An interesting example of good being corrupted by Evil is the character Smeagol, commonly known referred to by his alter ego Gollum. Gollum is perhaps the most complex character in Lord of the Rings, who represents greed and ambitions yet displays his inner battles with himself, thus proving that he is not purely evil nor has he become purely evil. Gollum is an unique character who shows complexity beyond what appears on the surface.
Gollum began as a Stoor Hobbit and a once a merry member of the River Folk called Smeagol, who became the stretched, disfigured being once his greediness for the Ring took over. His greed for the Ring was so great, he even killed his cousin Deagol for it. This is a greater representation of ambition and greed because Smeagol wanted the Ring bad enough to kill for it, despite his justifications that it was supposed to be his birthday present.
His downfall all began one day when he and his cousin, Deagol, were alone out fishing near the river where Deagol finds the One Ring. Smeagol approaches his cousin, both entraced by...
In “ The Odyssey ” by homer Odysseus goes on a journey to get home after twenty years the trojan war. The “ Hero’s Journey “ by Joseph Campbell represents the journey the hero's take on their journey as a hole in the story. The main parts of most stories include twelve parts to the hero's journey and some additional points.. The three parts of the hero's journey supernatural aid, test and supreme ordeal , and reward and journey home. These are some of the most important parts of the odyssey.
Although JRR Tolkien is notorious for his numerous, and often seemingly irrelevant, minor characters - the necessity of an index of names in The Return of the King proves this without a doubt - one of the most crucial and fascinating characters of The Lord of the Rings physically appears in barely more than one-sixth of the novel. The character Sméagol, often referred to by his alter ego Gollum, on a basic level serves only to guide Frodo and Sam to Mordor, as well as to destroy the Ring when Frodo cannot. However, in the course of doing so, we are revealed, hint by hint, of the enigmatic and contradictory character who "hates the Ring and loves the Ring - just as he hates and loves himself" (Sibley 170). In The Lord of the Rings, JRR Tolkien uses the character Sméagol, forged from a collection of historical and historically mythological tales, as a foil for the central hero Frodo Baggins as well as the Christian example of hope, despite the powerful corruption of evil.
Gollum cannot resist the Ring’s temptation because he has no knowledge of the Ring and no guidance to form good habits and prevent addiction to the Ring. Gollum, originally, Sméagol wanted the Ring because of Its beauty but his friend, Déagol found it first. After Déagol refused to just give the Ring to Sméagol because it was his birthday, “…he [Sméagol] caught Déagol by the throat and strangled him, because the gold looked so bright and beautiful. Then he put the ring on his finger,” (58). But after he found the Ring, he had no guidance to form good ...
"Three Rings for the Eleven-kings under the sky, Seven for the Dwarf-lords in their halls of stone, Nine for Mortal Men doomed to die, One for the Dark Lord on his Dark throne, In the Land of Mordor where the Shadows lie. One Ring to rule them all, One ring to find them, One ring to bring them all and in the darkness bind them, In the Land of Mordor where the Shadows lie(Tolkien)." Master of storytelling J.R.R. Tolkien continues the lives of the fictitious creatures that he introduced in The Hobbit, in his modern classic The Fellowship of the Ring. He artfully illustrates the truths of the evil that plague the hearts of man. He tells a story of greed, destruction and how mortal men are enslaved by their delusions of grander and how they feast upon the misery of others to elevate their own pitiful egos, that prove to be their worst vices.
The Sage: “All we have to do, is decide what to do, with the time given to us.”
What hero compromises the intense struggle between good and evil? J.R.R. Tolkien’s book involves a hobbit who reaches out of his comfort zone to show that hobbits succeed at beginning adventures. Tolkien uses symbolism and epithets to show the rigorous processes of how an ordinary creature becomes a mythic hero.
