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Mary Shelley’s Frankenstein shows the necessity of friendship. Throughout her novel, Shelley shows that everyone needs an equal with whom they can talk and share experiences. Frankenstein’s main characters, Robert Walton, Victor Frankenstein, and the monster, all share a desperate desire to have close friends. The idea at the heart of Shelley’s novel seems to be people need each other to balance out our individual negative aspects. As Shelley says, “We are unfashioned creatures, but half made up, if one wiser, better, dearer than ourselves-- such as a friend ought to be-- do not lend his aid to perfectionate our weak and faulty natures” (24). This also agrees with Shelley’s feministic views; men and women need each other to thrive, and one …show more content…
He has a Faustian need for knowledge; he tells Walton, “It was the secrets of heaven and earth that I desired to learn… my inquiries were directed to the metaphysical, or, in its highest sense, the physical secrets of the world” (33). Frankenstein’s relationship with his monster is somewhat indicative of his character. Although Frankenstein’s eventual treatment of his monster, while certainly not admirable, is too intertwined with his feelings about the murder of William and the subsequent death of Justine Moritz to be a true testament to the quality of his character, his initial reaction to his monster’s existence is an apt judge of his character. His response indicates that he rashly worked on what he considers to be no more than his project, rather than thinking of the implications of attempting to create a new life form in an unnatural manner. Frankenstein’s lack of consideration is a definite character flaw, albeit one that could have been easily prevented by talking to a friend. However, Frankenstein’s biggest downfall seems to stem from the fact that he is also a social recluse. Despite the fact that he has several people who he is close to, including Henry Clerval and his cousin Elizabeth, Frankenstein constantly allows his work to take precedence over the rest of his life, often shutting out those he loves most. He later confesses to Walton, “I seemed to have lost all soul or sensation but for this one pursuit… my …show more content…
The monster does not know companionship for the entirety of its life. As soon as Frankenstein creates it, Frankenstein flees with horror, leaving the monster alone to aimlessly roam the earth. As the monster tells Frankenstein, “You, my creator, abhor me, what hope can I gather from your fellow-creatures, who owe me nothing? They spurn and hate me” (89). When the monster attempts to talk to the German peasant family that unintentionally taught him how to speak, they attack and fear it. The monster then flees the country and rescues a young country girl, but upon her return, the girl’s father shoots the monster. The monster swears vengeance, saying, “This was then the reward of my benevolence! I had saved a human being from destruction, and, as recompense, I now writhed under the miserable pain of a wound, which shattered the flesh and bone” (125). Despite the monster’s initial kind-heartedness, life soon forces it to become cruel. The monster relentlessly searches for Frankenstein, so he can politely ask him to create an equally monstrous wife. When Frankenstein refuses, it swears revenge, saying, “I will revenge my injuries: if I cannot inspire love, I will cause fear; and chiefly towards you my arch-enemy, because my creator, do I swear inextinguishable hatred” (129). The monster then proceeds to murder everyone Frankenstein cares about, including his family, Henry Clerval, and
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
The unwavering desire for knowledge may cause the decay of relationships. This idea is displayed as Victor Frankenstein, the protagonist, continually desires to create human life from inanimate materials, which leads to the destruction of many of his relationships. Frankenstein, by Mary Shelley, exhibits how the constant desire for information may cause the deterioration of relationships through the decayed relationships Victor has with himself, his family, and society.
In Mary Wollstonecraft Shelley’s novel “Frankenstein”, the monster’s account of his life from the day of his “birth” is distinct to the audience. As the monster constructs a narrative of his life from the day of his “birth” throughout his development in the novel, he has a request for his creator, Victor Frankenstein, too—to create a female partner for him. Although Victor Frankenstein does not fulfill the task he was requested to do, the monster persuaded him to agree to and to fulfill the task of creating a female partner for him. The monster uses ethos, organic imagery, and tonal shift to persuade his creator, Victor Frankenstein, to fulfill the task.
Human companionship is one of the most basic needs of humans that can be seen in the Creation story. It is tricky for any human to find the perfect companion especially if one is one of a kind. In Mary Shelly’s Frankenstein two characters exemplify this need. Dr. Victor Frankenstein and The Creature are in search of companionship, and they will go to great lengths to achieve it.
The creature displays his hatred toward Frankenstein for leaving him immediately and not providing guidance and protection in this harsh, new world by murdering his family and friends. While seeking his creator, the creature first murders Victor Frankenstein’s youngest brother William and exclaims, “I too can create desolation; my enemy is not invulnerable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him” (Shelley 144). The creature wishes for Victor Frankenstein to suffer taking his own companions away, forcing him to be miserable as well by destroying his personal relationships with others by murdering loved ones. Through the rejection of the creature because of his physical appearance, he learns what is accepted as well as how you can treat another being as he succumbs to his anger and proceeds with his crimes. The creature tells Frankenstein, “your hours will pass in dread and misery, and soon the bolt will fall which must ravish your happiness forever.
