The key figure in the novel Frankenstein, by Mary Shelley, is a monster who “was benevolent and good; [but] misery made [him] a fiend” (Shelley 84). The monster is originally created to possess love, kindness, and other human characteristics, but after years of solitude due to his inhuman ugliness, his life is left in ruins. Humans’ normal response to being alone or feeling like no one cares about them, is to curse others and the world. The monster has the same reaction after he is physically and emotionally rejected by society and his creator. Frankenstein explores the journey of a monster and how he deals with his human emotions when he is let out into the world to fend for himself. The monster’s response to his isolation from society is …show more content…
Although the monster is constructed out of human parts, he is disfigured, “unnaturally hideous,” and deemed society’s “chief object of horror” (Shelley 112). He is instantly labeled as an evil and destructive creature, overshadowing any sort of goodness he may possess. However, the monster is vulnerable and highly sensitive similar to a human baby, but physically continues to be humanity's “chief object of horror.” While the monster reads the journal written by his creator, he is horrified by what he reads: “‘Hateful day when I received life!' I exclaimed in agony. `Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust?’” (Shelley 111). The monster is shocked that his sole purpose was to bring glory to Frankenstein, but now his creator considers him to be a regretful mistake. Like being abandoned by a parent, he is filled with rage and dejection after hearing how his creator wishes to have nothing to do with him. After hearing it was a “hateful day” when he “received life,” the monster goes on to question his worth and reason for existing. By thinking about his place in the world and the emotions from his experiences, he ultimately tries to understand his human
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
In the novels Night and Frankenstein, both Wiesel and Shelley express that human injustice towards outsiders makes both individuals who act unjustifiably and individuals affected by those actions monsters. In Night, the prisoners that were taken to the camps were stripped of their morales of what is right and wrong because of the intense oppression due to the Nazis. Elie describes that he “dug [his] nails into unknown faces. [He] was biting all around… in order to get air” (Wiesel 89). The dehumanization of others and the keenness for self preservation causes prisoners to act inhumane towards each other. In Frankenstein, the monster describes himself as “benevolent; [his] soul glowed with love and humanity: but [is he not] alone, miserably alone” (Shelley). This thinking quickly changed when he realized no one would ever accept him. When society completely ostracizes an individual, they not only feel alone but they feel the need to express their feelings through revenge. The monster shown in Frankenstein is an example of how feelings of rejection can inspire feelings of hatr...
The Creature was born capable of thing such as love and sympathy though he lost these capabilities as a result of how he was treated. The creature’s heart was ‘fashioned to be susceptible of love and sympathy’ but wrenched with misery to ‘vice and hatred’. On a cold night in November, Victor Frankenstein brought his creation to life. This creation has thin black lips, inhuman eyes, and
The gothic novel Frankenstein by Mary Shelley highlights the idea that the real monsters of the world are humans and society, and that most traits that most humans despise are actually within all of us. Frankenstein shows that any human can be so corrupt as to be a “monster”, and that beings society considers repulsive and evil can be human at heart. Shelley exposes human faults such as hubris and irresponsibility through the main character of the novel Victor Frankenstein, who creates a living being and refuses to care for it, sending it into the unwelcoming hands of society. Victors irresponsible actions lead to many deaths and events. As the novel progresses, Dr. Victor Frankenstein and the Monster he creates become more and more similar
It is commonly known that humans desire human interaction in order to remain linked to society. Lack of connection to the outside world, or even rejection by a loved one, can cause someone to become depressed and want to isolate themselves from everything. In Frankenstein, Mary Shelley creates a character who embodies all of the human reactions to rejection, isolation, and learning. The journey it goes through is difficult and is full of hardships. Being abandoned and lacking companionships affects his life so greatly, and although not technically human, he still possesses human qualities that allow him to feel this disappointment. The creature desires to love and be loved, but his forced isolation and desertion by his creator
Few human experiences are as wretched as facing the fact that one is alone; perhaps because isolation is so easily recognized and dwelled upon when one is without friends to distract from life’s woes. Now consider isolation at its most extreme and ponder what such abject loneliness would work upon man. This is the fate of Dr. Frankenstein and the Monster in Mary Shelly’s Frankenstein. Frankenstein is the story of how one man’s experiment has the unintended consequence of making Frankenstein and his creation, the Monster, completely isolated from the rest of humanity: the creator of the unnatural monster dares not relate his tale lest due to his punishing guilt, and the hideous being himself shares neither kinship nor experience with anyone.
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
Humans are seen by many as the exemplary species on earth, intended by God to dominate and take control of others. Humanity cannot be characterized as a physical trait; for one can appear to be human on the outside but within are nothing near a human. Within Mary Shelley’s Frankenstein, humanity can be considered an emotional experience; an experience where one is always longing for acceptance and naturally conforms to avoid being ostracized or different. The monster is made from human parts and in human likeness, but is not seen as a human being by many. Such is a question raised by many; is the monster human, or is he a filthy demon to which Victor Frankenstein had given life? Although a clear definition of humanity is not expressed in Mary Shelley’s Frankenstein, the monster is in fact human due to its ability to adapt and utilize the human culture and lifestyle in many ways including longing for a companion, discovering its soul and yearning for acceptance.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
In most novel and movies monsters are known to be evil, committing numerous crimes against humanity and are normally the ones that we don’t sympathize with. However, this novel carefully shows the reader that monsters can be good creatures, with a decent heart and act based on the actions of others. The novel shows how the monster should be pitied, rather than criticised. Mary Shelley's “Frankenstein” manages to create sympathy for the creature through speech, actions and mistreatment the creature suffers.
Both Frankenstein and the monster suffer greatly through the novel, Frankenstein experiment, that had gone totally wrong. The monster is not mean, in the way that he tried to fit in, into society, but was shunned and never accepted by anyone. The monster lived alone, isolated for everyone and everything, meanwhile Frankenstein suffer as well. He loss everyone around him, in a blink of an eye, in the hands of the monster, regretment as he is the creator of the thing that destroyed his life. Although many blame everything on the monster, in the way he badly behaved, he is not at total fault for his action.As in the way that when the monster commits his crime with passion; he doesn't think apon his actions, but only lives in the moment and his action are his mostly rage.
In the novel Frankenstein, the monster was singled out because of his monstrous looks. The reason he had such looks was because of the unnatural manner of his creation. The monster was created with a mix of stolen body parts and chemicals. One look at the monster would make anyone want to get out of his path. Once the monster came to life he was abandoned by his creator without any direction. He was left to fend for himself and deal with the prejudices that people had without getting to know his situation. The monster also didn't know how to react to the reactions from people which made him start to commit crimes. The monster said, "I, the miserable and the abandoned, am an abortion, to be spurned at, and kicked, and trampled on" (Shelley 19). This eruption of angry self-pity as the monster questions the injustice of how he has been treated compellingly captures his inner life, giving Walton and the reader a glimpse into the suffering that has motivated his crimes. While the monster was wandering the town he encountered a family, and he learned how to speak ...
“Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...
Mary Shelley’s novel Frankenstein centers around a creator who rejects his own creation. The plot thickens as Victor Frankenstein turns his back on his creation out of fear and regret. The monster is cast out alone to figure out the world and as a result of a life with no love, he turns evil. Shelley seems to urge the reader to try a relate with this monster and avoid just seeing him as an evil being beyond repentance. There is no doubt that the monster is in fact evil; however, the monster’s evilness stems from rejection from his creator.
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...