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Greek mythology influences and effects
Ancient greece justice system
Influence Greek mythology
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The various renditions of Greek mythology tell stories about how everything in the universe came to be. Hesiod’s Theogony is one such story. Hesiod’s poem takes the reader through the creation of the universe and all of it supreme Gods and Goddesses. The three divine Gods take their rise to power in various ways and are all overthrown at some point in the poem. Ouranos, Kronos, and Zeus all come from the same lineage but take over their fathers position of power after the tolerance of the other gods and goddesses dwindles. Theogony explores various deities and stories behind who they are and what they have done. The first Divine God to rise to power in Theogony is Ouranos. Born to Gaia (the creator of earth) as her first child, he is one …show more content…
He also released his uncles that had been imprisoned during the rule of Kronos. As a gift his uncles gave him the power of thunder and lighting, and entrusting him with being the ruler of both the mortals and immortals. This began his reign as the third and final Ruler of the cosmos in Hesiod’s depiction. Zeus became a very supreme ruler over both the mortals and immortals. Theogony tells recollections of Zeus’ punishments toward people who defied him, such as having an eagle eat Prometheus’ liver or creating women (Pandora) to punish him for giving fire to mankind. The text refers to Zeus immense power by saying “There’s no way to get around the mind of Zeus. Not even Prometheus, that fine son of Iapetos escaped his heavy anger” (Harris 97). While Zeus obvious was a force to be reckon with, he was not entirely unfair or selfish. He freed his uncles from the underworld and helped to get them back into good health afterward. He looked out for his people but did not tolerate people trying to trick him or go around his back. Those people were the ones who experienced the wrath of Zeus. He did many great things for the immortals. Theogony exemplifies this in a passage that …show more content…
Taking into consideration Zeus’ long rule over the cosmos, he was obviously different from his grandfather and father. While they all shared similar qualities, such as being all dominating and exacting horrible punishments on those they saw deserving, Zeus was slightly different. As discussed in the previous paragraph, Zeus looked out for his people. As long as people followed his command he tried to help them the best he could, and it was for that reason that Zeus stayed in power for so long. His predecessors didn’t have much humility in Hesiod’s story. Their acts were selfishly to keep them in a position of supremacy. The Gods and Goddesses were all powerful in different ways, so they took a liking to a leader that recognized that and wasn’t overbearing like the previous ones had been. With all this considered it says a lot about what Hesiod was trying to get at in the poem about divine power and the rulers. Selfishness does not help to gain authority or to keep it. In order to be a divine ruler of the cosmos one must place them in a position of authority but not so much so that others wish to over throw him. It is important for even the Gods to find a balance of power or realize they will suffer the
In Hesiod’s Theogony, the tensions within a family seem to be an intensified version of issues that are relatable to people. The results of these tensions are also dramatic and have a tendency to have a fulfillment of the fears that were causing the tensions as a result. This implies that there is a natural cycle of destruction between father and son. Tension seems to arise with the implication of the woman’s creative nature juxtaposed to the destructive nature of her husband.
Many authors have employed the religious beliefs of their cultures in literature. The deities contained in Homer’s Odyssey and in the Biblical book of Exodus reflect the nature of the gods in their respective societies. Upon examination of these two works, there are three major areas where the gods of the Greek epic seem to directly contrast the nature of the God of the Israelites: the way problems are solved, the prestige and status that separates the divine from the masses, and the extent of power among the immortal beings.
While reading Theogony, it becomes apparent that Hesiod shows a bias for the eventual “fathers-sons” outcome, as the male sky-god Zeus is the literary equivalent of a “godmodding” character, or when character has the ability to do practically anything without limits or boundaries. As the story progresses, it becomes a pattern that last-born sons are trouble for their fathers. This pattern is consistent until Zeus takes over, when a potential first-born son becomes the problem. There is also something to be said about how often that the last-born sons are trouble for their fathers. The pattern is consistent until Zeus takes over, when a first-born son becomes the
There is no doubt in mythology that the king of gods, Zeus, is the most supreme and powerful, ruling the sky. He controls the thunderbolt, a symbol of power feared by both gods and mortals. The Greeks and Romans honored Zeus above all other gods. He is without mistake, the god of all gods. Their stories of Zeus are plenty; his designs have molded mythology from his birth. Zeus' victory in outwitting his intelligent wife, Metis, by swallowing her pregnant, was the gateway used by the Greeks and Romans to show Zeus as the greatest god to come since his father and grandfather. However, as the stories of the gods and goddesses unfold, the Greeks and Roman's interpretation of Zeus' characteristics are different. Zeus is always upheld as the king of gods, but his other personal attributes to his godly rein are conflicting. Zeus' characteristics of fearfulness of female deities, cunningness and use of trickery, and lust in Ovid's Metamorphoses compared to the Theogony are opposed due to Hesiod's true respect of Zeus versus Ovid's lack of respect of Jupiter in Roman mythology.