The story of good vs. evil is one that dates back to the beginning of time itself. In the epic Beowulf this is no different; the forces of good and evil are in constant conflict with each other. Beowulf, the good hero, is “praised over and over again” for his glorious and continued victories over the forces of evil (Heaney: Celebration at Heorot: 131). On the other hand, the evil characters, such as Grendel and Grendel’s mother, are not only “malignant by nature”, but also constantly terrorize the citizens near them, defiantly rebelling against the forces of good. (Heaney: Heorot Is Attacked :131). Grendel is a demon, the descendant of the cursed Cain from Biblical times, is seen as the embodiment of evil, and none but Beowulf can overpower
... As the quest progresses, Bilbo discovers more and more about himself, as do the people around him. “The real life of men is of that mythical and heroic quality…And man as a whole, Man pitted against the universe, have we seen him at all till we see that he is like a hero in a fairy tale?” (C. S. Lewis). That it is important to find one’s self is an ongoing theme portrayed throughout the entirety of the novel, as proven. This theme is a clear example of an exigent as well as ageless message, contributing to the splendor of fantasy writing.
Mythology is known as a collection of myths, mainly belonging to a specific religion or cultural tradition. Mythology is known worldwide and is passed down, usually orally, to the youth. Mythology cannot be proven to be completely true, due to the lack of verified written proof. The three in this section include; Hindu, Egypt, and African each has their own way of how the world was created.
Kathleen, the length is only one of the reasons I “declassified” The Hobbit as a fairy tale not the only reason. Fairy tales are often always short stories and The Hobbit is not. I am familiar with myths and their lengths, and many myths are usually considered epic poems. Paradise Lost, Iliad, and Odyssey are all epic poems, but are Greek myths. Therefore, making them shorter than The Hobbit but longer than a fairy tale. Let me be clear length is a small aspect on why I no longer consider it a fairy tale. Star Wars as in George Lucas? Star Wars has elements of mythology just like The Hobbit has elements of a fairy tale the characters, a moral lesson, and the happy ending to be exact. One of the most important elements of myths is the hero's
J.R.R. Tolkien Research Paper As many have grown up during this generation, they have been dazzled by the work of J.R.R. Tolkien as well as the artistic interpretation of this trilogy by Peter Jackson. This movement started when Tolkien created The Hobbit and then later the Lord of the Rings trilogy in the 1930’s, 1940’s and 1950’s. However, there are those who have criticized both the books and the cinema for being sexist and/or racist. Tolkien is not sexist because he develops his female characters by revealing their individualism and dynamic features, and is also not a racist because much of the criticism comes from Peter Jackson’s interpretations and because racism is harshly looked upon more in this generation than it was back in the 1940’s.
Evan R. Schimmel - "The ' Mr. Strait Reading Hour 5 10 December 2015 Themes in The Hobbit The Hobbit, originally written in 1937 by the masterful author J.R.R. Tolkien, tells an eloquently crafted story about a hobbit, a wizard, and a group of thirteen dwarves. In The Hobbit, great accomplishments are difficult without the aid of others. The first time that great accomplishments were difficult without the aid of others was when the company was taken hostage by the goblin king. Gandalf was the one to assist in this situation and if Gandalf had not helped then the company would not have escaped. In The Hobbit on page 61 it states, “Just at that moment all the lights in the cavern went out, and the great fire went poof into a tower of blue glowing smoke.
The Odyssey, an epic, was written by Homer, a renowned Greek epic poet. The prequel to this book is The Iliad and leads off with the end of the Siege of Troy and the disappearance of Odysseus.
... other. Although Peter is considered evil and cruel, the novel never mentions him killing any human being. Ender is another perfect example of good and evil coexisting in one body though he is generally seen as good, he has his moments. Finally, Card expresses his thoughts on his theme of good versus evil with symbols that can describe the deception of looks; not all who look innocent are innocent, and not all those who look guilty are guilty. Good and evil lives within us however it is up to each individual person to decide which side of the fence they would rather be on: good or evil.
This critique is about the film “The Hobbit: Battle of the Five Armies”. It is a heavy designed film that definitely had a long research and design process. There is more than one designer in each area of the following; scenery, costume, lighting and sound. Instead of talking about each designer’s accomplishment in the film. I will be talking only about their work. There were so many participants in the creating of the film it would be hard to reference each design element to an artist. The following are the mentioned artist, The Art Directors Simon Bright and Andy Mclaren, Set decoration by Myktya Brazhnyk, Simon Bright, and Ra Vincent, Costume design by Bob Buck, Ann Maskrey, and Richard Taylor, Music by Howard Shore, and many more creators