An archetype is best defined as “a typical example of a certain person or thing.” In the book, “The Old Man and The Sea,” Hemingway expresses Santiago’s archetype through his interaction with the fish while at sea. Hemingway compares Santiago to the fish in order to reveal that they are both one in the same. This comparison creates this impression because Santiago and the fish both have a great desire to live and are stubborn. This developes the archetype of a “tragic hero” through Santiago’s fight for his life and the fish. The “tragic hero” archetype portrays a hero who makes a significant error affecting their fate. Santiago’s fatal choice was “going too far out” and fighting the fish. “He is my brother. But I must kill him and keep strong.” …show more content…
Having the option to leave it, he chooses not to take that path because he is staying challenged with the fish and doesn’t want to fail at it. Through exhaustion, dehydration, and phlegm, he gathers the courage to stay with this fish that has continued such a battle for so long. Hemingway’s usage of dialogue between Santiago and the fish highlights their will to keep fighting. “I wonder why he jumped, the old man thought. He jumped almost as though to show me how big he was I know now, anyway, he thought. I wish I could show him what sort of man I am”(pg 63) The fish is trying to intimidate Santiago almost conveying that he will not give up without saying a word. Santiago senses this and wishes he could show the fish how “big” he is. “‘Fish,” he said softly, aloud, “I’ll stay with you until I am dead.’” (pg. 51) Santiago is declaring that he will not give up, not directly to the fish but more so to himself, reassuring that he will not give up. Both Santiago and the fish are determined to win their great battle but only one of them can be the
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
In addition, the final aspect of a tragic hero is a sudden change in course of action, caused by their major flaw, which brings about their p...
An archetype, as defined by Literary Terms, is an idea, symbol, pattern, or character type that appears repeatedly in stories from cultures worldwide, symbolizing something universal in the human experience. There are three types of archetypes: symbolic, character, and situational. In her memoir, The Glass Castle, Jeannette Walls employs each archetype to capture her difficult life growing up due to her father's alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel's theme of perseverance. The central theme of the novel is perseverance, as Jeannette and her siblings worked hard and never gave up, managing to build a better life for themselves.
Le Morte d’Arthur and many other stories have many wonderful archetypes in them. The definition of an archetype is a typical character action or situation that seems to represent universal patterns of human nature. This means that things represent things that naturally happen and will still happen. Archetypes play into Le Morte d'Arthur by showing how the character act and react with other characters and objects. In Thomas Malory´s Le Morte d´Arthur he illustrates the three types of archetypes they include character, situational, and symbolic.
An archetype is a universal symbol. It is also a term from the criticism that accepts Jung’s idea of recurring patterns of situation, character, or symbol existing universally and instinctively in the collective unconscious of man. Archetypes come in three categories: images (symbols), characters, and situations. Feelings are provoked about a certain subject by archetypes. The use of the images of water, sunsets, and circles set the scene of the movie. Characters, including the temptress, the devil figure, and the trickster, contribute to the movie’s conflicts that the hero must overcome in order to reach his dream. However, to reach his dream, the hero must also go through many situations such as, the fall, dealing with the unhealable wound, and the task. By using archetypes in the movie, the viewer can obtain more than just the plot and better understand the true theme of the movie: to never give up on dreams.
When I was reading the how to read literature like a professor and the hobbits the three archetypes I saw was the communion at the beginning of the book, the death and resurrection that happen to our hero through the novel, and the hero quest that was going through the entire novel.
The archetypal literary criticism centers itself around archetypes. Archetypes represent the first model of something. Writer and literary expert Elémire Zolla explains archetypes appear as patterns and exist in an intangible fashion. Another interpretation describes them as patterns of “instinctual behavior” (LaLlave and Gutheil). In literary terms, they appear in the form of characters, traditions, events, stories, or images existent in other works. Regardless of different cultures or time periods, archetypes remain present in literature.
