In the movie "Mary Shelly's Frankenstein" directed by Kenneth Branagh. The director uses many techniques such as characterisation, symbolism and cinematography to portray a negative view about Victor Frankenstein. Branagh uses these techniques to reinforce that Victor is an obsessive, arrogant and secretive scientist. This negative view of victor’s character is important as it reinforces the message in the film that scientific exploration is dangerous when it is rushed and done in secrecy.
In the film Victor starts off as a positive, smart and determine young man. Always hungry for knowledge as shown by the dialogue of "you were so hungry for knowledge, such a serious. Little boy" as said by Victors mother. It shows that Victor truly was hungry for knowledge and that he is willing to drive science to the limits. By catching fire flies and putting them into a jar in order to keep gaining the knowledge stored in writing. It shows Victors true passion for Knowledge and how he wants to make a difference in the world. But not knowing how his intelligence would bring him into a world of trouble and heart break. Kenneth Branagh portrays victor as a negative character as he is essentially “trying to play God” by recreating life Victor’s arrogance takes over shadowing the true effects of his creation, willing to risk anything and everything to reach his goal an example of this could be in the start of the film where Captain Walton’s ship collides with the iceberg, and his ship mate asks him “At the cost of how many more lives” and he replies arrogantly “as many as it takes”. These two pieces of dialogue show that the arrogance of one man can affect many good men around him. By becoming more secretive and obsessed with the creation Victor ...
... middle of paper ...
... he is becoming careless, thoughtless and hasty. This also boosts the intensity of emotion as he realises the enormality of his actions, by using the technique of editing it creates excitement for the viewer but still expresses the negative view of Victor as shown by the dialogue “What have I done?, what have I done?” this gives off an ominous feeling of the creature as he will be in victors life forever. But it also gives off a feeling that it is too late to stop and that he has created the creature and he is now running away from it as he won’t accept responsibility for his own actions which will cause harm to him and others around him in the near future.
In the film “Mary Shelly’s Framkenstein” directed by Kenneth Branagh, Branagh uses the techniques of characterisation, symbolisim and cinematography to support the point that victor is a negative character.
Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hatred for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result, he loathes himself.
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
He turns away the peace given to him by nature just to satisfy his desire for revenge, and becomes a broken being. Mary Shelley demonstrates in Frankenstein what happens if someone strays too far from nature. Shelley purposely shows the destructive nature of science in her novel, highlighting the strife that her society is going through. Her society, disillusioned by war and the devastation that new technologies caused, wanted to go back to their roots in nature, and her novel pushes at that idea. Shelley’s example of Victor’s and the Creature’s downfall warns us of the dangers and temptations of science.
His actions after this point are those. of an evil being, one that is damned. The monsters crimes affect Victor's family and therefore punish Victor. This punishment haunts him through the rest of the novel. Victor is weak and it is only near the end of the novel that he attempts to face his creature and destroy it to restore nature.
Victor is so engulfed by his work that he is unaware of what is going on around him. He “bore onwards [with his work], like a hurricane, in the first enthusiasm of success” and he wants to “pour a torrent of light into our dark world" (Shelley 55). Blinded by his yearning for making new discoveries, Victor thinks that his knowledge of the sciences will be enough for him to be successful. However, he does not understand that in order to create an auspicious relationship between him and his creation, he needs to have knowledge of society as well. Once his creation is animated, Victor is unable to see that all the creature wants is to be loved and accepted. The creature craves the maternal love that Victor denies him. From the beginning, Victor is unable to realize the significance of his creation. He describes how the creature’s “yellow skin scarcely covered the work of muscles and arteries beneath... [and] his hair was of a lustrous black... [and] his shrivelled complexion and straight black lips” (Shelley 58). He immediately focuses on the negative features of his creation, and does not even attempt to learn the positive qualities. If Victor uses more social skills, rather than his knowledge of the sciences to manage his creation, all of the destruction the creation causes could have been
Furthermore, after his creation breathes its first breath, Victor already despises it, which leads to his health’s deterioration and hatred of his previous love. His love quickly changes to despise when he says, “I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardor that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (53). His statement shows how his heart does a complete 1800 and stops loving the monster the moment it lives. When Victor’s “…heart palpitated in the sickness of fear…” (54), it proves how his monster tormented his creator without having to be near him. Which also leads to the teaching of the lesson “think before you act”.
