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Mass media relationship with adolescents
Media influence on youth
Impact of media on youth
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Recommended: Mass media relationship with adolescents
The Merchants of Cool:
Teenagers reflected in media
Corporate America: the marketers of popular culture. They broadcast their influence nearly everywhere: billboards in Time Square, music videos, and teens' clothing. In the expository video documentary, "The Merchants of Cool," Douglass Rushkoff interviews teens, industry professionals, marketers, and academic critics to explore the symbiotic relationship between teenagers and media. Rushkoff defines the feedback loop as a marketing stratagem in which "media watches kids and then sells them an image of themselves." Teenagers, young people who are searching for their identity and individuality, change the market every day; for the image they hold of themselves is identified then broadcast
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You're absolutely going to lose." In the 1990's markers were failing to reach their target markets: teenagers. Pina Sciarra, Director of Youth Brands, Sprite, explains why this was: "What we found by talking to teens is that they had seen so much advertising that they were on overload and became very cynical about that traditional approach to advertising." Stone explains that Sprite was the first company to identify the problem and that, "All of a sudden put their arm around that kid…" and said, "We understand you. We recognize you. We want to be part of your life… They were selling the fact that they understood the culture." To understand teenagers marketing agencies perform anthropologic and ethnographic studies in attempts to understand their target market. Among other ways, their studies consist of interviews, focus groups, street photography and using Cool hunters. Professional researchers get paid to study and identify teens that epitomize "cool;" their expressions in clothing fashion, music, and other products provide the basis for a marketable stereotype, lifestyle, attitude or popularity. But, the market is ever changing. Malcolm Gladwell,Writer, "The New Yorker" Magazine, explains that "by discovering cool, you force cool to move on to the next
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
It is evident that today’s advertisements for teen clothing are neither healthy, nor ethical, to use as a way to attract teen consumers; however, companies are getting away with this behavior, because their effective and inappropriate advertisements are merely innuendos. The modern label placed on teens is said to be the primary contender for the cause of eating disorders, suicide, bullying, and depression. Fortunately, groups of teens are getting together to put an end to these unethical advertisements and the messages the ads give off to teens; because of their efforts, the amount of effect that advertisements have on teens now, may dramatically plummet sometime in the near future. In my opinion, it is crucial that us teens make a profound alteration to the way teen merchandise is advertised, which in turn will end the knavish behavior of ...
Our media continues to flood the marketplace with advertisements portraying our young teens much older than their age. Woman’s body images have been the focus of advertising for generations. However, now the focus is more directed to the younger teenage girls instead of woman. Young girls are often displayed provocatively while eating messy triple decker hamburgers, or sipping a diet sodas on an oversized motorcycles. As a result, young teens are dressing older than their age, trying to compete with this ideal media image.
Schor talks about how the street culture has affected marketing to young adults. Rap and hip-hop have become quite popular even in suburban homes. The top charts on any popular radio station have at least four or five rap songs in them. This popularisation of street culture has influenced marketers to subtly include violence, drugs, crime and sex into ads meant for teens, making it just subtle enough not to get called out for it. Edginess in advertising gave it that cool feel that kids were attracted to, the “gangsta” life. Cool being associated with these kind of negative things can influence kids to take part in such activities, wanting to live the cool way. Advertisers also exploit the underlying desire for kids to be more independant, showing rebellion against their parents, who are depicted as lame. When kids see this kind of behaviour on TV, they think that is how it should work for them too. One example Schor gives is a Sprite ad “The parents are in the front seat singing “Polly wolly doodle all the day,”... He is in the back banging his head on the car window in frustration… stuck this these two losers.” (223). The kid is the only one who gets that his parents are lame and he is the only one who is even close to cool in the car. The worst part about the new cool is that it’s not only
Young people need more attention or acceptance from others comparing with people at other stages, as youths are experiencing a process of being adults. The formation of identity can be exemplified through fashion. Young people tend to establish their identities through the way they dress. As Hall,S (1997) stated, visible objects, like clothes may have a simple physical function, that is to cover the body and protect it from weather, however clothes also have a function which can double up as signs, which construct a meaning and carry a message. Fashion can also be a language that makes clothing possible become a self-communicative device at our disposal, plays a...
