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Appearance and reality in Shakespeare
Shakespeare use of disguise in
Shakespeare use of disguise in
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Disguises. A way to won ones heart without having to show the real person behind it. This was the common, yet used unconventionally in The Taming of the Shrew, way that men won what they desired…obviously lie to the one they “love” to get them to marry. This depicted so evidently in this play because almost all of the characters disguise themselves, another, or their personality. The characters also show the ridiculous way of people in relationships. Therefore, this play is a fascinating and comical statement on the incorrigible way people act in relationships. First, the first character that comes to mind that clearly depicts the preposterous ideology of winning ones heart is Lucentio. He disguises himself as a Latin teacher to win Bianca’s love. This clearly shows that he hides himself from Bianca because he is pretending to be someone else. He also believes he knows her based off one look and not even meeting or knowing her. “Whatever I read her, you can be sure that I’ll plead the case for your love as strongly as if you …show more content…
Katherine the one character that fooled them all, even he very own husband. She tricks everyone to believe she is tamed that she is the desired wife or person they all wanted. She lies to Petruchio about believing everything he says is true and right, she lies when she puts the women in their place for not obeying their husbands. Furthermore, she is making a mockery or the philosophy of a wife straight to the men themselves. “And when she is peevish and perverse, sullen, sour, and disobedient to his honest wishes, what is she but a loathsome, warlike rebel and an ungrateful traitor to her loving lord?” The mockery cuts though her lines like knifes, she does not mean what she says, she is playing the part they want her to. She bows to Petruchio, but in a ridicule type of way. This all shows how relationships change those in them, she became fake because she wanted to get over the fight to be who she
In the play, Taming of the Shrew, this character is known as Petruchio. In act 1 scene 2, Petruchio insists on meeting Kat no matter who tells her of his behavior, for he was only looking at one factor – that she had a rich father. Upon meeting Baptista, Petruchio insists on meeting Katherine. “Lucentio” and Petruchio battle, promising this and that to Katherine until Baptista finally chooses Petruchio. Upon meeting Katherine, she immediately is biting at his heels. With his quick wit he is responding with equal amounts of insults which frustrates Katherine. Every insult Katherine throws at Petruchio he manages to throw back a sexual innuendo. further along into the story with Kate and Petruchio. Petruchio
“The Taming Of The Shrew” by William Shakespeare is a work of satire created to criticize the misogynistic outlooks of the 16th century. With this play, Shakespeare is trying to say that the idea and role of women in his society is deeply flawed and should be fixed, as well as to make other social commentaries, such as on the treatment of servants. Through exaggeration and parody, Shakespeare makes society look silly.
In William Shakespeare 's play, The Taming of the Shrew, was written in 1590’s to 1610. This time period was very hard for a women. The culture was very misogynistic, the culture demanded that a women
In the play The Taming of the Shrew by William Shakespeare, Petrucio recognizes, respects and desires Katherine’s strength of character. Petrucio is a clever man who sees beyond facades because he uses them himself. (II, i 46) (II, I 283 - 89) He is stimulated by Katherine’s sharp tongue and harsh actions. He proves this many times throughout the play.
many years. She is hurt and she seeks revenge. This is seen in Act II. Scene I, when Katherine sums up her own state: "I will go sit and weep." Till I can find an occasion of revenge" (35-36). It is an immature response. but the only one she knows, and it serves the dual purpose of cloaking her. hurt. The transformation, which she undergoes near the end of the play, is not one of character, but one of attitude. At the end of the play, we find out that her negative attitude becomes a positive one. & nbsp; The shrew is not a shrew at all beneath the surface. & nbsp; The play begins by introducing Katherine with her father's words of shame towards her when he offers his eldest daughter to the two suitors of Bianca. The audience is then given their first impression of Katherine.
In act one Lucencio Tranio and Petruchio change themselves to servant and a music teacher to try and trick Kate and Bianca’s father so they can marry his daughters. These two men try to trick Baptista their father so they can marry Bianca and Kate. Through their disguises, Lucencio Tranio and Petruchio show us a comedic advice of mistaken and disguised identity to trick Baptista.
"The Taming of the Shrew" is a great example of Shakespear's use of women. Shakespeare indeed does transcend the stereotypes of his own time.
