Female Characters in British Literature of 19th Century

1063 Words3 Pages

Characterization of a human being has always two sides: the first one concerns one´s appearance, the other deals with one´s inner qualities. However, there is a slight difference in describing of a female and a male personality: outer characteristic is much more detailed when describing a female. But it is necessary to cover with both these issues when discussing the personality of a female.

Both of the two main protagonists of these two books are beautiful women but the difference is how the narrator conveys the fact to the reader. While prettiness is a natural part of a female for Anne Brontë and her heroine is beautiful, George Eliot surveys this issue much deeply: she shows how the appearance of a young woman may not only form her character but also influence her future life.

The conventional view of a woman was reflected in traditional literature written by men: if the main character of a book was a woman, she had been pictured as a weak character and an useless member of society according to Mary Wollstonecraft. The most valuable quality of a single woman was her appearance: she was thought highly of when she was pretty. But if there was some defect in her countanance, she usually was characterised by this imperfection. It is best seen in George Eliot´s The Mill on the Floss where the main female character, Maggie, has a brown skin and this fact is emphasized throughout her whole childhood: "She's more like a Gypsy [...] It's very bad luck, sister, as the gell should be so brown - the boy's fair enough. I doubt it'll stand in her way i' life to be so brown"(65) and "I think the gell has too much hair," comments Maggie´s aunt (59). Afterwards Maggie cuts off her hair and this brings her the "sense of clearness and freedom." This suggests the role of long hair as a bias. It was required for all women to wear long hair in order to show and fix their inferior position in society.

While Maggie is brown-skinned and dark-haired, Lucy, her cousin, is her contrary: "It was like the contrast between a rough, dark, overgrown puppy and a white kitten" (58). And the appearance influences the character: everybody is satisfied with Lucy and that is why Lucy is satisfied with herself. Maggie on the contrary is viewed as almost an idiot in her effort to be admired and loved.

Show More
Related

  • Cat On A Hot Tin Roof Analysis

    2326 Words  | 5 Pages

    In the opening of both the play and the novel we are introduced to the two main female characters which we see throughout both texts. The authors’ styles of writing effectively compare and contrast with one another, which enables the reader to see a distinct difference in characters, showing the constrictions that society has placed upon them.

    Read More

  • Women In The Nineteenth Century

    1709 Words  | 4 Pages

    towards African Americans are presented in number of works of scholars from all types of divers

    Read More

  • A 19th Century Woman’s Life

    1735 Words  | 4 Pages

    Women in the early 19th century were considered their husbands’ property, and therefore domestic violence against wives was not uncommon during this time period. Women were taught that their place was in the home, and they were expected to be obedient wives and to never hold a thought or opinion that differed from that of their husband’s. In Zora Neale Hurston’s novel, Their Eyes Were Watching God, Janie demonstrates to the reader early on in the book her naturally outspoken personality and youthful independence. At sixteen years old, just as she is beginning to become curious about love and the opposite sex, the beautiful young Janie is thrust into marriage and she is faced with having to hide who she is as a person in order to conform to the expectations of a wife during that time. Janie’s profound outspokenness, her beauty, and her subliminal unwillingness to be controlled causes her difficulty as she faces domestic violence, first during her marriage to Joe Starks and again during her marriage to Tea Cake. However, Janie’s physical reaction towards the two different men abusing her is generally the same in each marriage, she remained quiet and cried. However, her mental reactions and feelings toward the abuse changes greatly.

    Read More

  • 19th Century Women

    1610 Words  | 4 Pages

    19th-Century Women Works Cited Missing Women in the nineteenth century, for the most part, had to follow the common role presented to them by society. This role can be summed up by what historians call the “cult of domesticity”. The McGuffey Readers does a successful job at illustrating the women’s role in society. Women that took part in the overland trail, as described in “Women’s Diaries of the Westward Journey” had to try to follow these roles while facing many challenges that made it very difficult to do so. One of the most common expectations for women is that they are responsible for doing the chore of cleaning, whether it is cleaning the house, doing the laundry.

    Read More

  • A Comparison Of Beauty In Ligea And Hawthorne's The Birthmark

    1269 Words  | 3 Pages

    “There are various orders of beauty, causing men to make fools of themselves in various styles,” George Eliot. Beauty has caused men to move mountain, and jump through countless hoops. It is a quality that is subjective and affects the beholder differently. In Poe’s Ligea and Hawthorne’s The Birthmark, Ligea, Rowena, and Georgina all had different orders of beauty that similarly affects how their husbands saw them. In these two pieces of literature there was an exaltation of beauty as an abstraction that hid the depth of the women and led to deceit and the sense of superiority in their husbands.

    Read More

  • Nineteenth Century Literature Heroines and Conformity

    1654 Words  | 4 Pages

    By definition, a heroine is a woman who would typically encompass the qualities of nobility, courage, independence and strength. Nineteenth century English women would have struggled to accomplish any of these particular acts of heroism within their social environment as ultimately, their roles within civilisation saw them becoming a good wives and mothers and before that, obliging and caring daughters. Within this ubiquitous discourse of separate spheres, Kathryn Gleadle suggests that women were ‘encouraged to see themselves as ‘relative creatures', whose path in life was to nurture the family and to provide unstinting support for the head of the household' In this respect, the nineteenth century British woman conforming to this ‘path' would prove to be the heroine of that time as a free-spirited independent individual would have been cast aside as socially unacceptable. Essentially, although it would appear that many women wished to lead active, working lives and so make an important contribution, either to their families or to social welfare, ‘the woman's position [was] to preside over a loving home whilst men were to brave the vicissitude and demands of public and business life' Novelists Thomas Hardy and Emily Brontë present us with two strong and independent females Tess Durbeyfield and Catherine Earnshaw. These women are far from the idealistic view of nineteenth century females; Tess, intelligent and strikingly attractive, strives to uphold the values expected of her but outside forces beyond her control determine her fate. Catherine on the other hand begins her life free-spirited, rebellious and of a wild nature. However, her inner desire craves social ambition which, in turn, shows her slowly representing culture and civilisation.

