interesting illustration of the Medieval Church becomes evident. A crooked society exists within the corrupt, medieval church community. Not all of the clergy’s intentions were corrupt, but as Chaucer, through his character the Pardoner,so well put it,“Radix malorum est cupiditas';, ( Love of money is the root of all evil). Many corrupted evils, such as greed, drove the clergy to deviate from the spirituality that religion was originated from.
Sit and Spin: Chaucer’s social commentary grows from so-called "intrusion" The relationship Geoffrey Chaucer establishes between "outsiders" and "insiders" in The Canterbury Tales provides the primary fuel for the poetry’s social commentary. Both tales and moments within tales describing instances of intrusion work to create a sense of proper order disturbed in the imaginary, structured universes presented by the pilgrims. The perturbances, conflicts born of these examples of, "intrusion into the inner circle," bear the responsibility for most of the ironic-comedic role reversal on which the Tales thrive. From the knight’s rape of a maiden in the Wife of Bath’s fantastic tale to Absolon’s jamming of a hot iron into Nicholas’ rectum in the Miller’s tale, examples of such invasion and inversion represent the foundations of most of the tales’ plots. Chaucer exposes his fundamental device in the opening stanza of the General Prologue. The first five lines of the poetry address only major natural forces—"Aprill with his shoures soote," (1) and, "Zephirus…with his sweete breeth" (5). Life forms, first grain and then birds, grow organically from these bricks of the earth. The poet creates a chain of existence molded into a comfortable hirearchy that culminates in "smale foweles maken melodye" (9) after the mountain of nature from which they were born jabs them into action. Man drops onto this finely constructed reality from an unrelated angle. The poet explains that Men, like birds, find Spring’s call irresistable and, "Thanne longen…to goon on pilgrimages" (12). However, people do not arise from the same flow of the narrative.
The portrayal of the Pardoner in the Canterbury Tales gives Chaucer a chance to satirize religious men in their deceitful, lying ways. The Pardoner is a liar. He persuades people to purchase certificates of forgiveness by preaching his moral stories. Chaucer creates the Pardoner to be a very greedy and deceitful preacher when he writes, "'And thus I preach against the very vice/ I make my living out of--avarice,'" (Chaucer 24-25). The Pardoner is telling his crowd that he preaches certain stories to make a living rooted in greed. He is so obssesed with greed, and want for money, the Pardoner will blatantly lie every day of his life. Chaucer is satirizing religious men in the story to make fun of them, and try to improve their behavior in the
Tales written in Canterbury Tales divulge the characteristics of 31 characters, each one particularly refined in their own unique way. Geoffrey Chaucer made it easy for the reader to divulge oneself in the characteristics of just one character. One of these characters includes the Pardoner. In many of the stories in Canterbury Tales, they often reflect the characteristics of the character telling them, as if each story is meticulously crafted to reflect upon the characters telling them. The Pardoners allegoric tale appears to be especially evident to this, as The Pardoners tale conveys many personal traits including greed, hypocrisy, and arrogance.
One of the people’s traits affected by human nature in many stories is greed. As shown throughout, greed is an evil sin. This is especially obvious in the Pardoner’s Tale, where the Pardoner, a church-appointed official who collects gold for absolving people their sins, tells about the evils of money. In the story, three friends, who wanted to make the world better by killing death, find gold, and unwilling to share, start planning to kill each other. Two friends sent the third to bring them food and wanted to kill him after he came back. The victim, however, also wanted the money, and poisoned their drinks. As a result, all three friends die. “Thus were these two homicides finished,/ and the false poisoner too.” (Chaucer 365). Even though Chaucer’s conclusions are not expressed and actually are very different from what the Pardoner says, Chaucer manages to convey h...
Chaucer’s innovation in the Pardoner’s performance tests our concept of dramatic irony by suggesting information regarding the Pardoner’s sexuality, gender identity, and spirituality, major categories in the politics of identity, without confirming that information. Our presumed understanding of the Pardoner as a character lacks substantiation. As we learn about the Pardoner through the narrator’s eyes and ears, we look to fit the "noble ecclesiaste" (l. 708) into the figure shaped by our own prejudices and perceptions, as any active reader must do. But the Pardoner, ever aware of his audience, does not offer clear clues to his personality. This break between what the other characters say about the Pardoner and what the Pardoner says about himself has been a major source of tension for all readers of the Tales and especially critics who search for substantiation of their views beyond the Chaucer’s own language. The general tone of the Canterbury Tales is comic. After all, the pilgrims are traveling to the shrine St. Thomas Beckett in a public act of holy reverence, but the Tales take a darker turn when the Pardoner is brought to the foreground. The whole Canterbury Tales is a collected set of performances, stories told about telling stories. As Joseph Ganim has written, theatricality, by which he means "a governing sense of performance, an interplay among the author’s voice, his fictional characters, and his immediate audience," is "a paradigm for the Chaucerian poetic" (5). This paper shall endeavor to show that the major effect of the Pardoner’s presence in the Tales is to focus the reader’s attention to questions of performance and performativity, literary perception, ...
In “The Pardoner’s Tale,” Geoffrey Chaucer masterfully frames an informal homily. Through the use of verbal and situational irony, Chaucer is able to accentuate the moral characteristics of the Pardoner. The essence of the story is exemplified by the blatant discrepancy between the character of the storyteller and the message of his story. By analyzing this contrast, the reader can place himself in the mind of the Pardoner in order to account for his psychology.
Chaucer first begins his sly jab at the Church’s motives through the description of the Pardoner’s physical appearance and attitude in his “Canterbury Tales.” Chaucer uses the Pardoner as a representation of the Church as a whole, and by describing the Pardoner and his defects, is able to show what he thinks of the Roman Catholic Church. All people present in the “Canterbury Tales” must tell a tale as a part of story-telling contest, and the pilgrim Chaucer, the character in the story Chaucer uses to portray himself, writes down the tales as they are told, as well as the story teller. The description of the Pardoner hints at the relationship and similarity between the Pardoner and the Church as a whole, as well as marks the beginning of the irony to be observed throughout the “Pardoner’s Prologue and Tale.” The narrator describes the Pardoner as an extremely over confident, arrogant, and unattractive man, noting that his hair is “as yellow as wex,” lying thin and fl...