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Influence of World War I on Modern Art
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World War One was not only classified by the millions of young men who were cut down to pieces by machine guns and artillery shells but was also classified by the monumental range of new sensibilities and aesthetic responses. World War One had a profound affect on the aspects of art and culture and transformed the views of its creators as their artistic intentions were shifted in an attempt to illustrate a world outside of their environment of destruction. Artists such as Ernst Ludwig Kirchner adhered to the art movement known as Expressionism, which provided an outlet for artists to depict their feelings of deprivation in the hope it would lead society into a period of renewal or rebirth. Furthermore, the traumatic events of the war influenced …show more content…
Expressionism evolved with a need to confront the traumatic and devastating experiences of World War One and its aftermath. This art movement reflected very primal emotions that sought to express inner life by painting harsh and realistic subject matter. It provided them an outlet to express the silence that civilization fell into as the war shattered the sense of vitality and optimism that originally gave birth to Expressionism. Many expressionists’ artists depicted the psychological impact the war had on them in the hopes that their emotionally charged paintings would inspire revitalization in humanity. For example, Ernst Ludwig Kirchner, who was considered to be one of the most talented and influential Expressionists following World War One, illustrated the disillusionment that came as a result of the war. In his painting, Self Portrait as Soldier (1915) Kirchner portrays himself dressed in a uniform displaying an amputated arm while standing in a studio rather than on a battlefield. Although Kirchner never fought in the war, the painting was more of an exploration of his personal fears. Kirchner’s self-amputation can be seen as a metaphor for the innocence and community that was shattered in society as a result of the war. Kirchner’s depiction of a potential loss of identity can also be seen as an attempt to reflect societies feelings of deprivation. As the war influenced the harsh emotional responses through the art movement Expressionism, it also influenced a criticism or disapproval of the war once society realized how terrible it
Many soldiers who come back from the war need to express how they feel. Many do it in the way of writing. Many soldiers die in war, but the ones who come back are just as “dead.” Many cadets come back with shell shock, amputated arms and legs, and sometimes even their friends aren’t there with them. So during World War I, there was a burst of new art and writings come from the soldiers. Many express in the way of books, poems, short stories and art itself. Most soldiers are just trying to escape. A lot of these soldiers are trying to show what war is really like, and people respond. They finally might think war might not be the answer. This is why writers use imagery, irony and structure to protest war.
During World War II many places and artworks came to be of historical and artistic significance. Lots of ...
The arts often shed light on a nation’s esprit de corps. If an artist’s work reflects the emotion of the consumer, the work will be more attractive and connective. Artists may also personally believe in the ideas presented by their work, rather than catering to an audience. For example, Ludwig Meidner was a painter in pre-WWI Germany who painted serene pieces early in his career as technological advancements were aimed to improve the quality of life of the citizen. However, as Germany became intertwined in alliances and war seemed inevitable, Meider’s paintings became increasingly apocalyptic. His work reflected the stress of the people and the fear of impending doom. Generally, the American people did not approve of the government’s actions
The begging of World War II not only changed countries, economic structures and politics but also had an enormous influence on different sides of life of people and societies. Well-known from the historical experience is the fact that every single of such size as World War always has its resonance on arts, as culture is an inseparable part of people’s lives. Talking of WWII, the response within artistic communities was so strong that artists became a part of the ideological war of the time (Martin). The position of lots of creative people was at the same time very fearful, as they found themselves in occupied countries under the threat of totalitarian regimes and had to immigrate
The German Expressionism was a period that came following the devastation of World War I, it came when the people of Germany needed something to claim as their own. The expressionism movement gave Germany just that; it helped them not only in the filmmaking industry, but also in their personal lives. The German Expressionism changed the way we look at and view films. The German Expressionism altered, for the better, the way that films were made back then and the way that they are made today.
During the beginning of the Nazi development. Nazis made posters to shape the Hitler regime legitimacy. The poster shows that there are leaders from different periods. It puts Hitler with emperors in parallel, such as king, prince and marshal, which meaning is that to convey the German militarism and the supreme spirit of leader. The title specially emphasizes the identity of Hitler, who was a soldier. Although the soldiers’ status below other three leaders that can highlight leader’s strong volition and personality
Ernst was one of multiple artists who emerged from military service emotionally wounded and alienated from European traditions and conventional values. It is believed that many or Ernst’s views and expressions of some of his works are from the emotional impact and devastation came while serving in the war. After his war service, he began to develop his own style. “He made a series of collages, using illustrations from medical and technical magazines to form bizarre juxtapositions of images” (Hopkins 3). In 1918 Ernst was demobilized and he returned to Cologne. He then married art history student Luise Straus, who he met in 1914. He and Luis had a son Ulrich ‘Jimmy’ Ernst who was born on June 24, 1920. Ernst’s marriage soon began to fall apart shortly after the birth of his
a) The expression “aestheticization of war” refers to the depiction of war in a glamourizing fashion. By aestheticizing war, the filmmaker creates a proverbial bridge that connects the audience into the war and romanticizes the violence that occurs. In doing so, the filmmaker transforms the traditional idea of war that is atrocious, chaotic, and repugnant into an object of fascination by sensualizing the acts of war in a positive light that creates a feeling of comradery to the soldiers within the audience.
