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Shrek film analysis
Shrek film analysis
How shrek changes traditional fairytale characters
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In the 2001 animated film, Shrek, an ogre by the same name is on a mission to to regain his swamp back after Lord Farquaad begins to use it as a refugee camp for captured fairy tale creatures. Shrek is accompanied by a talking donkey, named Donkey. While on the quest to get his swamp back, he makes a deal with Lord Farquaad to go on another quest: rescuing Princess Fiona. The deal is that if Shrek rescues Princess Fiona for Lord Farquaad, Lord Farquaad will give Shrek the deed to his swamp and remove all of the squatters. Shrek agrees to this deal, and him and Donkey set off to rescue the princess. Shrek finds Princess Fiona and she is unimpressed by Shrek because he isn’t living up to her fantasies of being extremely romantic. The three escape and have a series of adventures together on the way back to Lord Farquaad's Kingdom. Shrek and Fiona fall in love during this time although neither one of them acts on their feelings. There’s a major miscommunication and Fiona almost ends up marrying Lord Farquaad but Shrek stops the wedding, defeats Lord Farquaad and marries Fiona (Adamson & Jenson, 2001).
The concept I will be relating this movie to is intrinsic and extrinsic motivation. These types of motivation involve internal and external rewards. Intrinsic motivation is someone motivating themselves to do something for an internal reward. This
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Donkey saw Shrek as a way to be protected for those under Lord Farquaad's order who are trying to capture him, he even referred to Shrek as a “mean green fighting machine” (Adamson & Jenson, 2001). The consequences of not befriending Shrek were not having protection, no place to hide, and risk being captures like all the other fairytale creatures (Adamson & Jenson, 2001). Donkey didn’t become Shrek’s friend because of intrinsic motivation, but because of extrinsic motivators
Social Psychology is the scientific study of how we influence, affect, and relate to one another. Social psychology is studied to see how the influence of others can impact how we act. This can be seen in many aspects in life. Most specifically, social psychology can be seen in movies. Recently, I have viewed the movie Shrek which was released in 2001. Shrek is a kid’s movie about an ogre named Shrek who rescues a princess from a castle for Lord Farquaad in order to regain his swamp and privacy. During this process, however, Shrek falls in love with the princess and discovers a secret about her. While watching Shrek, I have noticed that many theories and concepts from social psychology were apparent in the film.
Place yourself in a fairy tale setting, with trees and singing birds and cute woodland creatures. Now, think of your ideal hero, prince or true love in your fairy tale. You chose someone with external beauty; (you know) muscles, strong chin, or maybe a fair madden. However, the hero of the story I will talk about isn’t exactly handsome, this hero of course is Shrek, the hero of a typical storybook fairytale with a weird and hilarious twist. My purpose is to explain why this Academy-Award winning animated film is better than the “Disney Princess” movies thanks to use of satire, great cast, and its moral messages.
The first scene of Shrek starts off with him in his swamp having fun to an upbeat track (All Star by Smash Mouth), which presents Shrek to be a laidback, peaceful character. After the opening scene, there were a bunch of nearby villagers, who have negative stereotypes about ogres, headed towards Shrek’s swamp to try to drive him away from there (Constructivism). The usage of stereotypes set a theme for the film, to never judge a book by its cover. Once Shrek met Donkey and Fiona, neither one of them assumed that because Shrek was an ogre, it meant he is an evil monster. In addition, everyone else in the movie does not call him Shrek. Everyone calls him “Ogre” instead, further confirming the stereotype. In another scene after Fiona goes into a cave at night to sleep, Shrek and Donkey have a conversation of the aftermath of their quest to rescue Fiona. Shrek goes off on a tangent about how people hate him despite not even getting to know him. Donkey shows an example of personal construct by telling Shrek that he never thought of him as an ugly monster. This scene shows the bipolar dimensions aspect, where people who never tried to know more about Shrek would have a default negative view about him. Donkey, who learned more about Shrek during their journey, does not characterize him as any type of villain and
... because he’s different. That’s why Shrek tells donkey “Look, I’m not the one with the problem, ok? It’s the world that seems to have a problem with me. People take one look at me and go. ‘Ahhh…help…run…a big stupid ugly ogre!’ They judge me before they even know me. That’s why I’m better off alone.”
The main characters in the Movie Shrek are Donkey, Princess Fiona, and Shrek. Shrek is an ogre who wants to regain his swamp, and travels along with an annoying donkey in order to bring Princess Fiona to a scheming lord, wishing himself King. I feel that each of them have absolutely unique personalities and characteristics because they help unravel the story by being who they are. Shrek goes on a quest to get his swamp back and doesn't expect anything else to happen. Shrek not only gets his swamp ,but he also goes through an unexpected heartbreak, a lost friend, and many other obstacles, before he realizes what real friendship and true love are all about!
