Ethics and morals generally provide guidance to people’s lives as they tend to live accordingly. For the most part, that guidance is integrated into people through one 's experience, knowledge, and wisdom. Without both it would be nearly impossible for a human being to commit consistent and rational decisions with their lives. In the novel, The Stranger by Albert Camus, people witness the life of an absurdist, Meursault. Throughout Meursault’s life, he receives constant judgement for most of his actions; although, they could go either way as moral or immoral. Nevertheless, the final verdict is reached and Meursault loses his life for the way he decides to live it. Even though most of Meursault’s actions receive negative judgement, it 's not entirely to blame on Meursault. Furthermore, Meursault is not an …show more content…
Throughout all of Meursault’s actions at the funeral, most receive scrutiny especially his denial to see Maman before she was buried. Camus states, “When the caretaker asked if Meursault wanted to see his mother, Meursault responds with “I don’t know” (Camus 6). For whatever reason, Meursault was not consciously able to react appropriately at the moment. An expansion on Alonzo’s work in which supports Meursault would be the philosophy of Socrates and the Socratic paradox. Socrates states, “If one acts in a manner not conducive to one 's good then that person must have been mistaken (i.e., that person lacks the knowledge of how to obtain what was serviceable in that instance.”(Socrates 882). Even though Meursault did not understand his reasoning at the time, he didn’t know how to react in order to please the others. It’d be benign to assume he did not give a shit about Maman. Denying the request without reason and ultimately defying society, Meursault inevitably receives judgement from this point forward as an immoral
“Soon one of the women started crying… I wished I didn’t have to listen to her anymore,” (Camus 10). The statement seems uncaring at first. In theory, Meursault should hardly notice the woman from his haze of grief over losing his mother, but Meursault is simply ready for the process to be done with. His mother was old; old people die. The sorrow did not envelope Meursault like some think it should have. His thoughts were focused on his physical self, who wanted the lady to stop crying. Outside of the setting of a vigil, it would be entirely reasonable to wish for a lady to stop crying and causing a commotion. Yet, later in the novel, Meursault finds himself being damned for this thought and similar moments in his mother’s funeral proceedings. For remaining stoic, he appeared uncaring and became “morally guilty of killing his mother” as the prosecutor decided (Camus 101). There was no sound reasoning in this assertion. Common sense, had anyone attempted to use it, would have entirely shut down the prosecutor’s argument. There is no way to be “morally guilty” of anything. The only
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
Albert Camus’ The Stranger offers one man’s incite into the justice of society. Monsieur Meursault, the main protagonist in the novel, believes that morals and the concept of right and wrong possess no importance. This idea influences him to act distinctively in situations that require emotion and just decision, including feeling sadness over his mother’s death, the abuse of a woman, and his killing of an innocent man. In these situations Meursault apathetically devoids himself of all emotion and abstains from dealing with the reality in front of him. When confronted by the court over his murder, he reiterates his habitual motto on life that nothing matters anyways, so why care? His uncaring response inflames the people working within the
Throughout the novel, Camus presents the audience with one reason after another why Meursault should not, and in many cases cannot, be judged by "normal" standards. He also seems to say that no matter how mystifying or straightforward a person might be, there is no excuse for judging another human being. The question he finally presents to the reader is this: do we take his advice and abstain from judgment, or do we continue to judge others, often wrongly?
The emotionless anti-hero, Monsieur Meursault, embarks on a distinct philosophical journey through The Stranger. Confident in his ideas about the world, Meursault is an unemotional protagonist who survives without expectations or even aspirations. Because of his constant indifference and lack of opinions about the world, it can be denoted that he undergoes a psychological detachment from the world and society. It is through these characteristics that exist in Meursault that Camus expresses the absurd. Starting from the very first sentence of the book, “Maman died today. Or maybe yesterday, I don’t know.” (Camus 1) The indifferent tone from these short sentences convey a rather apathetic attitude from Meursault’s part. Not only does he not feel any sorrow, he also “felt like having a smoke.” (Camus 4) Communicating perfectly Meursault’s disinterest, “[he] hesitate, [he] didn’t know if [he] could do it with Maman right there. [He] thought it over; it really didn’t matter.” (Camus 4) The death of his mother prompts an absurdist philosophy in which he experiences a psychological awakening and begins to place no real emphasis on emotions, but rather on the physical aspect of life.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
In Albert Camus’s The Stranger, Meursault, the protagonist, could be seen as immoral if he were judged on the basis of his actions alone. However, through Camus’s use of a first person narrative, we begin to understand Meursault as not an immoral man, but simply an indifferent one. Meursault is a symbol of the universe, and so in understanding him we understand that the universe is also not evil, but instead a place of gentle indifference.
