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The influence of culture on society
The influence of culture on society
The influence of culture on society
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A poem is a painting where words are the colors and allusions are the paint brushes. By including allusions, an author addresses a larger image through describing a small picture. Dante Alighieri's, The Inferno, incorporates implicity to alter the message of his poem. This piece was written shortly after Dante was exiled from Florence, Italy, after being accused of corruption and financial wrongdoing. His anger towards the Italian government inspired him to produce his epic poem. Alighieri’s petty behavior allows him to write a story with its meaning being different than what is written on the page. The presence of indirect references are subjected to three aspects: life’s journey, religion, and historical figures. Despite being about the nine …show more content…
In literature, “ [an] allusion is one form that a metaphor may take” (Ricks 1). At the time this poem was written, people believed their life on Earth was their pilgrimage to Heaven. It is necessary to consider the time period when trying to identify the allusion being made; people’s lifestyle many years ago is significantly different compared to modern day life. In the fourteenth century, a majority of people’s life journeys were dedicated to God. Their philosophy was that those who disobeyed God while alive must suffer after their death. Within the first few pages of the poem, the narrator “went astray / (…) and woke to find [himself] / alone in a dark wood” midway through his life (Alighieri 4). Dante is alone is these woods because he is without God. The Dark Woods of Error symbolize confusion of direction; Dante is lost in his life’s journey. The darkness portrays the evil which surrounds him and his environment. On the page, it explicitly says the narrator is lost and alone in the woods. The author uses an allusion here to manipulate the message; Dante’s disconnection with faith causes him confusion as to where his life is going. As Dante struggles to find his way, evil encloses
Imagery uses five senses such as visual, sound, olfactory, taste and tactile to create a sense of picture in the readers’ mind. In this poem, the speaker uses visual imagination when he wrote, “I took my time in old darkness,” making the reader visualize the past memory of the speaker in “old darkness.” The speaker tries to show the time period he chose to write the poem. The speaker is trying to illustrate one of the imagery tools, which can be used to write a poem and tries to suggest one time period which can be used to write a poem. Imagery becomes important for the reader to imagine the same picture the speaker is trying to convey. Imagery should be speculated too when writing a poem to express the big
“In theory it may seem all right to some, but when it comes to being made the instrument of the Lord's vengeance, I myself don't like it,” is what Robert Gould Shaw, the commander of the 54 Massachusetts Infantry, an all black regiment of soldiers in the American Civil War. Obviously, Edmond Dantes did not agree with this statement. This quote explains that although some people may see fit to serve vengeance on their own, others believe it is in the hands of God alone. Judgment Day comes to us all inevitably. We all pay for all evil and injustices of our life, yet sometimes there will be someone so viciously wronged, that he will return like a wrath of nature, with an unquenchable thirst for vengeance. Such a vendetta is the building block
One of the most interesting literary techniques an author or poet could include in his or her literary work is the use of cruxes. A crux is a crossroad which consists of a difficult or ambiguous passage in a literary text that can determine a certain direction of the literary work as a whole, depending on the reader’s interpretation of such passage. Within Dante’s The Inferno there are a variety of instances in which he provides an example of a crossroad. The Inferno contains the journey through hell that Dante the pilgrim undertakes, guided by the poet Virgil, in order to eventually reach heaven. One example of a significant crux in the poem is the instance in which Dante (the pilgrim) and Virgil explicitly demonstrate the act of being wrathful
As seen in examples of monogatari such as Tales of Ise or nikki with The Tosa Diary, poetry is a very much used tool in the writings. While other examples of the two writing styles use poetry, these two examples best demonstrate the breaks in the writing style changes from a narrative and turns into something that takes on a more personal voice when it clearly goes into its poetic style. These poems are made to compliment the setting, such as in a poem credited to the former governor in The Tosa Diary where there is a description of the waves as they illustrate the governor’s sadness as he leaves Kyoto (83). Another point seen from this poem is that the governor is meant to be very good at constructing his poems and with it comes an example of a good poem as opposed to something that a commoner would have to write. Likewise, in the tenth of the Tales of Ise there are poems describing the love a man has for a woman while he is also comparing the physical setting, such as the mountains. There are comparisons to Mt. Fuji and Mt. Utsu while they represent the waiting for his love or the beautiful vision that the man sees in his dreams with his love respectively (75-6). Such images of the scenery as seen alongside the desires or longing of those who write the poems are examples of how the poems are used to strengthen the narrative prose. Without the poems, the narrative prose in either the monogatari or the nikki would simply be a story and the significance would be lessened as there would not be the personal impact emanating from the characters and their feelings since a reader would only be able to read the description of the events and not get a feel of the thoughts from any of the characters.
The Divine Comedy, written in the 14th century by Dante Alighieri, is a heroic epic. Throughout Dante’s literary work, he outlines his scientific understandings of the world, his political views and provides the reader with a moral compass and spiritual map of which to follow. This poem is written in three parts, Inferno, Purgatorio, and Paradisio, each of which is broken down into individual cantos. Inferno includes 34 cantos, whereas Purgatrio and Paradiso each contain 33 cantos, however, the first canto of Inferno is really an introduction to the poem.
