You asked a lot of very inspecific questions. Those are not my favorite kind. “How does [a character’s suffering] shape our understanding of the character?” I don’t understand these characters at all. Most of them are inhuman, selfish brats, and I don’t share any sort of empathy whatsoever with them. This being the case, let’s talk about one of the decent figures in the book: Edgar Linton. Linton is one of the most moral figures in this book – quite possibly the most moral figure. He may not be the most physical of men, and in the scene with Christmas dinner he comes off as quite a bit of a baby, but for all that he is the best character. He never seems to lose his temper – this alone is incredibly, given that Catherine, Heathcliff, old Earnshaw, and Hindler have all been shown to …show more content…
It is during these scenes that we suddenly realize how much Linton has matured, a motif I keep coming back to. Linton is resourceful now (his surprise attack on Heathcliff), commanding (he has the wisdom to summon the men and the authority to command them), courageous (despite his slight physicality he accompanies them to depose Heathcliff) – moreover, he’s not afraid to make himself a truly demonic enemy (consider how Heathcliff treated Isabella’s …show more content…
It does not appear that Linton changes during these scenes – although I’m not far enough along to be certain one way or another. Whatever change there may be isn’t immediately visible – contrast his behavior to that of Heathcliff on discovering that Catherine is now a lady, and out of his league. In that scene, Heathcliff changes markedly; there is a sharp delineation between there previous friendship and the undercurrents of poison that run through all of their following interactions. (And it’s clear, from Heathcliff’s speech to Catherine which rouses Edgar, that Heathcliff has once again been cherishing a
“A hero is no braver than an ordinary man, but he is braver five minutes longer.”-Ralph Waldo Emerson.That quote is my favorite because it shows you that everyone is the same ,but there is some people that stand out more than others like my hero Fernando Valenzuela.
The ways women are presented in Northanger Abbey are through the characters of Catherine Morland, Isabella Thorpe, Eleanor Tilney, Mrs Allen, and the mothers of the Morland and Thorpe family, who are the main female characters within this novel. I will be seeing how they are presented through their personalities, character analysis, and the development of the character though out the novel. I will be finding and deciphering scenes, conversations and character description and backing up with quotes to show how Austen has presented women in her novel Northanger Abbey.
The first aspect of Willy's character that affected his failure was his pride. Willy's pride caused him to in many situations make very poor and unethical decisions, that affected both himself and his family. An example of this is through the conversation between Willy and Charley “CHARLEY: ‘You want a job?’ WILLY: ‘I got a job, I told you that. [After a slight pause] What the hell are you offering me a job for?’ CHARLEY: ‘Don’t get insulted.’ WILLY: Don’t insult me.”(DOAS: pg x) Willy does not take the offer which is an obvious example of a poor decision. He makes this decision because he sees this generous whole hearted gesture as a kind of pitiful handout that his pride restricts him from taking. By not taking this handout willy puts his self pride infront of
Christopher’s father, Ed Boone and his mother, Judy Boone both have one important trait or aspect that they share together which is their way of showing their love and protection towards their child. In this case, that would be Christopher. A quote that Christopher’s father said in the book that supports this answer is “”And Father said,”Christopher, do you understand that I love you.” This shows how he desperately wants his son to love him despite all of his efforts in trying to prevent Christopher from knowing about the truth that he is hiding. A quote that Christopher’s mother saying in the book is, “Christopher, I never meant to hurt you. I thought that what I was doing was the best for all of us. I hope it is. And I want you to know that this is not your fault.” This demonstrates that she really cares about Christopher in what is right which is leaving the house just like what his father believes that it was the best decision in preventing Christopher to know the truth about his mother.
No I don’t feel like I shared any of the feelings with any of the characters.
Lennie is unintelligent all throughout the story. “‘Uh-uh. Jus’ a dead mouse, George. I didn’t kill it. Honest! I found it. I found it dead.’” This quote shows that Lennie doesn’t understand that keeping a dead mouse as a pet is not sanitary and not the right thing to do. Another time, George was exclaiming to Slim that he once told Lennie to jump into the Sacramento River and there Lennie went, right into the river. This trait of Lennie’s effects the story because it got him and George kicked out of Weed when he wanted to feel a girl’s dress. It also got him into trouble when they got to their new job. His unintelligence gets him into more trouble as the story goes on making him anything but a sympathetic character.
The Lintons and Earnshaws are part of the Gentry class of Victorian England; they are both landowning families, fairly high up in the class hierarchy. But the genetic natures of the families are entirely different: the Lintons are well behaved, subdued, spoilt, steady, sensible and arrogant; in comparison, the Earnshaws are strong willed, moody, generous, free spirited, easily influenced, laid back and non-formal. The nurture of the characters is connected very strongly to social status: Heathcliff is denied social status initially by his birth and subsequently by Hindley, which creates great hatred in Heathcliff: this denial of status is perceived much more seriously than what we consider serious today. Catherine chooses Edgar over Heathcliff for reasons of social status, even though she and Heathcliff are so similar. Hareton is also denied social status, which turns his attitudes against the Gentry class and creates rifts between him and other characters: for example, it makes Cathy and Linton, who would be his equals, look down on him.