A man by the name of Thornton Wilder said, “We live in what is, but we find 1,000 ways not to face it,” and to me this quote is saying we live in a world full of tragedies and emotion, but always find a way to stay away from them. In, The Stranger, Meursault suffers from his mother’s death and struggles with finding happiness. This attitude sets up a theme in the story. How he avoids emotions to serious events causes Meursault to think about how a person's life isn’t really important in society. Meursault refuses to think about anything such as fate or God and only believes what he can see. He can only use logic. Whether it is his mother's death, Marie's need to prove her love, or even his killing of the Arab, nothing actually affects his emotions. This quote applies to Meursault because he is a bothered man who can never face his feelings.
“But from the moment he knows, his tragedy begins.” Meursault is not unlike Sisyphus. In the novel, The Stranger, by Albert Camus, we watch this character change from a carefree man who loves being alive and free to a man who is imprisoned for a meaningless murder he commits but who eventually finds happiness in his fate.
After only a few days of trial, the jury in The Stranger declares that the main character, Meursault, is to be executed by guillotine in the town square. The trial and its verdict are one of the important parts of the novel, as Albert Camus uses them as a metaphor to summarize the two main tenets of absurdism. Camus uses the trial and persecution of Meursault to express his belief that the justice system is flawed because of his absurdist ideals that truth does not exist, and human life is precious. In order to reform the justice system, Albert Camus believes that capital punishment needs to be abolished.
Choice and Individual Freedom in The Stranger Camus's The Stranger is a grim profession that choice and individual freedom are integral components of human nature, and the commitment and responsibility that accompany these elements are ultimately the deciding factors of the morality of one's existence. Meursault is placed in an indifferent world, a world that embraces absurdity and persecutes reason; such is the nature of existentialist belief, that rationalization and logic are ultimately the essence of humanity, and that societal premonitions and an irrelevant status quo serve only to perpetuate a false sense of truth. Meursault's virtue, as well as his undoing, lies in his unique tendency to choose, and thereby exist, without computing objective standards or universal sentiment. His stoic, de facto existentialism is a catalyst for endless conflict between his rationalization- and logic-based existence and that of others, which focuses on an objective subscription to "the norm" ; such is evident in heated discussions with the magistrate and prison minister, who are seen as paragons of invalid logic and the quixotic, quasi-passionate pursuit of hackneyed conformity. No windmills are slain1 in this simulated existence; absurdity of a different ilk dominates the popular mentality, one which would alienate a man based on his perceived indifference towards the mundane, and try, convict, and execute a man based on his lack of purported empathy towards the irrelevant.
In Albert Camus’ absurdist novel, The Stranger, Meursault’s detachment from society and his killing of the Arab reveal moral and ethical implications for him and his society. As is common in many absurdist novels, Camus discusses the estrangement - and later development - of an individual in a benign and indifferent universe, one in which conformity prevails. Camus not only satirizes the conformity of society, but religion and the legal system as well. By writing in the first person (from the standpoint of Meursault), he draws in the reader, making the evils of society more prevalent.
Camus' choice of Meursault, an unusual person, who does not 'play the game', enables him to demonstrate this argument. Meursault's first words are 'Mother died today.' He is very quiet and detached and likes to observe events around him like a spectator, regardless of their importance to him. At his mother's funeral, he does not cry, he smokes and drinks coffee, and this turns out to be the reason for his execution. It may appear that the fact that Meursault is killed because of the way he acts at his mother's funeral is a sign of hubris, much like Creon's in Antigone, who does not respect Polynices' death properly.
Meursault is distant from set plans, ambitions, desires, love, and emotions in general. He has a difficult time with emotions such as regret and compassion. The reader sees the nature of his personality in the first few lines of the novel: "Maman died today. Or yesterday maybe, I don't know." When he hears of the death of his mother through a telegram, he is unattached, and can be considered uncaring.