Does Sammy undergo essential change?
John Updike’s fictional account “A & P” is a story of a 19-year-old teenager, Sammy, who impulsively quits his job in a grocery due to three girls in bathing suits. We, as listeners of his plight situation, may want to consider if Sammy learns something fundamental about himself as he justifies his indignant—yet presumptuous—actions that caused him to quit. The story begins as Sammy, a cashier in A & P, encounters three attractive ladies walk in a leisurely gait in midst of the store. Sammy checks them out and describes their appearances in detail. The most appealing one, whom he names “Queenie,” becomes the very source of eroticism in his dreary life.
Sammy is immediately seduced by the physical exposure of the girls from the beginning. His shallowness is well demonstrated as he values and fantasizes the girls over their bodily features.
There was this chunky one, with the two-piece—it was bright green and the seams of the bra were still sharp and her belly was still pretty pale so I guessed she just got it (the suit)—there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose. . . and a tall one. . . the kind of girl other girls think is very “striking” and “attractive” but never quite makes it, as they very well know, which is why they like her so much. . . (285).
Sammy then discovers the girl of his dream. By her looks and the way she leads others, he calls her the “queen” and puts her in his paramount interest: “She was the queen. She kind of led them, the other two peeking around and making their shoulders round. She didn’t look around, not this queen, she just walked straight on slowly, on these long white prima-donna legs. . .” (285).
Sammy interprets the “queen’s” movements which give him such pleasurable sensation. His unbelievably realistic, even comical, delineation of the girl continues as he realizes her “straps were down,” and how there was nothing between the top of the suit and the top of her head except just her, this clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light (285-286).
By now, Sammy’s visual imagery about her is so ardent and aesthetic like that of an artist painting a goddess.
As they go about their errands, Sammy observes the reactions, of the other customers, to this trio of young women. He uses the word "Sheep" to describe the store regulars, as they seem to follow one and other, in their actions and reactions. The girls, however, appear to be unique in all aspects of their beings: walking, down the isles, against the grain, going barefoot and in swim suits, amongst the properly attired clientele. They are different, and this is what catches and holds Sammy's attention. He sees them in such detail, that he can even see the queen of the bunch.
John Updike's short story “A&P,” centers on a young immature and morally ambitious teenager who faces down the generation gap and, rather than bending to the dictates of the elders, rebels against them, securing his rather insecure place as a young, unproven man. Sammy, the main character, describes the entrance of a group of young attractive girls into the supermarket, “In walk these three girls in nothing but bathing suits…They didn’t even have shoes on”.(864) Sammy is mesmerized by their presence that he cannot do his job. The supermarket manager, Lengel, scolds the visitors by exclaiming “Girls, this isn’t the beach”.(867) Within the few moments after Sammy dramatically quits his job in protest of the quite impolite treatment by Lengel he says to himself “…and my stomach kind of fell as I felt how hard the world was going to be to me hereafter”.(869) Because of his youth, and certainly because of the extremes of behavior that the young are prone to demonstrate, Sammy perceives that his life will forever be damaged by his actions. Though we certainly understand that this is not the case, that no one’s life is inexorably ‘ruined’ by the decision to do something momentous, it is certainly quite charming to transport ourselves into a time in our lives when such passions ruled us. This image awakens in us the expect...
A Hellenistic masterpiece, she is caught at the very moment in which she alights on the prow of a warship. Right leg outstretched, her hips bend left and her shoulders twist back to the right, creating a beautiful sense of torsion through the contrapposto technique. Her massive wings are blown back by the speed of her flight and the ship, possibly in the moment just before she furls them. Damp from the spray of the sea, her tunic is plastered tightly around her body by the driving wind, held in place with two belts, one around her waist and the other beneath her breasts. A second piece of cloth called a himation has slipped from around her waist and streams out on either side behind her, blown tightly against her thighs. Both garments exhibit virtuoso handling of the drapery—the wet folds of the fine cloth can be felt by the viewer, cool in the misty gusts, and the transitions to where her skin can be seen underneath is flawless.
In John Updike’s “A&P”, the revolution of the young people of the current age against authority is explored and explained. “A&P” reveals the shift from conservative and deferential to avant-garde and disrespectful. Through the observation of the behavior of the characters in the story, one can receive a clear picture of the evolution of the sexual revolution that has come in this age. Sammy is the first character that is introduced, he is the protagonist and narrator of the story. Stoksie and Lengel are next, Stoksie is a fellow store clerk with Sammy as well as a good friend and Lengel is the manager of the store. Finally, Queenie is introduced. “A&P” begins with Sammy noticing these three girls that come into the store in nothing but their bathing suits. Sammy then proceeds to analyze each of the girls bodies, finally coming to rest on the leader of the group, his favorite, who he affectionately names to himself, “Queenie”. Although Sammy and Stoksie joke back and forth about the girls sexiness, he is privately revolted by the butchers bluntly ogling the girls as they search for whatever they wish to purchase. Throughout this recounting of the experience, one begins to wonder, when did girls become pieces of meat to be observed and handled by men? They used to be cherished and protected as they should be. The sexual revolution of the past and current decades have changed all of that.