Otto Dix was an extremely influential artist of the Neue Sachlichkeit (New Objectivity) movement and was greatly impacted by the ideologies and policies of the Nazi regime. Otto Dix is known for shaping a realistic image of the Weimar era in Germany. He was greatly inspired by the Bible, Goethe, and Nietzsche (Fulmer, 2015). Dix was a veteran of World War I and many of his works reflected the terrible experiences World War I had brought him. Otto Dix also had many works that portrayed real social issues going on in Germany at his time. He did other paintings that included nudity and prostitution as well. Throughout the 1930’s, his work became more allegorical. The Nazi’s did not like this and he was labeled as a degenerate artist. This clearly changed the path of the work of Otto Dix. This forced Dix to focus his work more on landscape designs rather than social issues and war.
One of the first sources I examined was a web site on Pop Art. The
The visual representation of the human form has a history back to the cave paintings and beyond. As art developed through the Renaissance almost all painting followed convention – perspective of one point with nudes clearly from a one person view that is detached from the scene of the picture. The experimental work from the late 19th Century onward changed this perspective as the artists began to express introspection about the subject. Cubism and its representation of an object from all angles led German Expressionism to find the essence of subject from more than one approach. The French theoretician and critic Roger de Piles described ‘expression’ in 1708: “la pensée du cœur humain” – the thought of the human heart. He explained what the German painters 200 years on would embody. This essay attempts to contextualize the nakedness of the body in German Expressionism, through the analysis of three works and their influencing historical factors. The human form has been a key subject in art since the beginning of time, but the way in which the German Expressionists used it as part of a direct self-expression of form and colour; as part of a idealized notion of a society gone back to it’s roots; and finally as a reaction and outcome of the deeply dehumanising First World War shows the imbalance of spirit and physicality as reaction to societal changes. It will attempt to argue that the art of Germany in it’s most turbulent history expressed a whole truth about the human essence and how totally debilitating the effect of war can be on it.
Furthermore, the art piece is only in shades of black and white, which really intensifies the sadness and darkness. The expressions on the faces, the quality of the lines, the texture, and the absence of color capture the deep emotion of the figures in such a compelling way. During the period in which the piece was created, it was popular to paint in a socialistic style. Kollwitz accurately did this in all of her pieces by depicting social movements, peasant uprisings, the impact of war, and the life of the worker. Her style can be categorized even further by saying that it was a form of German expressionism. This
The German Expressionism movement started in the early twentieth century art world, pre-WWI, presumably from Vincent Van Gogh’s “pioneering expressionist paintings like… Starry, Starry Night”(Encyclopaedia of Art History). It was a purely aesthetic movement at this time that sought to oppose the Impressionist movement, which imitated nature, by imposing unnatural, distorted images. Aspects of those distortions served to convey the emotions an artist held towards their subject. War brought terror. War brought mental meltdowns. War changed the Expressionistic style into a “bitter protest movement”(Encyclopaedia of Art History) as artists “suffered from war-induced disillusionment and were dissatisfied with post-war German
Otto dix was a war veteran who was deeply traumatized and affected by the sight of war. He described his experience of WW I as a recurring nightmare. Post WWI Dix expressed his disdain of the Weimar society through his paintings which depicted the harsh and brutal reality of a post war society. His paintings were responsible for the new objective movement in Germany, the movement was against the ideas of expressionism and believed in presenting ‘truths as it was’.
German Expressionism is an artistic movement that rose from the smouldering ashes of World War |. This movement would change the film industry and it's approach to filmmaking. Expressionism was a response to a widespread anxiety about humanities increasing discordant relationship with the world. During this time the German nation had been virtually destroyed. The war introduced death in staggering numbers and highlighted the barbarism of humanity. The chaotic results of the war inspired an artistic revolution that would impact cinema for a century later. More than ninety years after it's development the movement known as German Expressionism is still influencing the minds and actions of filmmakers and artists. Born out of despair and tragedy this movement has grown so readily that many modern icons can find their roots in German durning the 1920's. The minds of Fritz Lang, F.W Marnau, Robert Weine, Er...