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Death of woman Wang
Women's role in ancient china
Death of woman Wang
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In the epilogue to The Death of Woman Wang, we see several ways in which Chinese culture determined the sentence meted out to the Jens by Huang. False accusation of innocent persons was a capital crime in 17th century China, punishable by death. The Jens, however, were not executed. The largest factor in sparing the younger Jen, was based around the cultural importance placed on continuation of family lines and the strict ways in which this could acceptably happen. China was not only patriarchal, but also patrilineal. This means that family descent could only be counted through the men. Woman were not able to pass on lineage or surnames except under very rare circumstances. Ancestor worship was very important in this culture, and only the children from the male line could worship the ancestors. In this culture, it was disrespectful, even blasphemous to die without having a son. Family connections were everything to this society. The elder Jen only had one son, and this, the younger Jen, had no sons. This would be seen as quite a tangled web in the society of our reading. If the younger Jen were executed, the elder Jen would be disgraced when he later passed away, having died without a son. Also the family line would die out. Two very difficult things. …show more content…
The fact that she was killed, was really less important here, than why or how she was killed (if that makes sense). In our society, there would be an uproar over this death and justice would be demanded. But being a woman, Wang had few rights to begin with, add to that her running away and infidelities, and it becomes troublesome in this culture to determine if her death was even a wrong act. Because of this aspect of the culture, the sentence meted out focused solely on how it would affect the Jen family, rather than having a focus on avenging woman Wang. In fact, under this culture, woman Wang is viewed as deserving to
Freedom for a Chinese woman was about being independent and to be considered equally important as a man in the Chinese society. The women in traditional China were seen as child-bearers and that was basically considered their main role in their marriages. The women must give birth to a male in order for the family name and traditions can be carried on. If the child was a female, then she’d be of no use to the family and would be married off to another family. It was very difficult for the women since they weren’t able to live life their way due to the old Chinese traditions that were established long ago.
The caste system played a great part in religion and philosophies as well. As shown in the graphic organizer, Father>son, older brother>younger brother. This supports the evidence of a caste system in china, not as strict as the caste system in Ancient India. The caste systems were separated by power, a father being more powerful than his son, and wife. His older son will have more power over the younger son, but the father has the power to control all of his sons. This was similar to the Indian caste system. Brahmins had more power over
Ban Zhao wrote Lessons for a Woman around the end of the first century C.E. as social guide for (her daughters and other) women of Han society (Bulliet 167). Because Zhao aimed to educate women on their responsibilities and required attributes, one is left questioning what the existing attitudes and roles of women were to start with. Surprisingly, their positions were not automatically fixed at the bottom of the social hierarchy. Ban Zhao’s own status as an educated woman of high social rank exemplifies the “reality [that] a woman’s status depended on her “location” within various social institutions’ (167). This meant that women had different privileges and opportunities depending on their economic, social, or political background. Wealthier noble women would likely have access to an education and may have even been able to wield certain political power (167). Nevertheless, women relinquished this power within the family hierarchy to their fathers, husbands, and sons. Despite her own elevated social status, Ban Zhao still considered herself an “unworthy writer”, “unsophisticated”, “unenlightened’, “unintelligent”, and a frequent disgrace to her and her husband’s family (Zhao). Social custom was not, however, the only driving force behind Zhao’s desire to guide women towards proper behavior.
Jonathan D. Spence weaves together fact and fiction in his book The Death of Woman Wang. Approaching history through the eyes of those who lived it, he tells a story of those affected by history rather than solely recounting the historical events themselves. By incorporating factual evidence, contextualizing the scene, and introducing individual accounts, he chronicles events and experiences in a person’s life rather than episodes in history. Spence pulls together the narrative from a factual local history of T’an-ch’eng by scholar Fenge K’o-ts’an, the memoir of magistrate Huang Liu-hung, and fictional stories by writer P’u Sung-ling. The book closely resembles an historical fiction while still maintaining the integrity of an historical reconstruction.
Nisa: The life and Words of a !Kung Woman was written by an incredible anthropologist, Marjorie Shostak. While doing research and anthropological field-work in the Dobe regions of Africa, she studies women, Nisa, above all, who grabs her attention from the !Kung tribe. Marjorie Shostak does research and studies their culture, language, rituals, practices, and different aspects that make this specific culture so interesting to read about. The author narrates her interviews, observations, and analyses of the !Kung tribe from her field-work. Sexuality and the controls on sexual behavior are important aspects that Shostak describes as Nisa, a phenomenal woman in her culture experiences.
The tragic event occurred because Japanese soldiers were taught that the Chinese people were inferior and a lesser people. The soldiers had learned this from the bushido code. Originally, the bushido code was for Japan’s samurai class to guide them to chivalry and honor. The code was modified so that it, “emphasized fanatical devotion to the state, aggression, lack of concern for self, disdain for Japan’s enemies, and the glory inherent in fighting and dying for the Japanese emperor” (The Rape of Nanking). This new modification discarded the codes of chivalry and compassion. Th...
