In Tratado en defensa de virtuosas mugeres, Diego de Valera also reminds men that they should repent. This treatise appears after his other work, titled Espejo de verdadera nobleza written around 1441, which focuses exclusively on “true” nobility. Like Rodríguez del Padrón, Valera also dedicates his defense to Queen María of Aragón, first wife of King Juan II. The work begins with the dedication and an explanation of why it was necessary to write this work. He then describes how a voice came to him in his sleep and removed the veil from his eyes revealing a clear vision. This reference indicates that he may have at one point erred like the defamers but now repents. The work follows with a dialog directed at a “friend” and Valera goes on to
Matteo Carcassi was a famous Italian guitarist and composer. Carcassi first studied the piano, but learned guitar when still a child. He spent most of his time in Paris, but in 1823 he performed concerts that made him famous as a guitarist and a teacher. His talents were not recognized in Paris partly due because Fedinando Carulli was there at the time.
From T.P. Valera’s business to his personal life he lived by a loose set of morals. It is made clear by the way in which he treated his family and also how he enslaved the people of the Amazon in order to gather rubber. In his personal life he was shown to disrespect his wife in front of the family and constantly spread his misogynistic ideologies onto Sandro in his childhood. The incident were Valera disrespected his wife in front of the family begins with Madame Valera preparing and extravagant return for T.P. Valera. When he entered the home greeted by his family and staff instead of being grateful he dismissed the gesture and told Madame Valera that she should ”take on a lover”(362). The instances of terrible parenting are abundant but a direct example is presented during a conversation with his sons where he tells them as you age “you tolerate less and less well with women your own age”(371). Both examples illustrate that T.P. Valera was not a good man. He openly insulted his wife while simultaneously devaluing his marriage in front of his children. He followed that up by telling his sons that they should only date young women because they won’t be able to tolerate the presence
The opening lines of the novel shows the motive of passion. In the novel, later, Mme. de Clèves asks for further explanation for the love between a woman and the king with “several other lovers” (1039). This passion forms the “political and social effects” (1039) that change the norms in the court. The court mixes this false “event into its own structure, so that the implausible now becomes the n...
Poe’s fantastic use of imagery holds an idea to the questioning of his character's motives. In “The Cask of Amontillado”, Montresor's face was covered by a black mask, he not only represents blind righteousness but also revenge. In contrast to Montresor's apparel, Fortunato wears a colorful jester costume, and gets precisely and dreadfully fooled by Montresor’s underco...
¡Diles que no me maten! A short story by Juan Rulfo, which depicts the reality of a peasant’s life in rural Mexico. This short story is about a farmer who had a disagreement with the landowner after asking if he would be able to share his animals’ food. Due to the refusal the farmer sneaked his animals at night to feed them; however, when the landowner found out he killed one of the farmer’s cattle. As a result, the farmer killed his landowner; consequently he had to hide for over 40 years only to be murdered later on by the landowner’s son. This paper will discuss the following ideas; themes explored in the short story such as family, death and revenge. Then, an analysis of the strong need of survival and the symbolism of corn crops. Continuing to the structure of the short story and what it adds up to the overall understanding of the story. Finally, there will be a conclusion of all the aspects and what findings are reached after reading this short story.
Bartolome de Las Casas was an important protector of native peoples because the latter part of his life was dedicated to social reforms that called for better treatment of the natives.
Un Sac De Billes is an autobiography written by Joseph Joffo, a French writer. The story is based on the life of Joseph Joffo and his family during the early nineties. The Germans invaded Paris in 1941 and the Jews happened to be affected the most. The Germans made it mandatory for the Jews to put on an étoile jaune (yellow star) in order to be distinguished from the others. The Joffo family was in distress since they were also Jewish. Thereafter, anytime Joseph, 10 years of age and his brother Maurice, 12 years old went to school with the star on their uniforms, their classmates scoffed at them; even their teachers treated them in a prejudiced manner. Joseph’s dad, Mr. Joffo reasoned with his boys to abscond from Paris to a secure zone, Zone Libre where Henry and Albert, their older brothers resided. Joseph and Maurice affronted a lot of hardships at that vulnerable age; they fled from city to city in order to survive. After the Germans left, the brothers returned to Paris. The Joffos were reunited except their dad who lost his life in the hands of the Germans.
Los de Abajo, the realistic portrayal of those involved in the Mexican Revolution? After only reaching a small audience with serialised publications of Los de Abajo, the importance of the novel and author, Mariano Azuela, only became apparent in the 1920’s. The rugged nature of the narrative in the novel proved to be something different to the norm of the romanticised literature that had been published regarding the revolution. A testimonial view provided by an eyewitness account offered ‘mexicanidad’ and a realistic snapshot of life in that era. Azuela writes all from memory and draws from his real life witnessing of the Mexican revolution, thus all the characters are somewhat an indication to the people that were involved. Therefore it is
Federico García Lorca’s poem “La casada infiel” depicts the story of a gypsy who makes love to a married woman on the shore of a river. When looking deeper into the poem, Lorca appears to provide a critical observation on the values of the conservative society at the time in which he lived. The woman, at her most basic reading, is treated as an object, elaborating on the sexist values in society at the time. Lorca addresses issues of sexism as well as issues of sexuality within society mainly through the poem’s sexist narrative voice, objectification of the female character and overriding sense of a lack of desire throughout the poem. His achievement to do so will be analysed throughout this commentary with particular attention to Lorca’s use of poetic techniques such as diction, personification and imagery.
...in knowing what behavior was expected of a noble and his lord in medieval Spain. It is clearly evident that the attributes of commitment to one's lord, giving auxilium, and rendering consolium were expected of all proper rulers. The Poem can be seen as a morality play in which the Cid constantly strives to be a good and proper lord to his followers and a good and proper vassal to King Alfonso, only to be failed by those above him.
The Vicario brothers in Gabriel García Márquez’s Chronicle of a Death Foretold and Esteban Trueba of Isabel Allende’s The House of the Spirits are prime examples of vengeance not being sweet relief, but instead a bitter burden. Even if it is meant to protect personal morals and values, the act of escalating the anger into violence will never satisfy. The keen understandings of the Chronicle of a Death Foretold’s narrator and Alba give hope for the future to not be rot by the illogical thought that revenge is sweet because in reality, it eventually turns bitter.
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).
In the beginning scene, Florinda and Hellena discuss the former's impending marriage and her hope to marry a man "...due to my beauty, birth and fortune..." (Behn Act I, Scene I). Pedro argues for Don Vincentio as a "...man of so vast a fortune..." (Act I, Scene I) and attempts to dissuade his sister from marrying Belvile because he "...has no fortune to bring..." (Act I, Scene I)....
When looking for a story full of irony, suspense, mystery readers can always turn to basically any story written by the “father of the detective stories”, Edgar Allan Poe (Work Cited – Biography website). In what is considered his most perfect short story of all, “The Cask of Amontillado” Poe integrates irony even in the tiniest aspects if the entire story (Work Cite – Cliff Notes). For the reader to completely understand Poe’s creepy, perfectionist style they should know some background on Poe himself. Starting from a young age Poe experienced multiple tragic events that drastically changed not only his life, but his outlook on life (Work cited – biography). With so many negative things surrounding Poe it is no
The Cardinal and Ferdinand, the brothers of the Duchess, are very much against their sister’s re-marriage. Ferdinand urges her not to marry again. He condemns it because he thinks that it shows a lustful nature.