Virgil represented Dante and his humanity, that he still has sin that is holding him back, and when he must stay behind it shows Dante’s change. Virgil is stuck in hell, not able to move past the sin from his life on earth, like how Dante was at the beginning of the novel. When Dante crosses the river to Beatrice the reader is shown how Dante is leaving his sin behind him and is changing into something greater. The reader can tell that he is being transformed because the guides teach him different aspects that needed to be changed. When a person is changing, he must realize his past, which is what Virgil is teaching him, and then how to use this change for the better, which is what Beatrice is teaching him. They each represent the two stages of Dante’s transformation; Virgil showing Dante the effects of sin and Beatrice helping Dante learn and see the truth in purity. Dante the poet also want the readers to realize with this change that Dante in the novel has overcome his sin. When Virgil leaves him in the hands of Beatrice he is confident that he has done his part, that Dante is freed from his temptation, and he is confident that now Dante can follow his heart and not let it lead him to sin. When Dante follows Beatrice, the reader knows that his selfish ways have been wiped away, that Virgil and Beatrice know that Dante is on his way to holiness. The different things the guides teach Dante highlight this change. Virgil taught Dante more about the effects of his lifestyle now, that if he did not change he will be crushed by his sin in the afterlife. The Dante that was with Virgil was very proud and cared too much for the sinners in hell, and Virgil needed to show him how wrong he is being. When Dante meets Beatrice, we can see the change Dante has made, that he is less caught up with himself and sees the effects of his actions. Beatrice reprimands Dante,
Dante wrote The Divine Comedy in a new language he called “Italian,” which was based upon Tuscan Dialects, Sicilian and some elements of Latin, and various other dialects (Kahn). Spirit is derived from the Italian word “spirito,” which ultimately means one’s soul (Collins). One would believe that this meaning of the word is the one that Dante intended to use in this poem. He is saying that his “spirit” or “soul” is a fugitive to everything that he has had to endure. He is the first person to ever survive this sort of exhausting way of life, but even though he did, he is still not necessarily “alive.” The “dangerous waters” he encountered could have been hard times in his life that he will never be able to completely escape from. He will forever be a fugitive to his own soul, to his own ...
“If you would not be forgotten as soon as you are dead and rotten, either write things worth reading or do things worth writing.” This maxim applies to the poet Dante Alighieri, writer of The Inferno in the 1300s, because it asserts the need to establish oneself as a contributor to society. Indeed, Dante’s work contributes much to Renaissance Italy as his work is the first of its scope and size to be written in the vernacular. Due to its readability and availability, The Inferno is a nationalistic symbol. With this widespread availability also comes a certain social responsibility; even though Dante’s audience would have been familiar with the religious dogma, he assumes the didactic role of illustrating his own version of Christian justice and emphasizes the need for a personal understanding of divine wisdom and contrapasso, the idea of the perfect punishment for the crime. Dante acts as both author and narrator, completing a physical and spiritual journey into the underworld with Virgil as his guide and mentor. The journey from darkness into light is an allegory full of symbolism, much like that of Plato’s Allegory of the Cave, which shows a philosopher’s journey towards truth. Therefore, Dante would also agree with the maxim, “Wise men learn by others’ harms; fools scarcely by their own,” because on the road to gaining knowledge and spiritual enlightenment, characters who learn valuable lessons from the misfortunes of others strengthen their own paradigms. Nonetheless, the only true way to gain knowledge is to experience it first hand. Dante’s character finds truth by way of his own personal quest.
In circle three of Inferno, Dante conjures a despairing tone by use of vivid imagery and extensive detail to display the harrowing effects of gluttony. This is best exemplified through the weather patterns and general landscape of this circle, the Poets’ encounter with Cerberus, and Dante’s conversation with Ciacco, the Hog. These devices also allow for the conveying of ideas embedded within the text.
The allusion to Dante refers to the poem “Divine Comedy,” which tells a story of a man traveling through the depths of hell. The narrator takes a deep metaphorical journey through every line that makes up that song. He likes Armstrong becau...
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Alighieri, Dante. "The Inferno." The Divine Comedy. Trans. John Ciardi. New York: First New American Library Printing, 2003.
One fish, two fish, red fish, blue fish, this is the basic tales written by Dr. Seuss. Not only are these enjoyable children’s novels, but it is often times people’s first known exposure to the literary style of poetry. Poetry can be written in many different styles, with changing messages, tone, stanzas, rhyme, and length. Whether or not the difficulty level is low for a beginning reader, or written as an epic poem for a top level scholar, there is always a specific style and message that is being interpreted in the writing. These styles are studied and the most mysterious and inspirational poets are studied in literature classes; two academic individuals who have had a large impact on the poetic community are Aristotle and Alexander Pope.
In his first article of The Inferno, Dante Alighieri starts to present a vivid view of Hell by taking a journey through many levels of it with his master Virgil. This voyage constitutes the main plot of the poem. The opening Canto mainly shows that, on halfway through his life, the poet Dante finds himself lost in a dark forest by wandering into a tangled valley. Being totally scared and disoriented, Dante sees the sunshine coming down from a hilltop, so he attempts to climb toward the light. However, he encounters three wild beasts on the way up to the mountain—a leopard, a lion, and a she-wolf—which force him to turn back. Then Dante sees a human figure, which is soon revealed to be the great Roman poet Virgil. He shows a different path to reach the hill and volunteers to be Dante’s guide, leading Dante to the journey towards Hell but also the journey seeking for light and virtue.
The first conflict Dante encounters in the story is person against self. Throughout the entire story Dante is trying to find a way to get on the right path. Dante opens the story by saying, “Midway on our life’s journey, I found myself in dark woods, the right road lost.” (Canto 1.1) The dark woods symbolize sin and the right road symbolizes the path that leads to the gates of heaven and God. So when he gets lost in the dark woods that means he is lost in sin and cannot find th...