Pg: 23. Print. Shakespeare, William. Hamlet Prince of Denmark. Great Britain: Penguin Books, Inc., 1970.
New York: Frederick Ungar Publishing Company, 1980 Watts, Cedric. A Midsummer Night's Dream. London: Penguin, 1986. Wells, Stanley & Gary Taylor, General Eds. _William Shakespeare: The _Complete Works.
New York, NY, USA: AMS Press. 1973. Lerner, Laurence. Shakespeare's Tragedies. Middlesex, England: Penguin Books Ltd. 1964.
Importance of Speech in Much Ado About Nothing, A Midsummer Night's Dream, and Richard III Speech is often the strongest indicator of personality and motivation in Shakespearean histories and comedies. Each turn of phrase is a small insight into the essence of the character. Stringing together each line from the mouth of the character allows the audience to discover each nuance created by Shakespeare. By connecting the actions to a manner of speech, which mirrors those actions, Shakespeare is able to create more believable and dynamic characters. Examining Much Ado About Nothing, A Midsummer Night's Dream, and Richard III, certain archetypes emerge, each with a specific way of speaking.
C.. Shakespearean Tragedy. New York: Penguin, 1991. Coles, Blanche. Shakespeare’s Four Giants. Rindge, New Hampshire: Richard Smith Publisher, 1957.
William Shakespeare: Othello. New York: Penguin Books, 1968. Shakespeare, William. Othello. In The Electric Shakespeare.
Macmillan New York, NY 1994. (page 39-55) Muir, Kenneth. Introduction. William Shakespeare: Othello. New York: Penguin Books, 1968.