An archetype is a human experience or symbol that is universally known and accepted. Archetypes can be images or stories passed on through history. Carl Jung, a prominent psychiatrist in the early 1900’s, used archetypes in his theory about the human psyche and how humans can recognize these symbols because they reside in the collective human subconscious. Some common examples of archetypes are The Hero, The Mentor, The Mother, The Villain and many more. Archetypes like these can be seen in everyday things like books, tv or movies. In The Complete Stories by Zora Neale Hurston there are many different archetypes in each story but three prominent ones are The Trickster, The Devil or Evil, and The Hero. In the novel The Trickster archetype
To begin with, the old man is determined just as the fish is. When Santiago first hooks the fish, he states, “‘Fish,’ he said softly, aloud, ‘I’ll stay with you until I am dead’” (Hemingway 52). This shows how he will risk his life to prove that he can catch this marlin. Santiago was fixed on catching this fish and ending his bad luck streak. And, as the marlin doesn’t have much of a choice, he will fight until he dies as well. They are both very
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help advance the story.
An archetype can be described as a typical reoccurring character/personality in any form of art. Each person is a certain archetype, though that archetype might change from moment to moment in their lives. There are 12 main archetypes in literature: The Ruler, The Creator, The Innocent, The Sage, The Explorer, The Revolutionary, The Magician, The Hero, The Lover, The Jester, The Everyman, and The Caregiver. No one archetype is more important than the other because in literature they work in concentric circles. Each one relying on the other to achieve their end goal. The sage is relying on the ruler to be corrupted, so the hero can go on their journey, entertaining the magician, and so on. Like real people each of these archetypes have a good side and a bad side, which is most often
In the story, Santiago’s bravery is unsurpassed, but it is not until he hooks the “great fish” that we truly see his valor and perseverance. Through Santiago’s actions, Hemingway teaches the reader about bravery and perseverance in the face of adversity. He demonstrates that even when all is lost and seems hopeless, a willful heart and faith will overcome anything. Santiago had lost his “luckiness” and therefore the respect of his village. Through the description of his cabin, we also suspect that Santiago is a widower.
Majority of scholars have recognize the universal patterns in literature known as archetype that represents how human evoke deeper emotions and progresses to different stages in their journey. Similarly, the term "archetype" refers to the form of a person or an object that project a profound meaning. Throughout my life, I'm living in adventurous and take risks in my life for a better future. I am a immature and irresponsible person. I am a child full of jubilation (joy) and optimistic. the world is full of peril abs adulterous. I endeavor to.win fairly and equality. I am a warrior, the sage ans the fool.
In The Old Man and the Sea, Santiago, an old Cuban fisherman, pits his strength against forces he cannot control. We learn from Santiago's struggles how to face insurmountable odds with bravery and courage. Though we find an indifferent and hostile universe as Santiago's stage, his unwillingness to give in to these forces demonstrate a reverence for life's struggles. Santiago's struggle is for dignity and meaning in the face of insurmountable odds. His warrior-like spirit fights off the sharks full-well knowing the fate of his marlin. Santiago loses his marlin in the end, but his struggle to keep it represent a victory because of the dignity and heroism with which he carries out his mission. However, as Santiago acknowledges, he is almost sorry he caught the marlin because he knows the animal and he have a great deal in common as fellow beings in nature. However, he only caught the marlin "through trickery" (Hemingway 99). Santi...
Existentialism makes its appearance when Santiago chooses to pursue the marlin, stay with it the entire way, and fight tooth and nail at the end. “My choice was to go there to find him beyond all people,” is how Santiago explains his actions to challenge the fish (Hemingway 50). He mentions how he was born to be a fisherman, and by chasing the marlin, he will give his life the meaning for existence. Santiago also insists on staying with the fish until one of them is dead, which exemplifies his will to fulfill his goals in life. He endures obstacles such as nausea, cramps, and sleep deprivation because he does not want to give up and surrender his fate.