Friar Laurence, a father figure to many citizens and one of the holiest and most admired men in Verona. He held many responsibilities in the city and enforced several of the laws. Well, that is what everybody thought. Friar Laurence is now being held for trial for committing multiple felonies and breaking the law in his very own city of Verona. He not only conspired against the Capulet and Montague families but ultimately played an important role in the suicide of Romeo and Juliet.
One of the characters in To Kill a Mockingbird is Bob Ewell. Bob Ewell is a selfish drunk who doesn't know how to control himself. He beats his children and he can’t hold a steady job for long. He is obsessed with revenge for Atticus for making him look like a fool at the trial of Tom Robinson, whom Ewell’s daughter is accusing of rape. Because of his false testimony, he can never be trusted again in front of the whole courtroom. He will do anything to get back at Atticus, and is willing to go as far as going after his children. He also has a grudge against the judge in the trial, and against the wife of the accused. Bob is crazy and delusional and is trying to gain back his reputation by taking down all the people that went against him in
As he returns to Wuthering Heights, he is engulfed with this passion to revenge himself on all those who have abused him as a child. He ruins Hindley by encouraging his excessive drinking and gambling. His revenge is also directed towards Edgar Linton, whom he sees as having stolen Catherine from him. His sullen, vengeful, cruel and impatient characteristics still exist, which have been present since childhood, but have grown deeper. He is, in reality, a man torn between love and hate. Since his depths of his passions, he hates as deeply as he loves.
Linton Heathcliff is only interested in himself. He is a sickly and scared young man. Like his mother Isabella Linton who accused Catherine Earnshaw of selfishly wanting Heathcliff for herself – in which she didn't- Linton enjoys inflicting and watching people suffer. As Heathcliff threatened to kill Linton, Linton only thought about his own life and, decided to betray Cathy, tricking her into staying at Wuthering Heights and getting married to him, instead of returning to Thurshcross Grange to where her father lies on his deathbed.
The sympathetic part of Heathcliff shows through when he sees Catherine in the beginning stages of her sickness after childbirth. “He neither spoke, nor loosed his hold, for some five minutes, during which period he bestowed more kisses than ever he gave in his life before, I dare say…” (159). The sympathetic part of Heathcliff kicks in when he sees the woman he loves dying right before him. Heathcliff began to ask Catherine the questions he had not been able to ask her before, whether it had been due to his pride or to his absence - was insignificant., “‘...You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton?” (162). When the novel begins, it is mentioned that Heathcliff is shouting, “‘Come in! Come in!’ he sobbed. ‘Cathy, do come. Oh do - once more! Oh! My heart’s darling, hear me this time - Catherine, at last!’” (28). Heathcliff attempts to get Catherine’s ghost to speak to him, because his main goal is to be united with her in death. Heathcliff’s character changes relatively fast when he sees Catherine dying in her bed. There is a sympathetic side shown that has not been quite expressed before, and also the feelings that Heathcliff kept bottled
...ly declared their love there. As respite from the prison of Wuthering Heights the moors are a mysterious place that is liberating, and boundaryless. Catherine says, “I wish I were out of doors- I wish I were a girl again, half savage and hardy, and free” (105). Once Catherine compares Linton and Heathcliff saying, “My love for Linton is like the foliage in the woods. Time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath a source of little visible delight, but necessary” (84).
...his is impossible to prevent. This leads to Mr. Heathcliff self destruction, because all of his life he has been looking for strategies to get revenge on those he hates. He does not want Wuthering Heights to be a haven, rather a purgatory. To his dismay he realizes his years of revenge, will not last all generations. Seeing how both families, the Linton and the Earnshaw's stand up for one another, Heathcliff understands that the one thing that kept him alive has now been defeated. Therefore his life has no purpose, and he has lost.
A multitude of feelings and sentiments can move a man to action, but in Emily Brontë’s Wuthering Heights, love and revenge are the only two passions powerful enough to compel the primary actors. There is consensus, in the academic community,1 that the primary antagonist in the novel, Heathcliff is largely motivated by a wanton lust for vengeance, and it is obvious from even a cursory reading that Edgar Linton, one of the protagonists, is mostly compelled by a his seemingly endless love for his wife, and it even seems as if this is reflected in the very nature of the characters themselves. For example, Heathcliff is described as “Black-eye[d]” [Brontë,1], “Dark skinned” [Brontë, 3] and a “dirty boy” [Brontë, 32]; obviously, black has sinister connotations, and darkness or uncleanliness in relation to the soul is a common metaphor for evil. On the converse, Edgar Linton is described as blue eyed with a perfect forehead [Brontë, 34] and “soft featured… [with] a figure almost too graceful” [Brontë, 40], which has almost angelic connotations. When these features and the actions of their possessors are taken into account, it becomes clear that Edgar and Heathcliff are not merely motivated by love and revenge as most academics suggest, but rather these two men were intended by Brontë to be love and hate incarnate.