Andrew Adamson and Vicky Jenson create a world full of adventure in their film, Shrek. The film revolves around the main characters, Shrek, Donkey, Lord Farquaad, and Princess Fiona. Lord Farquaad attempts to rid his kingdom of fairy-tale creatures and offers money to anyone who captures them. A talking donkey, referred to as Donkey, is captured, manages to escape, and meets an ogre named Shrek who lives alone in a swamp. Lord Farquaad then sends all of the captured fairy-tale creatures to Shrek's swamp. Meanwhile, Lord Farquaad is in search of a princess to marry, so he may become King. When he hears of Princess Fiona locked away in a tower because she is cursed, he decides to have her rescued and brought to his kingdom for a wedding. Shrek
In this essay I am going to analyse the characters of shrek and Lord Farquaad, and write about how filmmakers use different camera angles, lighting, music and setting to create an unusual fairy tale. The giant in jack and the beanstalk is what we expect of giants/ogres. In traditional fairy tales ogres are normally man-eating beast, at the beginning of shrek, shrek is what you expect him to be like. When the farmers go to his swamp and the meet shrek. When shrek is shouting at them the low angle camera shot makes shrek look intimidating to the crowd and audience.
Once stated by Dwight D. Eisenhower, “Motivation is the art of getting people to do what you want them to do because they want to do it.” The aforementioned ideology places an emphasis on an individual’s internal desires, rather than an outside/external force driving the individual’s consciousness (cognitive evaluation.) Therefore intrinsic motivation is one in which an individual 's own desire comes from within; a relentless and genuine passion for an intended goal. On the contrary, when an individual relies on external factors such as, a reward or any other form of external reinforcement, an extrinsic motivation is exhibited. Although society likes to stress the importance in pursuing an internal motivation, in today 's modern world, an extrinsic factor far outweighs an internal desire to accomplish an objective. As humans, we are too diverse in the way we think and develop, lending the mere classification of an internal motivation to become redundant. Furthermore, as
“Motivation is the process whereby goal-orientated activity is instigated and sustained” (Schunk, Pintrich & Meece, 2008. As cited in Eggen & Kauchak, 2010, p.284). Motivation comes in many forms and can be divided into two broad categories - extrinsic and intrinsic motivation. Extrinsic motivators are external factors which can motivate a student; rewards are an example of this. An issue with extrinsic motivators is that the desire for the learner to participate often lessens, once the rewards are withdrawn (McCullers, 1987). On the other hand intrinsic motivation comes from within - learning for the joy of it - where the desire to learn leads to a higher level of knowledge, and is a reward in itself. Kohn (1996, p.285) states that research suggests, “Rewards actually decrease interest in intrinsically motivating tasks, therefore sending the wrong message about learning” (as cited in Eggen & Kauchak, 2010a)
Deci, E. L., & Ryan, R. M. (1985). Intrinsic motivation and self-determination in human behavior. New York: Plenum
.... Clearly seen that his thoughts were irrational and cognitive restructuring occurs making her happy. Lord Farquaad, has some thoughts irrational thinking like a person better than others, which makes developing an arrogant behavior of tyranny to others and abuse of power. Through his thoughts of greatness, always understood that its approach is correct and true no matter the arguments of others. However, this thought lies unconscious emotional distress, ie, Lord Farquaad is not aware that actually has a major inferiority complex. Donkey, as reflected above, presents a conflict of fear of loneliness, and from this perspective, irrational thinking is that Donkey is not anyone think for himself and needs to be accompanied to be somebody. To think that you can be alone causes much emotional distress, so that their behavior is flattering, fawning, compliant, and so on.
The original Disney fairytales portray their princesses as beautiful, elegant, and very ladylike. Although this is portrayed in most fairytales, it is not a qualifying factor to determine if a film is a fairytale or not. In the movie Shrek, Princess Fiona starts out as a very stereotypical girl, but as the movie progresses, she becomes more comfortable and starts to break these stereotypes. For example when Shrek, Fiona, and Donkey are walking back through the woods Fion...
The widely popular film Shrek, produced and distributed by DreamWorks in 2001, grossed a total of $484,409,218 in worldwide sales (Box Office Mojo). The success of the film has led DreamWorks to create several shorts, companion films, and sequels. From its memorable characters to its whimsical, edgy humor, Shrek was an amazing, highly successful animation that would pave the way for DreamWorks to make billions off the franchise. Shrek’s success can be attributed to three main factors: the range of ages it appeals to, its creative use of intertextuality, and its ability to cover a wide range of the fairy tale functions proposed by Vladimir Propp.
The animated film Shrek is a Dreamworks fairy tale that teaches us to look beyond what we expect to see, by completely subverting the traditional fairy tale concepts of gender, appearance and beauty. The characters in Shrek are vastly different from what we would expect to see in their appearance and behaviour. With unexpected plot twists, the directors of Shrek create important messages and morals that would not usually be conveyed, using techniques such as humour. The techniques have been placed strategically to result in an entertaining and educational film.
Mullins (2002) also classifies motivation into Intrinsic and Extrinsic types. Intrinsic motivation involves psychological rewards to enhance job satisfaction, such as the opportunity to use one's ability, a sense of achievement, receiving appreciation and positive recognition or being treated in a considerate manner (Mullins, 2002:P490). Such methods ensure employees are constantly motivated while being engaged in activities that are enjoyable and rewarding.