Sammy is a 19-year-old boy conveying a cocky but cute male attitude. He describes three girls entering the A & P, setting the tone of the story. "In walk these three girls in nothing but bathing suits. There was this chunky one, with the two piece-it was bright green and the seams on the bra were still sharp and her belly was still pretty pale...there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed righ...
At the beginning of the story Sammy complains about an older woman, a fifty-year-old "witch" with rouge on her cheekbones and no eyebrows, who is waiting to check out her groceries. She gets annoyed with Sammy because he is too busy drooling over the young flesh which has just walked in the door (Updike 1026). The first half-naked girl who walks into the A&P and catches Sammy’s eye is a chunky girl with a two-piece plaid bathing suit on that showed off her "sweet broad soft-looking can" (Updike l026). As if staring at this girl’s backside wasn’t enough, Sammy also noticed "those two crescents of white just under it, where the sun never seems to hit" (Updike 1026).
In the short story A&P by John Updike, the story is told in a first person narrative of a teenage boy working as a cashier in an A&P grocery store on a hot summer day. The story begins with the teenage boy named Sammy becoming preoccupied by a group of three teenage girls that walk into the grocery store wearing bathing suits. Sammy admires the girl's beauty as most nineteen year old adolescent boys would, in a slightly lewd and immature nature. His grammar is flawed and he is clearly not of an upper-class family, his job appears to be a necessity for a son of a family that is not well off. The name he gives the girl who seems to be the object of his desire, Queenie, portrays a social difference from himself. Sammy further imagines the differences in class and living style when he describes Queenie's voice as "kind of tony, the way it ticked over 'picked up' and 'snacks'." He imagines her with aristocratic home life in describing “her father and the other men were standing around in ice-cream coats and bow ties and the women were in sandals picking up herring snacks on toothpicks off a big glass plate and they were holding drinks the color of water with olives and sprigs of mint in them."Sammy compares his own parents occasions, where they serve their guests "lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every Time' cartoons stenciled on."
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
It is important to realize that Sammy’s 19-year old depiction of his surroundings might be skewed, but the story still maintains Updike’s basic use of this setting. Updike choses the dull setting of an A&P grocery store as a symbol, a microcosmic example of the societies tendency to conform. Also, the readers can easily relate to a grocery store. This A&P resides in a town where “the women generally put on shirt or shorts or something before they get out of their car into the street,” Sammy explains. Seeing a girl walking around wearing only a bikini in such a public place looks outrageous. “If you stand at our front doors you can see two banks and the Congregational church and the newspaper store…” The town is a conventional one. Updike turns this familiar, mundane piece of American life, and makes it extraordinary.
Sammy watches every step the girls take while criticizing and admiring them at the same time. His observations of the leader who he refers to as Queenie and her followers give him an insight of who they are personally. Sammy likes Queenie as she possesses confidence which sets her apart from the group. Sammy, still being a young boy likes that her bathing suit has “slipped on her a little bit” (Updike 158). Updike conveys the obvious that Sammy cannot look away from Queenie when “there was nothing between the top of the suit and the top of her head except just her”. Updike includes these small details and imagery to indulge the reader in the perception that Sammy at this point in his life is a clueless teenage
The boy inevitably understands the futility of his actions, as if the entire world was acting against his efforts to impress the girl he was obsessed with; his determination is suppressed after making it so far and failing at the final step of his mission. The inciting hope that the conversation gave him combined with the obstacles he had to overcome only made his failure all the more bitter, but this harsh failure is the turning point that the boy needed in order to escape the childish and naive infatuation that he was experiencing. Failure was the lesson that made him understand that his love will remain unrequited, a realization that is the prerequisite for his maturity. In a similar fashion, John Updike’s A&P portrays the mundane life of a cashier named Sammy who works in a grocery store called A&P. Sammy observes the people around him — customers and fellow employees — and refers to them as “sheep” because of their conformity to society. The story begins as three girls clad in bikinis walk into the store; they instantly stand out and catch his
Sammy is astounded by three young girls that walk into his store in their bathing suits. He follows their every move as they peruse over the cookies and other goods. The first thing this typical nineteen boy recognizes is the one girl’s “can”. But then he goes on to say that this girl is one that other girls seems to think has potential but never really makes it with the guys. One girl though especially catches his eye. He starts to call her “Queenie” because of the way she carries herself and that she seems to be the leader of the pack. Sammy does nothing but watch her every move as they parade about the store. He even daydreams about going into her house with her rich family at a cocktail party. He notices everything about her and thinks there was nothing cuter than the way she pulls the money out of her top. His immature infatuation with this girl is one of the reasons Sammy makes the hasty decision to quit in the end.
John Updike's short story, "A&P" is fictional in a sense that it has a common pattern that leads the reader through a series of events. These events began when three young ladies in bathing suits walk in A&P, and catch the eye of a young man named, Sammy. He seems to favor the chunkier girl of the three that walk in to the store.
As the student develops his essay, Sammy begins to compare the girls to other customers in the store. From “houseslaves in pin curlers” to “an old party in baggy gray pants” (2192 ), Sammy negatively characterizes customers in contrast to the leader of the girls, Queenie. To Sammy, the girl is someone that is not from their town. She is everything that every girl envies and wants to be. In contrast to Sammy, she will spend her summer vacationing while he spends it working. It is clear to Sammy that their worlds are different, however it is also obvious that he would like to explore hers.
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.