Flannery O’Connor had her roots set in Milledgeville, Georgia, which happens to be one of many states that when combined, form what is known as the “Bible Belt” of America. In respect to this, O’Connor talks about her beliefs: “This means that for me the meaning of life is centered in our Redemption by Christ and what I see in the world I see in relation to that” (O’Connor 482-483). As O’Connor was a devout Catholic, violence was not a direct preaching, but Joyce Carol Oates writes that “succumbing to the divine through violence . . . is immediate and irreparable” (O’Connor 483). By utilizing the element of setting, to surround the reader in Southern culture and heritage; as well as her blunt use of foreshadowing, to keep the action rising; and a heavy amount of irony, to create a slight comedic relief; O’Connor writes the suspenseful short-story “A Good Man is Hard to Find,” and shows how the theme of Redemption – in a religious sense – is woven throughout the story, and shown by the metamorphosis of the grandmother in her last few moments of life. The setting that O’Connor portrays a v. O’Connor gives insight into the life of the family when she writes, “Bailey was the son she lived with, her only boy” (O’Connor 497). The house with Bailey reading the sports, and the mother feeding the baby apricots, it’s almost utopian, but the grandmother is the wrench in the machine. Being a husband and father of three, and letting his manipulative and conceited mother live with him, is creating tension between the adults, and starts forcing the environment to resonate with a lack of social connectivity in the home. The grandmother, for her own reasons, says to Bailey, “‘Here this fellow that calls himself The Misfit is aloose from the Fede... ... middle of paper ... ... the grandmother’s head cleared for an instant. She saw the man’s face twisted close to her own as if he were going to cry and she murmured, “Why you are one of my babies. You’re one of my own children!” She reached out and touched him on the shoulder. The Misfit sprang back as if a snake had bitten him and shot her three times through the chest. Then he put his gun down on the ground and took off his glasses and began to clean them (O’Connor 508). In a final moment of clarity, the grandmother becomes possessed by the Holy Spirit in a tantalizing display of the Redemption received. Even though it took her a great of pain and Works Cited O'Connor, Flannery. ""A Good Man Is Hard to Find"" 1953. Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. Ed. Ann Charters and Samuel Charters. 6th ed. Boston: Bedford/St. Martin's, 2013. 497-508. Print.
A murderer was in the family’s presence. The grandmother was begging for grace from the misfit in every way possible. The character of the selfish grandmother, in Flannery O’Connor’s short story, “A Good Man is Hard to Find,” tries to use her manipulative ways to fight the Misfit’s urge to kill her. She is unrelenting in her actions to control those around her. Grandmother portrays a stubborn, devious character who wants what she wants and is going to see that she gets it.
Flannery o 'Connor. Known as the southern United States, the second after Faulkner writer. "A good man is hard to find" the religious fable story, the story is very simple, an elderly woman with her son a family trip to Florida, due to the old woman wanted to see a supposed to be on the way but somehow thought in Tennessee plantation in Georgia, and the way for the old woman with a bad idea to turn over a car, then the escaped from prison that inappropriate happens by men, finally killed all of them a six people, including the baby.
Douglas, Ellen. "O'Connor's 'A Good Man is Hard to Find.'" Contemporary Literature Criticism. Eds. Carolyn Riley and Phyllis Carmel Mendelson. Detroit, MI: Gale, 1976. Vol. 6. 381.
From the beginning, the author introduces the grandmother and right off you see how she wishes they could take a trip to where she used to live, she tries every chance she gets to change the plans for the trip with her only son. ?Here this fellow that calls himself The Misfit is aloose from the Federal Pen and headed toward Florida,? ?I wouldn?t take my children in any direction with a criminal like that aloose in it.? As they drive and they talk, everything she says toward someone else is always a put down, towards the people they see and the people in the car. She sees a little ?Nigger? boy and comments ?Little Nigger?s in the country don?t have things like we do?.
Although this story is told in the third person, the reader’s eyes are strictly controlled by the meddling, ever-involved grandmother. She is never given a name; she is just a generic grandmother; she could belong to anyone. O’Connor portrays her as simply annoying, a thorn in her son’s side. As the little girl June Star rudely puts it, “She has to go everywhere we go. She wouldn’t stay at home to be queen for a day” (117-118). As June Star demonstrates, the family treats the grandmother with great reproach. Even as she is driving them all crazy with her constant comments and old-fashioned attitude, the reader is made to feel sorry for her. It is this constant stream of confliction that keeps the story boiling, and eventually overflows into the shocking conclusion. Of course the grandmother meant no harm, but who can help but to blame her? O’Connor puts her readers into a fit of rage as “the horrible thought” comes to the grandmother, “that the house she had remembered so vividly was not in Georgia but in Tennessee” (125).