Vera Ellen Wang was born on June 27 1949 and raised in New York, New York. Her parents Florence Wu and Cheng Chin Wang were born in China and moved to the United States in the mid 1940s. Her mother, Florence Wu, worked as a translator for the United Nations. When her father owed a medical company. Vera’s younger brother Kenneth Wang, who is a bussiness man and deputy leader of the ACT New Zealand party.
Since the beginning of early Confucianism, women in early China suffered oppression. Unfortunately, the religion holds much responsibility for the sexism. Confucius’s answers for the Chinese people’s way of living consisted of sexual discrimination and segregation towards females. Women in China were urged to meet the expectations outlined in Confucian ideals. Such concepts were mainly limited to the men. Thus, Confucianism defined gender expectations. Confucianism stimulated the inequality of women in Chinese culture.
Peasants in Japan had a slightly more equal family structure than their counterparts in China. While sons were still preferred in Japan, daughters could be sent to work in the city, or like in China, to marry a man in another village. In Japan, families also had the option to try to find a Yoshi, a man who married into families to help keep their fields productive. In China, if no males were born in a family, typically that would be the end of their fields and legacy.
By any measure, The Memoirs of Lady Hyegyong, known as Hanjungnok (Records written in silence), is a remarkable piece of Korean literature and an invaluable historical document, in which a Korean woman narrated an event that can be described as the ultimate male power rivalry surrounding a father-son conflict that culminates in her husband’s death. However, the Memoirs were much more than a political and historical murder mystery; writing this memoir was her way of seeking forgiveness. As Haboush pointed out in her informative Introduction, Lady Hyegyong experienced a conflict herself between the demands imposed by the roles that came with her marriage, each of which included both public and private aspects. We see that Lady Hyegyong justified her decision to live as choosing the most public of her duties, and she decided that for her and other members of her family must to be judged fairly, which required an accurate understanding of the her husband’s death. It was also important to understand that Lady Hyegyong had to endure the
Long story short, let me be honest and say that the longer essay stapled to the back of this one is the one I wrote first, because I read the instructions wrong. I thought I would attach that paper also and turn it in, since I took the time to write it, and finished it before realizing it was not what you were looking for. It does, however, relate to this paper, because in this paper I will (indirectly) give the reasons why I wanted to write that paper in the first place.
“Mao’s Last Dancer” is a book about the life of Li Cunxin. Li Cunxin was born into poverty in China under the rule of Mao Ze dung. The book was first published in 2003 and since then has won several awards including the book of the year award. Throughout the novel the composer chronologically cites the life of Li Cunxin and how he felt and where he belonged at certain points in his life.
In her article "The body as attire," Dorothy Ko (1997) reviewed the history about foot binding in seventeenth-century China, and expressed a creative viewpoint. Foot binding began in Song Dynasty, and was just popular in upper social society. With the gradually popularization of foot binding, in the end of Song Dynasty, it became generally popular. In Qing Dynasty, foot binding was endowed deeper meaning that was termed into a tool to against Manchu rule. The author, Dorothy Ko, studied from another aspect which was women themselves to understand and explained her shifting meaning of foot binding. Dorothy Ko contends that “Chinese Elite males in the seventeenth century regarded foot binding in three ways: as an expression of Chinese wen civility,
“‘If you sell the land, it is the end.’” (360). There is absolute truth in these words, if one was in rural, turn-of-the-century China. These wise words, quoted by the main character Wang Lung, come from Pearl S. Buck’s enlightening historical fiction, The Good Earth. In the story, Wang Lung, a poor young farmer, marries a slave of the powerful Hwang family, O-lan. Together, they face hardships and triumphs, prosperity and famine, along with the birth of their three sons and two girls (the fifth child died of strangulation). Throughout Wang Lung’s life, he evolves dramatically in response to the many challenges he faces. In particular, his wealth, idea of women, and the earth itself change Wang Lung’s attitude and point of view as he rises in the social classes of China.
Although she got pregnant by someone other than her husband they did not look at the good and joyful moments the child could bring. Having a baby can be stressful, especially being that the village was not doing so great. The baby could have brought guilt, anger, depression, and loneliness to the aunt, family, and village lifestyle because having a baby from someone other than your husband was a disgrace to the village, based on the orientalism of women. Society expected the women to do certain things in the village and to behave a particular way. The author suggests that if her aunt got raped and the rapist was not different from her husband by exploiting "The other man was not, after all, much different from her husband. They both gave orders; she followed. ‘If you tell your family, I 'll beat you. I 'll kill you. Be, here again, next week." In her first version of the story, she says her aunt was a rape victim because "women in the old China did not choose with who they had sex with." She vilifies not only the rapist but all the village men because, she asserts, they victimized women as a rule. The Chinese culture erred the aunt because of her keeping silent, but her fear had to constant and inescapable. This made matters worse because the village was very small and the rapist could have been someone who the aunt dealt with on a daily basis. Maxine suggests that "he may have been a vendor