Essay On Timothy Findley

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In one of his speeches, which later appeared in the Journeyman: Travels of Writer, Timothy Findley noted that myths are not lies. They are truths told in the context of size twelve shoes, as they have wider gestures, with voices projected deeper, as well as, bolder features that reality cannot dare contrive. True to his word, Timothy Findley lived to produce one of the most pieces of intelligent storytelling and writing that were deemed mythical by many yet structured in a manner that reflected the actual troubles that human beings face as depicted by the characters in his story. In writing such intelligent literature, his was explorative in his writing, never constricting himself to one writing genre, but exploring different forms of writing, …show more content…

Although coming from a rich background, his health during childhood very poor that his interest and attendance in school became erratic leading to his failure in finishing his tenth grade. Nonetheless, with resilience he pursued an arts career where he studied acting and dance from which he became a successful actor prior to switching to a writing career. He rose to charter membership of the 1953’s Stratford Shakespeare Festival, played The Matchmaker, a play at Edinburgh Festival and Sunshine Sketches, which was aired by CBC Television. In 1953, while working together with Alex Guinness, he had accepted his offer to attend Central School of Speech and Drama based in London, thus becoming a surprise for many when he shifted from his early life’s focus in drama to take a career in writing in his adulthood life (Roberts and Macdonald, …show more content…

Findley helped found the TWUC to help elevate writing profession by advocating for writers’ economic well-being, freedoms and rights. The union has in Canadian history been instrumental in addressing copyright legislation, public lending rights, freedom of expression and public lending lights among other issues that affect and derail the writers’ progression. In addition, Finley changed the face of Canadian and world literature in a manner inspiring other writes by tampering with traditional conceived assumptions of genre and history where he bases his setting in past, as in the case of Second world war in Famous Last Words but employs modern literary genes, including speculative fiction, mystery and fantasy. In this light, he inspired writers by challenging them to break the norms, avoid focusing on a specific genre, but instead become versatile by defying classification to combine different genres and make them work (Brydon,

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