Macbeth and Macduff are viewed as two prominent figures throughout the plot of Macbeth. Furthermore, they are heavily depicted as exact opposites. Macbeth, greedy and power-driven, is labeled as the villain. On the contrary, Macduff, loyal and selfless, is labeled as the hero. Macduff’s loyalty and integrity contrasts with Macbeth’s dishonesty and moral perversion. Despite the distinct appearance of being different, both Macbeth and Macduff share some unique similarities.
In the beginning of the story, both men are highly admired by the king and the people around them. King Duncan trusts the nature of Macbeth and Macduff because they are devoted warriors of Scotland. After the Thane of Cawdor commits treason, King Duncan appoints Macbeth as the new Thane of
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Many recognize Macbeth as one of high character, but he is far from perfect. On multiple occasions, we witness prominent examples of Macbeth’s imperfections. He is behind the murders of multiple individuals, he demonstrates fear and distrust to those around him, his greed and power dictate his every
Mattia 2 decision, and he is killed. Although there are fewer instances, Macduff displays imperfections as well. When Macduff hears of the death of his family, he struggles to hold back his emotions. Malcolm urges Macduff to take the situation like a man, and Macduff replies that he must first feel it like a man. Before he kills Macbeth, Macduff tells Macbeth that his words are in his sword.
Although the men are similar in some ways, they are actually exact opposites. Macbeth has multiple people murdered because of his selfish desires. His love of power and fortune motivate him to kill people in order to fulfill his inclination. Due to this, Macbeth is viewed as a villain. On the contrary, Macduff single-handedly killed Macduff in order to protect the people of Scotland. His motivation was altruistic, and for this honorable act, he is viewed as a
Even though others question Macduff’s responsibility for his family’s murder, "Why in that rawness left you wife and child”, he ultimately left them out of love for both family and country. Macduff’s persistent desire to defeat Macbeth determines his loyalty to country, rather than to the tyrant Macbeth. From the beginning, Macduff has valued country over leader, so when Duncan is murdered, and Macbeth will be coronated, “Will you go to scone/No, cousin, I’ll to Fife” (2.4.35-36). Macduff doesn’t attend the coronation because he is suspicious of Macbeth and his possible involvement in Duncan’s
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs
Conflict of forces is reflected in the character of Macduff. Duncan’s murder is discovered by his loyal supporter Macduff. It is the intensity of his devotion to the king that brings him to the castle just at the time of the murder and makes him the first to see the dead body, "The Lord’s anointed temple" (Act II, Scene3, 67) as he calls it. Had Macduff’s loyalty been supported by corresponding strength he could have come in time to save Duncan. But as Duncan displays goodness and virtue without sufficient power to maintain his rule, Macduff’s capacity for pure loyalty is not combined with the strength required to express it. When soon afterwards he goes to England in support of Duncan’s son Malcolm, his wife and children are left to be murdered by Macbeth. His personality lacks the energy to sustain both the commitments of his loyal heart. In expressing his loyalty to the dead king he ignores his equally great commitment to protect his family.
Thirdly, feelings of paranoia and guilt cause Macbeth characters to make damaging choices. When Macbeth asks the witches to reveal the truth of their prophecies to him, they summon horrible apparitions, each of which offers a prediction to allay Macbeth’s fears. First, a floating head warns him to beware Macduff. Macbeth says that he has already guessed as much. Later when Lennox enters and tells Macbeth that Macduff has fled to England. Macbeth in reply says, “The castle of Macduff I will surprise; / Seize upon Fife; give to th'edge o'th'sword / His wife, his babes, and all unfortunate souls / That trace him in his line.” (4.1.149-152). As Macbeth descends to madness he becomes obsessed with eliminating any threats to his power. Macbeth orders the murderers to kill Macduff's family and eliminate any threat to him. Ironically, this is the moment that Macbeth seals his own fate, by murdering Macduff's family he ensures Macduff's retaliation against him, which ultimately leads
With this new knowledge, Macduff knows that he must be the one to kill Macbeth and secure Malcolm’s right to the throne. Macduff does kill Macbeth, being the only one able to do so and secure peace and prosperity for Scotland.