Victor Frankenstein is ultimately successful in his endeavor to create life. This, however, does not stop the underlying theme of obsession. Shelley’s shift from Victor’s never-ending quest for knowledge is replaced with an obsession of secrecy. “I had worked har...
He not only turned away the being he had brought into the world; he also denied the creature companionship, friendship, and happiness while continuing to seek his own. Victor gained new purpose and even on his deathbed holds to the principle that he is justified in desiring the death of his enemy. Moment before his death he turns to Captain Robert Walton and says, “I feel justified in desiring the death of my adversary. During these last days I have been occupied in examining my past conduct; nor do I find it blamable” (156). He even begins to lose the small amount of compassion he had for the creature’s struggle.
When Victor flees the creature, he becomes lonely and unhappy. He rejects his own works. If he stayed and taught him the creature would at least have a chance of happiness. When the monster flees to the cottagers he learns about human nature. He quotes “I continued for the remainder of the day in my hovel in a state of utter and stupid despair. My protector had departed and broken the only link that held me to th...
Victor, at first sight of the Creature, abandons and leaves him to survive on his own. This is insignificant to the creature at the time, but later causes the Creature to have bitter feelings towards Victor. After the Creature discovers Victor’s notes, he becomes enraged, and incriminates Victor for the victimization that he faces; hence accusing him as a perpetrator of cruelty. Through the accusation of Victor one can see that the Creature believes that Victor should be held responsible, and owes the Creature a favor. Additionally, Victor double-crosses the Creature after obliging to create a mate for the Creature. These actions of betrayal demonstrate how Victor is a perpetrator of cruelty and how the Creature is his victim. Victor’s unintentional cruelty reveals how he only wanted what was best for himself and human kind. Victor’s betrayal is seen as an action of cruelty by the Creature, and consequently delivers the final blow that instigates the retaliation of the
...e all the evil things they have done. When he goes to Victor's coffin, the creature does the opposite of what a evil being would do. He grieves over Victor despite all the horrible things the creature has done to Victor. The creature even feels guilt over the innocent people he has killed and the torment he put his creator through. Despite Victor's actions leading the creature to commit evil deeds, the creature finds in himself to feel regret in the end.
His ambitions are what isolate him and bring to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated from everyone, including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge.
Victor has a lack of respect for the natural world that leads him on the path to becoming a monster. In creating the monster Victor is trying to change the natural world. He is trying to play the role of god by creating life.
After learning about the life of Mary Shelley, I have grown to appreciate the novel, Frankenstein, even more since the first time I read it. She led a life nearly, as tragic as the monster she created through her writing. Mary seems to pull some of her own life experiences in Victor’s background, as in both mothers died during or after childbirth. Learning about Mary’s personal losses, I have gained a better appreciation of her as an author and a woman of the 17th century. She had association with some the most influential minds of that
Before the civil rights movement could begin, a few courageous individuals had to guide the way. Dr. Vernon Johns was one of those individuals. Dr. Vernon Johns was a pastor and civil rights activist in the 1920s. Johns became the pastor of Dexter Avenue Baptist Church in Montgomery, Alabama in the late 1940s. During his time as a pastor, Johns preached many sermons on how African American people were being treated not only in the community but in society. Johns on multiple occasions upset his community through his ideas on social change. Through a sociologist perspective, many sociological concepts were displayed in The Vernon Johns Story. Some of those concepts included: ascribed status, conflict theory, deviant behavior, alienation, and