Film Production of a Thriller
The opening sequence of a new thriller, including the titles, aimed at
a 15 or 18 certificate audience (approximately two minutes duration).
SECTION ONE.
We began the ball rolling, by researching into target audiences . To
begin with we got information from the BFI (British Board of Film
Classification), on the two film certificates 15 and 18. We finally
chose the certificate that would allow us to manipulate audiences in
the best possible way. In the end the final decision went with the 18
certificate , It allowed us more freedom of speech and we agreed it
allowed us to use more conventions that are expected in a thriller.
The 18 certificate allowed us to play to a more sophisticated audience
where spoon feeding them is not acceptable. They have to think for
themselves. Overall, we settled for an 18 to 35 target audience; 18-35
is an age group that big blockbusters are mainly seen by. Next we
turned to the target audience for help, to learn their thoughts as to
what has affected them and fulfils their expectations of the thriller
genre; also, particularly, what makes them feel fear , what has played
on their psychological well-being. We gave out 40 questionnaires in
total. A number of questions were asked that focused on the main
conventions of a thriller. We analysed this research and it became
extremely useful, for example, we found that in the target audience
most people enjoyed the sub genre of the psychological. From this
information we could model our new psychological thriller and add
symbolic techniques that would surprise the audience, one possibility
was to induce the target audience ...
... middle of paper ...
...erring present, the audience are now lured
into this false sense of security, were everything is ok. As time goes
on a narration begins that again confuses the audience , into the idea
that everything seems ok, but what if the narrative voice over is
true. The narration ends with, ’his dreams are eating him away’. The
audience expects something to happen. But as a final psychological
reversal another red herring is used within the old women who joyfully
shouts morning to the main protagonist. The audience are then shocked
by the protagonist’s wrath and anger with the word ’FUCK OFF’. The
audience laugh in fear and discomfort . This is also a good example of
the alienation technique, associated with the theatre of the absurd,
to which I referred earlier. Overall the psychological thriller genre
is met. Destiny fulfilled !
“Why We Crave Horror Movies,“ written by Steven King, is both an informative and persuasive essay. King uses his writing skills and charming sense of humor to explain why
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As stated by _____, humans seem to have an odd and very salient fascination with the open body which initiates the desire of viewing horror films. The first person camera work of the horror films Friday the 13th and the Blair Witch Project convey the intimacy between the characters and the audience, allowing each individual to identify with the characters of the film in some way. Not only is the audience enabled to experience the horror first-hand, but they are allowed to satisfy their curiosity through the medium of movies.
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For this paper I chose to explore Alfred Hitchcock’s Psycho because it has remained the only horror movie I’ve seen to date. I went into a couple others but immediately left; let’s just say horror is not my favorite genre of film. People may or may not always call Psycho a horror film, it may be more of a thriller to people nowadays, but I still believe the correct genre analysis is horror because it should always refer to the genre at the time the film was created and released. I chose Psycho because I spent multiple weeks in high school studying Hitchcock, and Psycho specifically, so I feel comfortable writing on it. I also thoroughly enjoy the film, its backstory, and the character development. Plus, it’s been roughly adapted into one of my favorite shows: Bates Motel, which I will also briefly explore.
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The horror genre is synonymous with images of terror, violence and human carnage; the mere mention of horror movies evokes physical and psychological torture. As remarked by noted author Stephen King “the mythic horror movie…has a dirty job to do. It deliberately appeals to all that is worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized.” (King, 786). At manageable intervals, we choose to live these horrific events vicariously through the characters in horror movies and books as a means of safely experiencing the “what if”. The horror genre allows us to explore our fears, be it spiders, vampires, loss of our identity, or death of a loved, under the most fantastic and horrible circumstances conceivable. King also points out that by watching horror movies we “may allow our emotions a free rein . . . or no rein at all.” (King, 784). According to psychiatrist James Schaller, by vicariously “experiencing contrived fears, a person develops a sense of competence over similar types of fears.” (Schaller). Horror films allow the viewer the opportunity to safely examine their fears safely and to the depth and extent they wish to do so. Texas Chainsaw Massacre 2 provides the opportunity for the viewer to consider a diverse range of fears, with a little humor thrown in for balance, from the safety of a darkened room, a comfortable seat and in less than 120 minutes.
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And the genre of the film is horror or thriller and it is about a great white shark that hunts in the seas of Amity Island. The film is set around the 4th of July in New Jersey. It may be set 4th of July because is their independence day or their freedom from Great Britain. It may be set on the 4th of July because this day is very important or significant for the whole of America. It is celebrated around the whole of America in various ways to celebrate the American tradition. This also creates tension because if people get killed on this day or maybe Christmas it has a greater effect because often people are unaware or not expecting something like this to happen on a day like that.
main character as is Brad Pitt but we also learn that this is a crime
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In his book, Horror and the Horror Film, author Bruce F. Kawin remarked “horror itself resists formulation and can be difficult and unpleasant to contemplate.” This year was a phenomenal year for both horror and contemplative movies. Two prime examples: Get Out and mother!. Despite being both horror films with subliminal messaging and allegories, they had drastically different reactions and box office performances. To understand why this happened, it is imperative to analyze marketing, storyline, climate, and audience interpretation.
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budget a film because the cost of living is forever changing and this can affect how much is spent