The flute has seen many changes from its start as a singular piece of bone to the modern day silver flute with keys and an intricate mechanism. A pivotal time in the development of the flute was during the classic era and the years 1750 – 1900. Not only did the flute’s physical appearance change, but so did its role in musical works. Changes to the flute led to a growing importance in the musical realm. Although the flute was once used as an accompanying instrument, the growth during this time period led to the flute being capable of standing on its own in solo repertoire. The flute was continuously losing importance in chamber music and as a solo instrument beginning in the 1750s. Composers felt that the flute could not keep up with the latest “trends” in harmonic and formal developments. The switch from small, intimate performances to large concerts required instruments to be able to produce a lot of sound which at the time, the flute did not have such capability. In 1750, the flute was made from wood and had one key, the D# key that was controlled by the player’s right pinky. This limited what the flute was able to play significantly and composers such as Mozart wrote pieces that were within the capabilities of the flute at that time. London instrument makers added three more keys (G-sharp, B-flat, and F keys) and introduced the C footjoint and had eliminated cross-fingerings for flutists. By 1800, …show more content…
The flute which had previously seen different models around the world, became standard and similar all around. Theobald Boehm played a major role in the growth in popularity of the flute due to the physical changes he made to the instrument. No longer made from wood, the flute had a much larger sound and more capabilities for composers to write into music. Today’s modern-day flute would not be where it is today without the hard work of composers and flute makers of the 19th and 20th
Mozart is one of the few composers who wrote music for the clarinet during the classical period. His clarinet concerto, is extremely popular which is still widely performed nowadays. Yet, there is much confusion about the interpretation of the music. Therefore, in this essay, the issue of tempo and ornamentations are going to be discussed.
The Native American flute is the third oldest known musical instrument in the world, with bone flutes dating back over 60,000 years. The first instrument found were drums, then varies whistle were made. Over time, the instrument evolved with many different materials and shapes. And these difference and changes reflect the culture of that time. Virtually, flutes were used all types of hardwoods and softwoods in history.
Next we come to a point in time where a great leap had to be made. Musicians had made positive steps forward in the way of pitch and time but of only one or two notes at a time. What was needed was an in instrument that gave players control of many pitches simultaneously. The mechanism ...
This method book was not only a method for flutists, but a compendium covering musical taste and execution practical on any instrument. Only five of the eighteen chapters solely concern the flute. In contrast to other method books of its time, Quantz did not promise a speedy mastery of the instrument, but instead wrote his essay “to train a skilled and intelligent musician, and not just a mechanical flute-player.
...se on both the tenor and alto flute, one an octave higher than the other. While the return of the verse and the flute’s soothing sound give this ending a vague happy feeling, the contrast between the flutes’ pitches and timbres cannot help but leave the listener with a feeling of tension and apprehension over what will ensue.
Wolfe, Joe. "How Do Woodwind Instruments Work?." Music Acoustics. 1994. 2014. Web. April 13, 2014. .
Mozart’s Symphony No. 41 was his last and longest symphony he composed. While listening to this breathtaking piece of music, one specific aspect of this piece stood out to me; this being the instrumentation. In this symphony, many different instruments were used. While listening, I recognized many of them. A flute, two oboes, two bassoons, two horns, two trumpets, timpani, and strings make up this famous piece that is known world-wide by millions of people.
Another distinctive feature is the rising importance of the woodwind section. Before the 19th century, the string section played a main role in presenting the melody while woodwind instruments were only adopted to create some orchestral colors to the piece. However, the use of the woodwinds became very different during the 19th century that not only melodies were assigned to them, sometimes they were even accompanied by the strings (Ex 4):
The clarinet is a woodwind instrament consisting of a cylindrical wood, metal, or ebonite pipe with a bell-shaped opening at one end and a mouthpiece at the other end, to which a thin reed is attached. The clarinet has five different sections, the mouthpiece, the barrel, the upper section, the lower section, and the bell. The length of the entire instrument is 60 cm long. The mouthpiece section consists of a slotted cylinder, to which a reed is attached by a metal clamp called a ligature. The mouthpiece plugs into the next section which is a barrel. The barrel is simply a connecting cylinder to which the mouthpiece and the upper section plugs into. The upper section is a cylindrical pipe consisting of 4 holes and 9 keys placed in different locations along the pipe. On the back of the pipe there is a hole and a key that is used by the thumb. The lower section plugs into the upper section and is also connected via a special bridge key. This piece consists of 3 holes and 8 keys. On the inward facing side of the pipe, there is a protruding piece of metal called a thumb rest, which supports the entire clarinet. The bell plugs into the lower section. It consists of a cylinder that flares out into a bell shape and ends the clarinet.
Giuseppe Torelli, was an Italian violinist, teacher and composer, is considered one of the early developers of the Baroque concerto and concerto grosso. Torelli also composed a significant number of works for the trumpet during the Baroque period (1600-1750). Around 1690, one can begin to see the first works for the trumpet. He was familiar with the virtuoso trumpeter, Giovanni Pellegrino Brandi. Brandi would sometimes play with the San Petronio orchestra, of which Torelli was violin player. This acquaintance could explain Torelli’s awareness of the trumpet’s timbre, dynamic range, and expressive capabilities.
Music has shaped the lives of people throughout history. Even in its earliest forms, music has included use of instruments. One of the oldest musical instruments known is a variation of the flute; the original flute is thought to date back nearly 67,000 years ago. Tonight we are going to move throughout the eras with a history of instrumental music. This concert will begin with the Renaissance Era and continue through time until we have reached modern instrumental music.
..., intensity, and length. The entire movement had a feeling of rising to a maximum point which could not be surpassed. In the third movement the flute and the piano played together and played nearly the same thing, with the exception of the flutes higher notes. This to had an increasing in intensity and tempo.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
Edgard Varèse’s Density 21.5 for unaccompanied flute was composed in 1936 (revised in 1944) at the request of George Barrère for the première of his new platinum flute.Inspired by the flute’s capabilities, Varèse sought to showcase the platinum instrument’s full range of sound and explore its timbral capacity. Density is a monophonic work that is characterized by extreme dynamics, angular motives, timbral variety, and complex rhythms. During the span of sixty-one measures, Varèse exploits the flute’s full range of sound and color and almost every pitch on the instrument is realized.
...te. In old times, most flutes were made of bamboo, which allowed even common people to play it. By covering the holes and blowing through the side hole while moving the fingers flexibly between the six holes, a sound will be produced that is leisurely and mellifluous like sound from far away. This always reminds people of a pastoral picture of a farmer riding on a bull while playing a flute