A Shakespearian comedy is made up of primarily five components. Cross-dressing and disguising constitute the first of these factors, which is immediately evident in the Induction, where two characters entirely transform into different identities. One example is Christopher Sly, a tinker who is convinced he is a Lord. This becomes apparent in his query “Am I a Lord…?” (Ind.2.68) to which his servants respond by saying “O, how we joy to see your wit restored!” (Ind.2.78). In the same scene we also have a page dressed up as a lady because he was commanded to do so by his Lord. The Lord says “And see him dressed in all suits like a lady.” (Ind.1.106). Shakespeare incorporates this particular male playing a female into his play to further add humor to it. It also foreshadows that the rest of the play will have characters dressed up as people they are not supposed to be. The first character in The Taming of the Shrew who adopt a pseudo identity is Lucentio, who pretends to be Cambio, a schoolmaster, so he may pursue Bianca’s love. His servant, Tranio, who dresses up proudly as him, assists him in his venture. This is made explicit when Tranio says, “I am content to be Lucentio” (1.1.216). The pu...
Often in literature, parallels are used to accentuate certain things. William Shakespeare utilizes this tool in both The Taming of the Shrew and A Midsummer Night's Dream. In both of these comedic plays, there is a set of women who are at odds with each other. These relationships can be compared and contrasted in different aspects.
Petruchio achieves his goal through witty persuasion rather than resorting to beating his wife like many a man before him has done. Though Shakespeare does not go as far as some feminists would like him to, Shakespeare does much for the fight for equality of the sexes. Katherine’s as strong, or stronger than any woman in Shakespeare’s plays. The amazing thing is that she achieves this without ulterior motives, such as Lady Macbeth. She is an honest, bright, independent woman.
The Taming of the Shrew is one of the earliest comedies written by William Shakespeare. The Taming of the Shrew focuses a great deal on courtship and marriage. Especially the life after marriage, which was generally not focused on in other comedies. Notably, the play focuses on the social roles that each character plays, and how each character faces the major struggles of their social roles. Which plays into one of the most prevalent themes of The Taming of the Shrew. The theme of how social roles play into a person’s individual happiness. This is displayed through the characters in the play that desperately try to break out of the social roles that are forced upon them. This exemplified through the character, Katherine, an upper-class young maiden-in-waiting, who wishes to have nothing to do with her role.
In the play The Taming of the Shrew by William Shakespeare, the theme of the contrasts between illusion and reality occurs frequently. This contrast undoubtedly creates major conflicts, as seen in The Taming of the Shrew. This theme appears with the character Bianca and her true character which is hidden until after her wedding. In addition, this theme occurs with the character Katherine, who, just like her sister, does not reveal her true character until after her wedding. Finally, the theme of reality versus illusion appears with the character Patrick, who appears to be evil after his marriage to Katherine, but the real reason for his behavior is actually quite kind. The differences between the illusion and reality of these characters’ personalities
William Shakespeare's comedy, The Taming of the Shrew illistrates the difficulty of trying to tame a headstrong, stubborn, and a high-spirited woman so that she will make a docile wife. The one attempting to tame Kate, the shrew, is Petruchio. They contend with each other with tremendous vitality and have a forced relationship. In contrast, there is another romantically linked couple who seemingly possess an ideal relationship. These young lovers, Bianca and Lucentio, share a love that is not grounded in reality, but in fantasy. These two sub-plot characters are stock characters and Shakespeare creates the irony of the play through the differences between the two couples. It is through his use of stock characters and irony that the differences between the two couples are revealed.
Shakespeare’s use of comedic devices in his story, The Taming of the Shrew, is one of the many reasons it has remained alive throughout so many decades. A comedic device is a literary tool many writers use to lighten the mood and keep the audience's attention. Examples include: a dramatic plot twist, humorous play-on words, and disguises played by other characters to fool the rest. Using these devices the author is able to ultimately bring the story to its demise.
Abuse is the cruel and violent treatment of a person or animal. In the book The Taming of the Shrew Petruchio is abusive to Kate as he takes her; Petruchio starves Kate, Petruchio takes Kate’s dress for her sister’s wedding away from her and forces her to wear rags, and Kate is forced to call a grown man a girl.