Female Chauvinist Pigs

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In Female Chauvinist Pigs, Ariel Levy attempts to reconcile her personal views of feminism with its portrayal in popular culture. In order to challenge what she sees as a co-opted version of feminism, Levy raises the question of authenticity of “sex-positive feminism” (Levy, 63) on two levels: by “selling out” in terms of the body and in terms of our patriarchal culture. In order to restore a binary relationship between feminism and non-feminism, Levy recasts this sex positive feminism as a new form of (fe)male chauvinism.

To do so, Levy turns to the experiences of several young women whom she interviews. From her interpretations of these experiences, Levy reaches the conclusion that these women’s sexual nature revolves around their need to feel wanted and to gain attention rather than to satisfy their own sexual needs (Levy, 194). But by drawing her experiences from only a small subset of the population, her analysis is ultimately restricted to that of a simulacral woman: specifically, one constructed from the characters that actively participate in raunch culture.

While I do agree with Levy’s analysis about raunch culture and about how much our culture still reveres the masculine over the feminine (Levy, 96), I feel that her arguments are not necessarily representative of how any individual woman would interact or respond to raunch culture. Levy also underestimates our ability to use popular culture and repurpose it to find our own happiness. By treating raunch culture as a mass cultural phenomenon (rather than a popular cultural one), Levy neglects to consider raunch culture itself as a potential site of resistance against society’s patriarchal system of values. This polarized, mass cultural portrayal of women in raunch cult...

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...relabeling them as “pigs”! I’m not saying women should not criticise each other but the binary that she constructs to restore unity is in itself divisive, if she considers sex positive feminists as ‘selling out’.

The conversion of feminism into a binary relationship simplifies the bigger picture of the feminist debate, and thus makes it easier to read. This in turn reaches an audience that is larger than just the highly educated feminists; something that feminists have argued is needed to make the movement stronger. However, on another level, who can interpret what is real feminism and what steps are forward? At what point are we ‘genuinely’ enjoying our sexuality as women and at what point are we simply seeking attention from men? At what point are we being manipulated by our consumer culture? This is ultimately something that every woman must decide for herself.

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