O'Connor, Flannery, "A Good Man is Hard to Find", The Norton Introduction to Literature. Portable Tenth Edition, Booth, Alison, and Mays, Kelly J., New York: W. W. Norton & Company, Inc, 2011.
O’Connor, Flannery. "A Good Man Is Hard to Find.” The Story and Its Writer. Charters, Ann. Compact 8th ed. Boston: Bedford/ST. Martin's, 2011. 676-687. Print.
Bandy, Stephen C. "One of my babies": The Misfit and the Grandmother in Flannery O'Connor's short story 'A Good Man Is Hard to Find'. Studies in Short Fiction; Winter 1996, v33, n1, p107(11)
In the short story, A Good Man is Hard to Find, by Flannery O'Connor, every object including the characters are symbols. The Grandmother, who is the one and only dynamic character, represents all of us who have repented. The story is, as Flannery O'Connor has suggested a spiritual journey because of the Grandmother's Plight. In the beginning of the story the Grandmother is obsessed with everything worldly and superficial. She cares far too much about how others perceive her,
With these two divergent personas that define the grandmother, I believe the ultimate success of this story relies greatly upon specific devices that O’Connor incorporates throughout the story; both irony and foreshadowing ultimately lead to a tale that results in an ironic twist of fate and also play heavily on the character development of the grandmother. The first sense of foreshadowing occurs when the grandmother states “[y]es and what would you do if this fellow, The Misfit, Caught you” (1042). A sense of gloom and an unavoidable meeting with the miscreant The Misfit seem all but inevitable. I am certain that O’Connor had true intent behind th...
...d both of them do not quite understand what being saved actually means. In the end, “when she saw the man’s face twisted close to her own (367).” the grandmother realizes that she and The Misfit are both on the same level and she is no worse than the latter. Almost like taking a look into a mirror and pondering upon one’s own reflection. The story takes a quick pause, when the author writes the line, “His voice seemed to crack and the grandmother’s head cleared for an instance (367).” What were the thoughts that went through the grandmother’s head? What happened during the “instance” that changed the grandmother’s view on her beliefs? The sole purpose of the phrase drowns a reader with questions and uncertainty. The story makes a final closure with The Misfit’s remark on how his source of happiness by performing violent acts brings “no real pleasure in life.”
Flannery O’Connor’s personal views on the justification of religion and the resulting world or corruption and depravity are apparent in her short story “A Good Man is Hard to Find”. She analyzes the basic plight of human existence and its conflict with religious conviction. The first two-thirds of the narrative set the stage for the grandmother, representing traditional Christian beliefs, to collide with The Misfit, representing modern scientific beliefs. The core of symbolism and the magnet for interpretation is at the end, the conversation between the grandmother and The Misfit. The conversation represents the examination of the clash between animal and metaphysical human nature and the Misfit is the literary depiction of the outcome of that clash.
O'Connor, Flannery. "A Good Man Is Hard to Find." The Story and Its Writer An Introduction to Short Fiction. 8th ed. Boston: Bedford / St. Martin's, 2011. 1042-053. Print.
Flannery O’Connor’s A Good Man Is Hard to Find is one of the most well-known short stories in American history. A Good Man Is Hard to Find is a disturbing short story that exemplifies grace in extremity as well as the threat of an intruder. The story tells of an elderly grandmother and her family who embark on a road trip to Florida. The grandmother is a stubborn old woman with a low sense of morality. While on the trip, the grandmother convinces her son to take a detour which results in a broken down car and an encounter with a convicted fugitive, The Misfit. Although the grandmother pleads for mercy, The Misfit kills off the rest of her family. Through the grace she finds in her extreme circumstance, the grandmother calls The Misfit her own and implores him to spare her life. The Misfit does not oblige her and states after her death, “She would have been a good woman if it had been someone to shoot her every day of her life.” Through Flannery O’Connor’s disturbing and shocking display of the grandmother’s demise, she gives the reader a sense of the threatening power of an intruder and the idea of extreme situations bringing about a state of grace. The reason for such a powerful work may have resulted from Flannery O’Connor’s religious upbringing as well as the state of the nation at the time.
You’re one of my own children!” “She reached out and touched him on the shoulder. ”(218) This stirs something in “the misfit” and he snaps back and shoots her. The irony at the end of this story is very interesting.