Some people are just meant to be heroes. In this wonderful play by Shakespeare Macduff is a good choice and born to be a hero. Throughout Macbeth there are several examples of Macduffs heroism and bravery. Macduff is a loving, caring man of action, Thane of Fife and a Scottish nobleman hostile to Macbeth's kingship. When he leaves his loving family to flee to England to join Malcolm, Macbeth has Macduff's wife and children murdered. At the end of the play, Macduff (who was born through a caesarian section) kills Macbeth bringing prosperity back to Scotland, and proving the truth in the witches prophecy that "no man of woman born" can harm Macbeth and his true heroism.
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
William Shakespeare’s Macbeth is a play centred around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a noble and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very nave, gullible, and vulnerable.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
One such character in “Macbeth” is Macduff, the Thane of Fife. Within the play, Macduff is the foil ; a character that exemplifies the contrasting characteristics of another character, who is Macbeth in this play. In stark contrast to Macbeth, Macduff resolves to restore peace and order in Scotland, which Macbeth has disrupted. After King Duncan's unfortunate demise and the coincidental murder of Scotland's Commander and Macbeth's dear friend, Banquo, Macduff suspects that Macbeth is not the “innocent flower”(1.5.56-57) he pretends to be. Macduff finds himself on the course to England, where Malcolm, the rightful heir to the throne, has found refuge. He wishes that Malcolm would reclaim the throne as the legitimate heir, which shows his allegiance to the royal family. Instead of grasping the throne for himself, he decides to endanger his family to restore the lawful king. When he was informed of the assassination of his kin, he was able to express his grief, like a true man. In this line Macduff mourns for the loss of his family, “...All my pretty ones/ Did you say "all"? O hell-kite! All? / What, all my pretty chickens and their dam/ At one fell swoop?”(4.3.255-258). Here, Macduff's immense capacity to sacrifice for the common good of his people is shown. Consequently, the following lines display his course of actions at the
Macduff was the first to openly defy Macbeth by his decision to go to his castle in Fife rather than Macbeth’s coronation in “Scone” (2.4). Macduff flees to England to rally support and revolt against Macbeth (4.3). Macduff acts on his free will, uninfluenced by the power of Macbeth nor others, and does what he believes to be the best for himself and everyone else. He retains his independent thoughts and his sense of masculinity despite the consequences he might suffer, standing his grounds with his beliefs and ideology of being a true patriot. Later on, upon hearing the news of his family’s murder, Macduff shows his sensitivity: “I shall [disput it like a man], but I must also feel it like a man” (4.3). He depicts the ability to have emotions and link it to his masculinity as a part of human traits, embracing his weaknesses and flaws and showing that he also acts as he believes he should act. The sharp contrast between Macbeth’s cowardly actions and Macduff’s strong will is shown at the final battle between the two; Macbeth refuses to fight with Macduff when Macbeth learns Macduff is that one person in the prophecy that would defeat Macbeth until Macduff threatens to capture him alive and humiliates him in front of the crowd (5.8).Once again, Macbeth masculinity is threatened, and he gives in to the threat rather than stand his ground, leading to his ultimate demise. Macduff’s
Furthermore, we also learn about Lady Macduff’s and her kids’ death. To prove this, Macbeth says in Act 4, scene 1 that he wants to kill Macduff and his family for joining Malcolm, the protagonist adds “The castle of Macduff I will surprise, / Seize upon Fife, give to th’ edge o’ th’ sword / His wife, babes, and all unfortunate swords / That trace him in his line.” Although many might argue that Macbeth was forced to kill Duncan, which caused him to kill everyone else, the protagonist could of have refused to follow his wife’s orders and refrain from the power he wants. From the quotations used, we can now tell that Macbeth is a monster due to the murders he
Macbeth’s quest for power not only ends his life, but he continues the murders due to malice. When Macbeth plans to murder the Macduff family, we see the evil tyrant Macbeth has become.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.