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The book I’m reading is called Esperanza Rising by Pam Munoz Ryan. The novel’s genre is Historical Fiction. I recently read chapter 3, Las Papayas, where Esperanza and her mother cope with Sixto’s, Esperanza’s father’s, death. At the beginning of the chapter, Esperanza wakes up from her dream about her father singing songs to her in the morning. After she wakes up, Senor Rodriguez, her father’s friend, gives Esperanza, some papayas, coconut, and lime salad that her father ordered. Later on, many people came to the ranch for Sixto’s funeral. Everyone brought many presents, flowers, and food. One day, Esperanza finally had her big, happy fiesta that she was supposed to have on her birthday. She got many presents like a purse, a book, a scarf, and a porcelain doll from Papa. …show more content…
At first, they only stayed for a couple of hours, but afterwards they stayed every day until it was dark outside. Finally, Tio Luis and Tio Marco, Esperanza’s uncles, came to settle the estate. Esperanza’s mama and uncles started talking about bank loans and investments, but Esperanza didn’t understand what they were talking about. Their lawyer starts talking about how women shouldn’t own land and that Sixto left the land to Tio Luis instead. Because of this, Tio Luis now owns the land and he wants to buy the house but Mama says no to the offer. Instead, Tio Luis says he has a solution to her problem, a “proposal.” Mama rejects the offer again, but Luis adds that he will make things very difficult for her if she doesn’t accept the offer. Esperanza’s uncles leave the house and Esperanza’s mama starts to cry. Esperanza tries to comfort her by telling her everything will be okay, but she didn’t sound convincing, even to herself. Later that night, Esperanza’s family was discussing the problem and what they would do. Esperanza left the conversation and went outside into her Papa’s
In the beginning of the story Esperana is told that her new house on Mango Street will be the answer to her dreams. She is told that, in their new house, her family will be able to live like other families. “They always told us that one day we would move into a house, a real house that would be ours for always so we wouldn’t have to move each year”. Esperanza is told that in her new house there will be plumbing that worked, “real” stairs, a basement...
As the next few weeks go on we see Pedro and Tita's relationship develop. The biggest change is when Pedro's son Roberto is born. Tita begins to breast feed Roberto because Rosaura had no milk after the strain of her pregnancy. The author uses imagery to express the feelings of longing between Pedro and Tita by writing about the looks they gave each other. Specifically when Pedro looked at Tita, it was a look that, when matched with Tita's "fused so perfectly that whoever saw them would have seen but a single look, a single rhythmic and sensual motion." This look changed their relationship forever, it bonded them together and they would never be separated in their hearts. This shows that the theme of, true love can withstand anything, is true. After this interaction between them they had been less careful about hiding from Mama Elena and when the baptism rolled around Mama Elena had seen enough. She decided, in the middle of the party that Pedro, Rosaura and Roberto would be moving to San Antonio to be with her cousin. They left and after about a year Mama Elena passed
Esperanza is a young girl who struggles with feelings of loneliness and feeling that she doesn’t fit in because she is poor. She always wanted to fit in with the other kids and feel like she was one of them. She loves to write because it helps her feel better about herself writing about her life and her community. Writing helps her with
Moving to the U.S was challenging for an immigrant.” Don’t be afraid to start over.” These words are true to any immigrant who is moving to a new place. Esperanza had many challenges when she was moving to California. The first challenge she faced was Esperanza did not know how to do daily chores, because she had always had servants. The second challenge was the dust storms caused mama to become sick with Valley Fever. The third challenge was Esperanza had to go work in the fields to take care of mama. Esperanza had many challenges as an immigrant, but these were the most challenging ones.
In the poor slums of Chicago, a family living in poverty struggles to get by. In the book, House on Mango Street by Sandra Cisneros, Esperanza is a twelve year old girl who lives with her family in the Windy City. She lives with her three siblings and both parents on Mango Street. Esperanza has no control over her life and family’s poverty. People who have no control over their life desperately seek change. Esperanza seeks to change her name, her home, and her destiny as a way to control her life.
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Esperanza, the most liberated of the sisters, devoted her life to make other people’s lives better. She became a reporter and later on died while covering the Gulf Crisis. She returned home, to her family as a spirit. At first, she spoke through La Llorona, a messenger who informed La Loca that her sister has died. All her family members saw her. She appeared to her mother as a little girl who had a nightmare and went near to her mother for comfort. Caridad had conversations with her about politics and La Loca talked to her by the river behind their home.
