Emily Dickinson Mendacity

1549 Words4 Pages

Death’s Mendacity in “Because I Could Not Stop for Death” Emily Elizabeth Dickinson, also commonly referred to as the Belle of Amherst, was an American poet who wrote a plethora of poems dealing with the concept of death. One of Dickinson’s most acknowledged and prominent poems is “Because I Could Not Stop for Death.” In “Because I Could Not Stop For Death” a woman is visited by Death and Immortality, both whom take the woman on a noxious scenic ride to the spirit world. Throughout the poem, Dickinson uses influential and vivid imagery to give the reader a sense of crossing from the physical world into the spiritual world. Overall, the naive woman is deluded into giving up her life for a date with the “gentleman” who takes her on a symbolic …show more content…

Both of these environments are brought together when the pair stops at the house, which “can be seen as both [a] bridal house and the speaker's own grave” (Semansky 34). The bridal house is where she’s going to commit to Death for eternity. The wedding is a concealment for Death's actual intentions. Moreover, little does the reader know that the woman is already wearing her wedding dress attire. The “gown,” “tippet,” and “tulle” all symbolize a gown in which she's marrying Death. Susan Howe states that “…her garments are more appropriate for a wedding, representing a new beginning…” (Howe). The way Dickinson describes the woman’s clothing also signifies the transition to the other world. Ferlazzo argues that “… her tippet, made of lace, is something one might expect to see around the shoulders of a deceased woman lying in repose” (56). The woman has reached a point where her wedding dress has simultaneously and ironically become her funeral attire. More importantly, in Dickinson's time, gowns, tippets, and tulles were all mostly long white dresses, which women would sometimes wear to special occasions. The speaker’s clothing is most likely white because white symbolizes a new beginning. In this case the new beginning is the start of new “life” in the spirit world. As for the carriage ride, Death doesn't want to rush the ride because it’s meant to be a casual and romantic scenic ride. What’s more, Janet Gray argues that the slow carriage ride signifies “… marriage …,[which] signif[ies] spiritual death” (41). Death is treating her with class and would rather take things slowly without haste. Death wants to “emphasizes the serious and solemn nature of the speaker's ‘engagement date”’ (Semansky 34). He wants the woman to see that he’s “sincere" about their

Open Document