Throughout the history of mankind, the question of what it means to be a human being has been contemplated for centuries. Numerous philosophers have read and debated this significant question and it is still reflected upon today. Frankenstein, written by Mary Shelley plumbs the depth of this question with the example of a creature who is spurned by humanity despite being human in character. The discernment of creature from man is still misconstrued as shown in this tale, but its importance lies in the message Frankenstein that appearances matter very little when it comes to being human. The creature’s human qualities of its emotions, desire for companionship, and intelligence set it apart as uniquely human from simply a base and barbaric monster
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
never love him. Through most of Chapter 17 we see Frankenstein and the Monster arguing over whether Frankenstein will make the Monster a female for the Monster to have as a companion. Frankenstein feels it is wrong to bring another Monster into the world in case it has. devastating effects on the world. The Monster how ever blackmails Frankenstein, saying that he’ll make his life a living hell if he.
In the novel Frankenstein, by Mary Shelley, loneliness is a key theme. There comes a point in the novel where Dr. Frankenstein has to make a decision: to either make his creature an equal woman companion or to refuse his protégé and face the dire consequences. At this point, Frankenstein is knowledgeable that his creation is the murderer of his brother (and indirectly caused the execution of his family friend Justine). He sees just exactly the problems that his creation has caused and how much pain his family is suffering from these losses. On the other hand, the monster offers peace and a ceasefire to Frankenstein’s family if he obtains what he most desires.
There was no one left to provide the creature with companionship and was forced to isolate himself from society once again. When the family moved out of their cottage, the creature decided to go on his own adventure and seek out his creator. Upon doing so, the creature encountered a young girl who was about to drown near a lake. When the creature successfully saved the little girl, an older man confronted the creature and shot him in the shoulder. Because of what happened, the creature explained to Frankenstein that his, “...daily vows rose for revenge-a deep deadly revenge, such as would alone compensate for the outrages and anguish [he] had endured.” (Shelley 61). With this burning rage, the creature decided to take his revenge out on his creator, Frankenstein. One by one, Frankenstein’s relatives and closest friends were murdered by the creature, but his father’s death, was the final push. Frankenstein believed that he was the cause for all the murders and that he had to destroy what he created. He told Walton that, “...as [he] awakened to reason, at the same time awakened to revenge.” (Shelley 88). The only way to stop future deaths, was to hunt down the creature and kill him. Fueled with hatred, Frankenstein traveled for months in hopes of finding the creature. However, in his final days, Frankenstein was no longer
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Mary Shelley’s Frankenstein reflects her real life; a life filled with loss. She lost her mother, and so did Victor Frankenstein. It would only make sense that the theme of the novel is human connection. Throughout the story, the monster searches for it, as well as Victor, and quite frankly everyone else.
Afterwards, he comes to deeply regret his action and abandons the Monster by throwing him out into the world without any education or guidance. Because of this, throughout the book, the Monster harbors resentment towards Frankenstein and dedicates his life to making Frankenstein’s a living hell. Out of the many horrible things that the Monster did to achieve this goal, the main evil action I will be focusing on is the murder of William, Frankenstein’s younger brother, and the framing of his nanny for the murder. After being continually rejected by not only his creator, but countless other humans based only on his gruesome appearance, the Monster decides to exact revenge on humankind and especially on Frankenstein for giving life to such a horrible creature as himself. Upon deciding this, the Monster decides to go to his hometown and look for Frankenstein, and along the way runs into William.
The element of loneliness and the need for companionship is an important topic in the characters’ lives in Frankenstein. The characters want to have one person they can go to for anything and everything, during the good and the bad times. In the novel, Frankenstein by Mary Shelley, Robert Walton, The Creature, and Victor share the sense of loneliness and all long for companionship. Robert Walton is lonely at the beginning of the story and develops a companionship throughout the novel. The creature is Victor’s companion, but soon develops a desire for a friend. Victor is the most lonely because, Victor longs for the love that a companion could bring to his life. The want for a companion throughout the novel affects the three characters negatively and positively.
Throughout Mary Shelley’s classic novel Frankenstein, Victor Frankenstein pursues, with a passion lacking in other aspects of his life, his individual quest for knowledge and glory. He accepts the friendships and affections given him without reciprocating. The "creature," on the other hand, seems willing to return affections, bringing wood and clearing snow for the DeLaceys and desiring the love of others, but is unable to form human attachments. Neither the creature nor Victor fully understands the complex relationships between people and the expectations and responsibilities that accompany any relationship. The two "monsters" in this book, Victor Frankenstein and his creation, are the only characters without strong family ties; the creature because Frankenstein runs from him, and Victor because he runs from his family.