A myth is a traditional story, especially one concerning the early history of a people or explaining some natural or social phenomenon, and typically involving supernatural beings or events. Each civilization has its myths about the creation of the world and its human race. Most speak of “gods” who perform feats far beyond that of humankind. Most are legends passed down through oral tradition, and embellished along the way. The book of Genesis is one of the most significant books in the Bible and is sacred scripture for Jews, Samaritans, and Christians. The Babylonian epic, Enuma Elish, is one of the most important sources for understanding the Babylonian worldview. Hesiod’s Theogony is a poem describing the origins and genealogies of
hurt him for eternity, but Zeus rewarded him for his service to the gods by
Branscome, David, comp. "Greek Hesiod, Theogony, Lines 1-210 "invocation to the Muses and Creation" [Hugh G. Evelyn-White, Tr. Hesiod, Theogony and Works and Days. Cambridge, MA., Harvard University Press; London, William Heinemann Ltd. 1914.]." Ancient Mythology East and West. Print.
Roman and Greek mythology are filled with multiple interpretations of how the creator, be it the gods or nature, contributed to the birth of the world. These stories draw the backgrounds of the gods and goddesses that govern much of classical mythology. Ovid’s Metamorphoses and Hesiod’s Theogony are two pieces of work that account for how our universe came to be. A comparison of Theogony with Metamorphoses reveals that Hesiod’s creation story portrays the deities as omnipresent, powerful role whose actions triggered the beginning of the universe whereas in Metamorphoses, the deities do not play a significant role; rather the humans are center of the creation. The similarities and differences are evident in the construction of the universe, ages of man, and the creation of men and women on earth.
Hesiod tells the story of how the curse of Pandora came to be in his writing. In his two works Hesiod, Works and Days and Hesiod, Theogony that contain the story of Pandora are both writing in a slightly different perspective. However, at the end both have the same meaning to them. That Zeus created women as a punishment for men. In developing this meaning in both poems Hesiod uses a few different things in each story as oppose to telling the same story for both. Hesiod, Works and Days and Hesiod Theogony have the same meaning and most of the same plot but different in some aspects.
Schlegel, Catherine. "Introduction to Hesiod." Introduction. Theogony and Works and Days. Ann Arbor: University of Michigan, 2006. 1-10. Print.
In Prometheus Bound, all the characters are keenly aware of the power of Zeus: his name is invoked as the one who decided on the punishment for Prometheus and his wrath is sensed by the others. For example, Prometheus describes Zeus as “hard-hearted” and “in constant anger with an unbending mind”. Under Zeus’s rule, Prometheus stole fire and then gave this element to humans, thereby upsetting the existing paradigm Zeus ruled. Zeus is a “tyrant” who trusts not his “family or friends”. Prometheus insightfully recognizes that Zeus’s leadership is tyrannical. While Ocean agrees with Prometheus’s assessment of Zeus as he says “our king’s a harsh one, and his rule unchecked” but at the same time there are other characters who do not hold this same opinion. Hephaestus for one, is unable to support Prometheus’s lamentation about Zeus’s excessive power and so does Hermes, son of Zeus, owing to his family loyalty. Hermes supports Zeus’s actions and affirms the Prometheus “wronged the gods in furnishing honors to mortals” which implies that to hold the element of fire is a right born solely by Zeus, Hephaestus and other worthy gods.
It is ironic that the entity in existence was the being called Chaos, for although it's Greek translation is Chasm, or emptiness, I believe that chaos and disorder will be their fate if the gods continue this eternal cycle of increasing self destructive behavior. All of this, however, was created as through the beliefs and imagination of Hesiod. Historians and mythologists still can not concretely separate, in his two stories, the Theogony and the Works and Days, which parts were of his imagination and which were not; it is therefore difficult to determine what the author's overall message was to the readers. It is possible that Hesiod wrote these stories in order to discredit the gods with gossip of their alleged human-like violence and sexual transgressions.
Hesiod’s Theogony serves many purposes. One of his aims was to emphasize the strength of Zeus. Zeus was considered the ruler of all of the gods in Olympus, and was thus, portrayed by Hesiod to have tremendous strength. In Theogony, Zeus overcame countless obstacles to establish his rule. After defeating and overthrowing the Titans in a long battle, Gaea gets angry at his victory and conceives Typhoeus with Tartarus (Hesiod, Theogony, lines 823-826): “Typhoeus had muscular arms, fit for laborious action, \ and the tireless feet of a god of might. Surmounting his shoulders \ sprouted the hundred heads of a terrible serpentine dragon, \ flicking their dark livid tongues.” Zeus not only triumphed in his war against the Titans, but even against the monster conceived by Gaea and Tartarus, showing that he was almighty and deserving of his title as ruler of all the gods of Olympus.
In Hesiod’s Theogony, the Muses, which are the nine singing goddesses who he came across one day while taking care of his lambs, serve as a guide to the poet’s genealogy and organization of the origins of the gods by inspiring him to write down the lineage as they sing it. Using their angelic voices, the Muses presented Hesiod with the history of the cosmos in order. Thus, inspiring him to become a poet; he made this major change in his life and that resulted in Theogony, a chronological poem that consists of short life lessons, punishments, and roots of many Greek gods and goddesses. In this poem, Hesiod described these accounts as songs, when in fact, they were long verbal stories of how the gods of Olympus came to be. The sole purpose of
Many Greek gods were seen as both benefactors and tormentors, typically it depends on which god or goddess you are researching about. The seemingly contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.