Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Confronting the reality of death in fairy tales
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Confronting the reality of death in fairy tales
Faerie stories were told in past centuries to adults to explain the world. As science developed, faerie stories were tossed away by adults and left to only be read to children as imaginative stories of fantasy and things that could never exist. Adults felt began to feel as if the stories were for amusement and became slaves of disenchantment because of their logic, reason, and understanding of newly found science. Nowadays the definition and idea of a faerie story is misconstrued. When one is asked to name a faerie story what usually pops into their mind is something including fairies, such as Tinkerbell. While Peter Pan, the novel where Tinkerbell became popular, may just as well be a faerie story, a true faerie story, by the definition of …show more content…
Consolation is the one function that Tolkien stresses must be present for any written work or storyline to be considered a faerie story. Consolation is what the reader commonly knows as the happy ending. Tolkien also called this the eucatastrophe or good catastrophe, of a story. In The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the White Witch and her followers put Aslan, a lion that represents all that is good in Narnia, to a torturous death. All the children and all of Aslan’s followers are mourning over his loss and begin to feel hopeless. The next day, Susan, the oldest of the four children, wakes up to find that Aslan is no longer on the stone table where he was put to death the night before and that moreover the stone table is now cracked. As she begins to worry, Aslan rises up with the sun shining behind him and the reader realizes, just as Susan does, that Aslan conquered death induced by evil. The conquest of death is known as the great eucatastrophe, the greatest of all other eucatastrophes. Aslan then goes on to unfreeze the prisoners of the White Witch and leads them to the battle against her and her followers. Peter, the oldest of the brothers, makes the final move to end her life and stabs the White Witch with his sword. Tolkien states that a eucatastrophe can only be made achievable if a dyscatastrophe, a catastrophe of sorrow or failure, is possible in the story. In The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the dyscatastrophe was the possibility of Aslan not coming back from the dead, as many readers suspect that he would not, and the White Witch winning the battle of good versus
Fairy tales connect to our owns lives, dreams, anxieties, and help us to consider what we would do in their shoes. Many cultures have their own spin on common fairy tales like Sleeping Beauty, with their own cultural flavor. We read those versions and know that we share something important and the hope for good to overcome evil.
Faerie Tale follows the tale of the Hastings family and their move to a rural mansion in New York. The Hastings family includes; Phil Hastings, a screenwriter working on a novel and his wife, retired actress, Gloria Hastings, Phil's daughter, Gabbie, a wealthy heiress from Phil's previous marriage, and twin boys, Sean and Patrick, who are particularly targeted by the “bad thing” in the story. The “bad thing” is a minion of the evil faerie king who is attempting to re-enter the mortal world before the “moving” closes the temporary portal between worlds on midnight on Halloween. Throughout the story different characters help the Hastings in different ways. Most helpful are the Irish immigrant Barney Doyle who eventually tells Sean how to save Patrick from the faerie realm, and Mark Blackman, an author who provides information along the way every time a new secret about the mansion is revealed. In the end the Erl King is killed only to be replaced by the fairy that kills him, revealing the cyclical nature of the fairy realm and how the creatures are not truly immortal but trapped in a predestined loop that forever repeats the same story; the queen and king to be fall in love, a child is stolen, it is fought over resulting in a demi-war between two factions, with the new king to be sometimes killing the evil king to become a good king or siding with evil king to become an evil king and killing the queen. Various “plot twists” can occur but the faeries know that the end result will always be the crowning of a new king and queen through the shedding of blood.
Simple narrative typically of folk origin dealing with supernatural beings. Fairy tales may be written or told for the amusement of children or may have a more sophisticated narrative containing supernatural or obviously improbable events, scenes, and personages and often having a whimsical, satirical, or moralistic character. The term embraces popular folktales such as “Cinderella” and “Puss in Boots,” as well as art fairy tales of late...
Rollin, Lucy. “Fear of Faerie: Disney and the Elitist Critics.” Children’s Literature Association Quarterly Volume 12. Number 2. 1987. Retrieved 18 Dec. 2013 from < http://muse.jhu .edu/journals/chq/summary/v012/12.2.rollin.html>.
...n every fairy tales, the tragedy identifies their own unique character, and symbolizes the plot to overcome it. After overcoming the hard times, during the plot is solved, and then describes the happy ever after. In The Shining the happy ever after was when Wendy and Danny were able get into the snow car and flee together, while Jack was freezing and dying. Sometimes the happy ever after do not happen with a kiss. In Hazel and Gretel the characters were able to trick the witch and scape. So, the fairy tales the evil never dies, but is destroyed.
While fairy tales are entertaining stories and can be used to educate children of the normal social manners of reality; however, it can be used to entertain and educate people of all ages. It can be used as a method of escaping the real world or to teach valuable life lessons than just the normal social mannerisms of society.
