Fear And Desire Research Paper

914 Words2 Pages

Fear and desire: the two main reasons for suffering. If one senses and feels pleasure and pain, one can desire. Fear exists for the survival of one when one feels unsafe or in danger. Fear brings physical and emotional change to a human, like a change in behavior and change in metabolic and organ functions, because of a threat or danger. This causes one to flee or hide, physically or emotionally, from the event or situation. Desire comes from the thirst, burning, yearning, hankering, need, longing and craving of a certain object, person, or feeling. Although desire usually represents an unquenchable sexual desire, other desires exist, which can benefit or disadvantage the character. Desire can never cease and always possesses the impossibility …show more content…

When the hero/heroine finally learns that living purely by fear and desire cannot bring them to their “Holy Grail,” that controlling and facing their fears and desires removes the suffering in their life, when abstaining from too intense, degrading, non-meaningful desires and conquering their, mainly, emotional, internal, and psychological, fears so they may find their purpose, they may destroy their, metaphorical, Death Star, kill their dragons and demons, and earn their Holy Grail. By gaining this knowledge about removing the evil, detrimental fears and desires of the hero’s/heroine’s life, the hero/heroine reaches a critical stage in Campbell’s Monomyth: The Apotheosis stage. Prufrock fears opening up, rejection, his appearance and his inadequacy but desires a relationship with a lady, possibly his soulmate. Dorian desires youth, beauty and love by other but fears decay, old age, and death. It all starts in the amygdala: found within the temporal lobes of the brain and which deals with memory, decision-making, and emotional reactions; ultimately dealing with …show more content…

A hero/heroine must pass through many stages to reach their “Holy Grail,” all of which include fear and desire in one way or another. How they deal with their fears and desires depend on their archetypes. Archetypes, highly developed elements, as Carl Jung described, live in the collective unconsciousness. The characters, along their journey and especially during their Apotheosis stage, discover their true archetypes with full knowledge and acceptance of them. Also, discovering and accepting the person’s Shadow. The characters in The Waste Land possess an intense sexual desire and possibly deep down fear of dying with no real experiences. In the literary pieces The Picture of Dorian Gray, by Oscar Wilde, “The Love Song of J. Alfred Prufrock”, by T.S. Eliot, and The Waste Land, by T.S. Eliot, the authors make use of Joseph Campbell’s Monomyth, and allow the characters to reach the Apotheosis stage, in order to demonstrate just what it takes to reach one’s “Holy Grail” and live freely, happily, and truly but also to show the degradation of a hero/heroine if fear and desire overcome, thus forcing them to live in their

More about Fear And Desire Research Paper

Open Document