    Read More

  • Compare the Representation of Relationships in ‘Pride and Prejudice’ and ‘Rapunzstiltskin’

    1280 Words  | 3 Pages

    Women in the time of Jane Austen dedicated their lives to being good-looking (seen in the vanity of Lydia and Kitty especially) and accomplished to ensure they were marriage material, just as the maiden tried to be enchanting and desirable for The Prince. Both texts illustrate an imbalance and struggle for equality within the oppressive rules and expectations that revolve around women’s lives, and so, their relationships.

    Read More

  • The Quest for Inner Beauty in Charlotte Bronte's Jane Eyre

    1992 Words  | 4 Pages

    The beauty of a woman is usually classified into two categories: superficial, or physical, beauty and inner, or intellectual, beauty. In the Charlotte Bronte's Jane Erye, the protagonist rejects her own physical beauty in favor of her intelligence and morality. This choice allows her to win the hand of the man she desires. Jane values her knowledge and thinking before any of her physical appearances because of her desire as a child to read, the lessons she is taught and the reinforcements of the idea appearing in her adulthood. During the course of the novel she lives at five homes. In each of these places, the idea of inner beauty conquering exterior appearance becomes a lesson, and in her last home she gains her reward, a man who loves her solely for her mind. She reads against her cousins wishes as a child at Gateshead, learns to value her intelligence as a child at the Lowood Institution, her mind and humility win the heart of Mr. Rochester at Thornfield Manor, she earns St. John's marriage proposal at Marsh's End, and in the end she wins her prize of Mr. Rochester's hand in marriage at Ferndean Manor.

    Read More

  • Women in the 19th Century

    747 Words  | 2 Pages

    During the 1800s, society believed there to be a defined difference in character among men and women. Women were viewed simply as passive wives and mothers, while men were viewed as individuals with many different roles and opportunities. For women, education was not expected past a certain point, and those who pushed the limits were looked down on for their ambition. Marriage was an absolute necessity, and a career that surpassed any duties as housewife was practically unheard of. Jane Austen, a female author of the time, lived and wrote within this particular period. Many of her novels centered around women, such as Elizabeth Bennet of Pride and Prejudice, who were able to live independent lives while bravely defying the rules of society. The roles expected of women in the nineteenth century can be portrayed clearly by Jane Austen's female characters of Pride and Prejudice.

    Read More

  • Women and Men of the Victorian Era

    1347 Words  | 3 Pages

    The Victorian era established strict guidelines and definitions for the ladies and gentleman. Noble birth typically defined one as a "lady" or a "gentleman," but for women in this time period, socioeconomic rank and titles held no prestige or special privileges in a male-dominated society. Commonly, women in this era generally tried to gain more influence and respect but to no avail as their male counterparts controlled the ideals and practices of society. Women were subject to these ideals and practices without any legal or social rights or privileges. In the literary titles by Frances Power Cobbe, Sarah Stickney Ellis, Charlotte Bronte, Anne Bronte, John Henry Cardinal Newman, Sir Henry Newbolt, and Caroline Norton, the positions, opinions, and lifestyles of men and women during the Victorian era were clearly defined. Men in the Victorian era were raised to be intellectually and physically sound in order to be skillful in the workplace and the military while women were typically restricted to fulfilling roles within the home. As the female desire for equal rights and representation under the law mounted, an international vigor for female equality would produce a call for equality.

    Read More

  • Stereotypes in Early Gender Socialization

    1370 Words  | 3 Pages

    If we try to categorize human by the term “gender”, people will be divided into two groups, males and females. Using this kind of categorization, it is considering people who belong in the same group are similar, and these two groups are very different from each other. However in real life, men and women’s characteristics tend to overlap (Crespi) . Even people who are in the same group may have different characteristics and personalities which are formed influencing by the environment and experiences.

    Read More

  • Women Roles In The 19th Century

    1395 Words  | 3 Pages

    Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.

    Read More

  • Neo Freudian Personality Paper

    896 Words  | 2 Pages

    I believe our personalities make up who we are and how others perceive us at times. Personalities are our own unique qualities, that we possess as individuals. In writing this short paper, I have found that psychologists use assessments to define an individual’s personality to determine their qualities and what makes them different from other individuals. Through the Big Five Personality test, I found it difficult to define and understand an individual personality

    Read More

  • Jane Eyre

    2388 Words  | 5 Pages

    Charlotte Bronte’s Jane Eyre can be linked to many fairy-tales. Some of these tales such as Charle’s Perrault’s Bluebeard, Arabian Nights, and many more are actually cited in the text. Others are alluded to through the events that take place in the story. Jane Eyre has often been viewed as a Cinderellatale for example. There is also another story, however, that though not mentioned directly, can definitely be linked to Bronte’s novel. This tale is none other than Beauty and the Beast, which was part of one of Perrault’s compilations. Bronte uses the ideas and themes of Beauty and the Beast to reveal the importance of inner beauty and to make a point that it’s what’s inside a person that counts. The beauty that can be found through outward appearance is superficial. A person’s inner beauty as shown through the relationship of Jane and Rochester can overcome society’s ideas of what constitute being beautiful.

    Read More

  • The Evolution of the Role of Women in British and American Literature

    1818 Words  | 4 Pages

    “Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.

    Read More

More about Female Characters in British Literature of 19th Century

Open Document