Essay On Symbolism In The Great Gatsby

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Everyone has heard about the green light at the end of Daisy's dock—a symbol of the crude future, the immeasurable promise of the dream that Gatsby desires despite its tragic end. Another familiar symbol is that of yellow and gold—representing money, the tactless greediness that taints the dream and eventually leads to its destruction. Such symbols and their purposes, at every stage in the novel, help provide substance to the main conflict. The central conflict of F. Scott Fitzgerald’s The Great Gatsby, is the clash between Gatsby's dream and the unpleasant, real world reality—“the foul dust [that] floats in the wake of his dreams" (Fitzgerald 2). Gatsby, the dreamer, remains as pure and unbreakable as his dream of greatness, an accomplishment "commensurate to his capacity for wonder" (Fitzgerald 180). However, it is the reality, of course, that turns out to be evil: Gatsby is murdered and the charmed universe is discovered to be a world of corruption and violence. The symbolic colors provide clarification pertaining to, with a packed and subtle prejudice, both Gatsby’s dream and reality—and both in their separateness and in their tragic intermingling. One of the most obvious representations, when it comes to color, of the novel's main conflict is the reoccurrence of conflicting lights and darks. Gatsby is "like an ecstatic patron of recurrent light" (Fitzgerald 89). His imagination has created “a universe of ineffable gaudiness…of a vast, vulgar, and meretricious beauty"—a world of such varying vibrancy that it could be represented by several colors like a rainbow (Fitzgerald 3). An example of this can be seen when remembering Gatsby’s shirts that are "coral and apple-green and lavender and faint orange, with monograms of Ind... ... middle of paper ... ...the money-loving dream-girl "high in a white palace, the king's daughter, the golden girl" (Fitzgerald 45). Finally, there is the green light at the end of Daisy's dock, a symbol which Fitzgerald explicitly identifies with "the orgiastic future that year by year recedes before us" (Fitzgerald 180). The light being green, orders Gatsby and his friends to go ahead and "run faster, stretch out our arms farther" (Fitzgerald 180). However, the hidden symbolism of the light should be clear: as a mixture of blue and yellow, green is yet again the horrid combination of dream and reality. Since Gatsby is seeking blue, he has totally turned a blind eye toward the yellow hue given off by the light. For him money does not matter or even exist, it is only the white or blue that satisfies his thirst. But it is on his journey toward the adulterated grail that he is destroyed.

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