... getting punished for what she has done. Effectively, after the battle, good prevails. At the end of the story, Aslan fight and defeat the White Witch. Consequently, this is really a classic children book that covers good against evil.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
Fairy tales are given a bad reputation because of the mature themes in them. "Are Gory Fairy Tales an Evil?" notes that, "Parents and educators . . . have been troubled by the stories of blood, cruelty, revenge, and murder that are included in our fairy-tales. . . . Many stories set forth in grotesque form stories of ill-will, deception, robbery, and murder--even cannibalism," (285). These critics fail to mention the positive themes such as, justice, love, identity, honesty, and acceptance. Most stories have negative situations. There would not be much to a story if everything in it were good. What makes these stories so spectacular is what the characters must overcome or realize in order to have their happy ending. In the fairy tale Beauty and the Beast, a prince was transformed into a beast by a fairy because he was cruel. He was turned into a beast so that he would have to learn how to be nice so that maybe one day someone could fall in love with him even though he was hideous. If that were to happen, the spell would be broken (Goldenburg and Killion 6). The imaginative part of this story, with the spell and enchantment of the castle, takes the readers to a place where they can imagine and dream of things they may have never dreamt about before. This story also demonstrat...
A fairy tale is seemingly a moral fiction, intended mainly for children. A lesson in critical analysis, however, strips this guise and reveals the naked truth beneath; fairy tales are actually vicious, logical and sexual stories wearing a mask of deceptively easy language and an apparent moral. Two 19th Century writers, the Grimm brothers, were masters at writing these exaggerated stories, bewitching young readers with their prose while padding their stories with allusion and reference: an example of which is "Rapunzel." Grimm's "Rapunzel" is packed with religious symbolism, which lends a new insight to the meaning of this classic story.
In society there is a longing for a story to have a nice and neat happy ending. Broadway and the theater originally would give this to their audience, especially in America. Give the audience what the want! They want happy endings that mirror their own values and interpretations of how the world should be and at the end of it should be, “and they all lived happily ever after.” The fairy tale ending is something society hopes, dreams, and strives for since we could listen to our parents read us fairy tales with these sweet stories of finding true love and having to fight the odds to be the Prince or Princess you deserve to be. With Into the Woods, Lapine and Sondheim sought out to explore what could go wrong with “happily ever after.” Effectively leaving the audience with the adage, “be careful what you ask for…”
Fairy tales have been read to children for many years by parents hoping these tales of heroines and heroes would provide a fun and interesting way to teach moral and values. Fairy tales provide children with a fun and entertaining way to deal with strangers. Children learn that when you don’t follow the rule and talk to mysterious strangers you’re put into situation that can cause pain or suffering to others.
In the beginning, there wasn’t a Tooth Fairy, there was a wish. A wish sometimes made by young children and sometimes even loving parents. Interesting enough, the wish was started by a fear, a fear of something very dark and rather morbid. At the start, there wasn’t an expectation that a fairy would come to take the tooth of a child, there was a fear that dark magic and old hag witches would curse a child. The history of the Tooth Fairy started very grim with the belief of witches, which then transitioned to respecting animals, and finally came to the ideology of the Tooth Fairy that we know today.
There are many fairy tales that have been discussed in this class. The most interesting stories to me are Snow White by Brother Grimm and Ever After: A Cinderella Story directed by Andy Tennant based on Cinderella by Charles Perrault. There are many different versions of Snow White and Cinderella from numerous cultures. In every version, both stories are known as children bed time stories. In addition, the purpose of both stories is to give a life lesson to the children about overcoming evil to attain happiness. At first, every fairy tale has to deal with evil that threatens the protagonist, but in the end, good must always win. In the same way, both of the fairy tales have a similar scenario of a character that is beautiful and has an equally sweet disposition, but is thwarted by an antagonist
This over exaggeration of the human imagination is what makes fairytales stand alone in their own category of fictional stories. Valerie Gokturk describes a fairytale as, “having magical things happen…talking animals… inanimate objects talking.” This can be seen through the Cinderella story as Cinderella is treated poorly by her new step-family, so in response she turns to frequently visiting her passed mother. Upon request, the father of Cinderella brings her a hazel twig to place on the mother’s grave. With the twig placed on the ground, a magical element comes into play as a hazel tree grows and produces birds that grant Cinderella wishes. This sense of magic is further seen as the tree produces a series of exquisite dresses that Cinderella wears to the prince’s ball. No tree of non-magic origin would be able to fully grow in such a short period of time, not to mention being able to spawn flawless dresses. The birds are seen as having a magical essence as Cinderella talks to them, instructing them to pick out the lentils out of the ash in the fireplace. This event can be seen as slightly more plausible; however, the fact that the birds can communicate with Cinderella places the series of events that unfold in a magical category. With the utilization of talking birds as well as a magical tree, it is clearly shown that the story of Cinderella has the essential element of magic that allows it to