In the Frontline documentary, “Merchants of Cool” the top marketing experts discuss the teen demographic and new ways to target this seemingly difficult demographic. They are finding that teenagers contain a small amount of brand loyalty, and will consistently change brands to go with the flow of “cool.” Teens are more suspicious and resenting towards the normal marketing concepts, such as commercials, billboards, and radio advertisements, and are slowly catching onto the concept of buzz marketing.
A League of Their Own (Marshall, 1992) explicitly characterizes an American era when a woman’s place was in the home. Even our modern perspective implicitly follows suit. Although women have gained rights and freedoms since the 1930’s, sexism remains prevalent in America. This film offers an illustration when men went to war and big business men utilized women as temporary replacements in factories, sports, and so on. Here, course concepts, such as gender socialization, gender expressions, role stereotypes, emotion expressions, and language, correspond to the film’s characters and themes.
Having the title as a cool commodity is what most companies strive for, as cool has become the central ideology of consumer culture. Heath (2004) describes cool as the rebellion as the nonconformity of consumer culture. Cool goes against the mainstream and converse achieves this by using hip hop culture. Advertisers are not given the choice as to what they want to define cool, as cool is found from the streets. Companies are so obsessed with cool because its values stems from the comparison to other people and targets low self esteem individuals.
A “tween” is a marketing term that is used to define the target market of preadolescent children between the ages of 7-12 or 8-13. (Insert citation) Tweens are usually influenced by teenage associations because they are looking forward to becoming a teenager. For example, some teenage associations would be the places they shop, the things they do, and the way they act. Studies show that there is a gap between brand preferences and awareness from ages 6 to 7.
It is increasingly clear that media and culture today are of central importance to the maintenance and reproduction of contemporary societies. Cultures expose society to different personalities, provide models, which display various forms of societal life and cultivate various ways to introduce people into dominant forms of thought and action. These are the types of activities integrate people into society and create our public sphere. Media and technology surround our society; engrained into the fabric of our existence so much so, that it has become hard to find an aspect of life not influenced by its effects. For this reason, media controllers, wield extreme power and influence over the lives of everyday people. Although, they increasingly continue to feed the audience trash, despite their authority as the creator of our social/cultural interactions, and justify their actions by calling themselves industries. Reducing themselves to just businesses whose sole purpose is to create a profit. This admittance of what they feel to be their true purpose however does not hinder their control and power but instead adds to it. Creating a need for there to be some way to analyze and discuss whether they are using their position and power wisely. Filling this void, scholars have theorized ways for individuals to be critical of the media that they intake. One of these critical theories is the “Culture Industry” theory. Using Cultural Theory, as well as other complementary neo Marxist theories, it is possible to determine how Stacy Peralta, once urban youth culture advocate, became incorporated into the superstructure through media use, thus making him a tool for the continued commoditization of society, and a youth marketer for industries l...
Cool running’s is a 1993 American sports filmed based on the true story of the Jamaica national bobsled teams and their debut in the bobsled competing that took place at the 1988 winter Olympics in Calgary, Alberta Canada. This movie puts quite a few sport psychology qualities such as motivation, determination, leadership, imagery and goal setting. The movie showcases how an underdog Jamaican team who lives In a constant summer can compete in a winter sport due to the fact that they never gave up and used every resource they had available to them including sport physiology. Throughout this summery I will talk about the certain aspects of sport psychology and how the movie shed light on them.
Teens are an easy reach for advertisers. “Teens are jaded, bombarded by tons of advertising messages”(Winsor 1). There are advertisements at movie theaters, on television, and in teen magazines. Advertisers also reach teens through social media such as the internet and websites. Teens are constantly on Facebook and YouTube, whi...
Kidnapping not only happens in the United States, it happens worldwide. There are some children who are found and there are some who has been missing for years to come. The call was a great way to let young adults know the severity of being kidnapped and it lets dispatchers know how severe a person being kidnapped really is. The call was a movie made in the year of 2013 starring Halle Berry and Morris Chestnut. Halle Berry and Morris chestnut work together to make this film become a great life lesson and also create suspense. During the last 32 years, NCMEC’s national toll-free hotline, 1-800-THE-LOST® (1-800-843-5678), has received more than 4.3 million calls. NCMEC has circulated billions of photos of missing children, assisted
The youths carve their identity using role models such as parents or anybody worthy of emulation. After national advertising for one year dubbed the...