Rafaela is married to an older man and “gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at” (79). The narrator Esperanza notes that because Rafaela is locked in the house she gives the passing kids money to run to the store to bring her back juice. Esperanza states that “Rafaela who drinks and drinks coconut and papaya juice on Tuesdays and wishes there were sweeter drinks, not bitter like an empty room, but sweet sweet like the island, like the dance hall down the street where women much older than her throw green eyes easily like dice and open homes with keys. And always there is someone offering sweeter drinks, someone promising to keep them on a silver string” (81). Esperanza is being to notice a common occurrence in the treatment of women on Mango Street. Rafaela is locked away by her husband as he wants to keep her from running off. This mirrors the relationship between Earl and his wife. Rafaela is described in more detail however allowing readers a deeper connection to her experience in her marriage. Esperanza witnesses Rafaela’s confinement in the house each time she passes by with friends and Rafaela sends them down money to buy her a drink from the store since she is unable to go herself. There is also an interesting comparison in which the confined room is compared to being bitter whereas the sweet drink is compared to being the
After reading this book have you ever what ever happened to Tio Luis? Well you will know after, reading this newspaper article. After, Esperanza and her family moved into America, Tio Luis was furious he asked everyone In town “where and what happened” to Mama. He never found an answer to what happened to them. He ran for the election , married a woman that was rich and had a lot of money.
There was another time when Esperanza wanted to eat lunch in the canteen at school. She was not allowed to eat at school, because she lived close enough to walk home for lunch. But, Esperanza wanted to feel special like the other kids, so she convinced her mother to write a note to the nun in charge giving her permission to eat in the school canteen. The mother wrote the note, but the nun was not convinced. So, she made Esperanza go to the window and point to her house. She was too ashamed to point to the old-run-down home where she lived. This was one of her most embarrassing moments. Not to be outdone, Esperanza said, "I knew then I had to have a house. A real house. One I could point to" (page5).
Esperanza Rising, by Pam Munoz Ryan, is a book about a wealthy girl, Esperanza, who must flee to the United States and serve as a farm worker after her house is burned and her father killed. Throughout her journey Esperanza meets many new people, most of them peasants, and is forced out of her comfortable life. Esperanza’s confrontations with class differences in Mexico, during her train journey, and in California, symbolize stages in her transformation from a privileged young girl to skilled and hard working young woman.
To understand fully the implicit meaning and cultural challenges the film presents, a general knowledge of the film’s contents must be presented. The protagonist, Tita, suffers from typical Hispanic cultural oppression. The family rule, a common rule in this culture, was that the youngest daughter is to remain unwed for the duration of her mother’s life, and remain home to care for her. Mama Elena offers her daughter, Tita’s older sister Rosaura, to wed a man named Pedro, who is unknowingly in mutual love with Tita. Tita is forced to bake the cake for the wedding, which contains many tears that she cried during the process. Tita’s bitter tears cause all the wedding guests to become ill after consuming the cake, and Tita discovers she can influence others through her cooking. Throughout the film, Tita’s cooking plays an important role in all the events that transpire.
Bad things can happen to good people and your life can get better are some of the greatest themes of Esperanza Rising. For example, in the last sentence of the novel, Esperanza tells Isabel, ”Do not ever be afraid to start over.”(253) This quote was almost the same statement Abuelita told Esperanza while crocheting a blanket, but Esperanza never thought she would turn back to it, until Papa died and sure enough, Esperanza didn’t want to start over. She held on to everything from her magnificent, princess-like life, especially her doll. She didn’t know her life would never be the same again, but after living in California for a while, she looked back at what Abuelita told her and learned to let go of her past, even giving her favorite, special doll from Papa, to Isabel. Papa’s death broke Esperanza to pieces, but when she moved to California she took a turn for the better because she learned a lot of everyday skills, such as sweeping, cleaning clothes, and how to work which benefitted her and she embraced her life and enjoyed everyday.
Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a mature young lady through her difficult life experiences and the people she comes across. It is through personal encounters and experiences that Esperanza begins to become sexually aware and acceptance her place and self-definition in her community.
She was not a master of style, plot development or characterization, but the intensity of feeling and aspiration are evident in her narratives that overrides her imperfections. Sandra Cisneros’ The House on Mango Street, written in 1984, and Anzia Yezierska’s Bread Givers, published in 1925, are both aimed at adolescent and adult audiences that deal with deeply disturbing themes about serious social conditions and their effects on children as adults. Both books are told in the first person; both narrators are young girls living in destitute neighborhoods; and both young girls witness the harsh realities of life for those who are poor, abused, and hopeless. Although the narrators face these overwhelming obstacles, they manage to survive their tough environments with their wits and strength remaining intact. Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old.