Different Forms of Disguise and Deception in Twelfth Night
Twelfth Night is said to be Shakespeare's most complete comedy. As in
most comedies, Twelfth Night celebrates different forms of disguise
and deception in order to make the play more entertaining. ”There's
something in it that is deceivable”(ActIV, ScIII), indeed the crux of
the play is based on disguise and deception. The most significant
deception would definitely be Viola’s disguise as Orsino’s page,
Cesario, which makes the story remarkably intriguing. In addition to
Viola’s disguise, the deceptions of some characters further intensify
the amusement of the play. The different forms of disguise and
deception paradoxically throughout the play lead to a lot of
misunderstanding and subsequently, a lot of humour.
Viola’s disguise as Cesario is the origin of much of the deception in
the play. At the very beginning, Viola has been warned of the dangers
of being alone in Illyria, therefore she is determined to go into
disguise, “conceal me what I am” (ActI, ScII). Viola is then disguises
as a male eunuch and works for the Duke Orsino. Under the impression
that Cesario is a boy with youthful looks, the Duke sent Cesario to
woo the Lady Olivia on his behalf. Sarcastically, a love triangle is
formed since not only Viola who has fallen in love with Orsino, Olivia
has fallen in love with Cesario as well. As Cesario is a boy in
Orsino’s eyes, Viola is unable to confess her love for Orsino, “I'll
do my best to woo your lady/ Yet, a barful strife! Whoe'er I woo,
myself would be his wife” (ActI ScIV). The reality is always kindless,
Olivia is not interested in the Duke, “Your lord does k...
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...alls in love with Cesario at first sight,
“Methinks I feel this perfections” (ActI ScV) Malvolio deceives
himself as an important person, “See himself as surrounded by idle
things” (ActIII Sc IV) as well as his role of Olivia’s suitor. All
these characters are trapped by their illusions.
Among the many characters in Twelfth Night, some are disguised as
someone else, some are deceving themselves, some are being deceived
and some are deceived about their true natures. The different forms of
disguise and deception has numerous effects, namely to give way to
ironic humour, to further explore characters and relationships, to
develop the connection between the main plot and the sub-plot and so
on. Overall, the play brings up great comic effect by using disguise
and deceptoin, making Twelfth Night a truly exceptional piece.
Sebastian, the twin brother of Viola who was lost at sea after a shipwreck, and Lady Olivia are the first to marry, but things are not as they seem. During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just as Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beaut...
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Olivia’s public status shows her as a caring and high-class lady, a persona with a stark contrast to her inner self as a bold and tenacious woman. When Olivia pines for Cesario, she takes action and confesses, “But, would you undertake another suit, / I had rather hear you to solicit that/ Than music from the spheres” (3.1.108-110). This confession shows Olivia’s yearning for Cesario to woo her, revealing a bold inner character and desire that doesn’t align with how others perceive her. Another example is after Cesario denies having married her and redirects the topic back to Duke Orsino, Olivia replies, “If it be aught to the old tune, my lord/ It is as fat and fulsome to mine ear/ As howling after music” (5.1.104-106). Olivia dismisses the Duke’s affections and rebukes him as a man would, saying his courting is gross and disgusting. This shows she is not the fragile and polite woman one may perceive her to be, but an abrasive woman who can speak her mind. Olivia breaks out of her social identity as a frail, polite, and proper Elizabethan lady and reveals her true inner character as a strong and empowered woman.
Folly is one of the main weaknesses in Twelfth Night with a number of characters portraying their own strange foolish ways. Feste is the professional fool; he is the most noticeable fool and is very quickly recognised by the audience as an intelligent man. Orsino and Olivia are really foolish because of the decisions they make but they are regarded as intelligent. The biggest fool of all is Olivia's steward, Malvolio.
In the play Twelfth Night, the main theme that drives the plot is delusion. Many characters in this play experience a form of self-delusion, and this allows them to be fooled by others. As Lydia Forbes states, “...those who know themselves have an advantage over those who do not” (476). As Elias Schwartz describes it, “Everyone in the play is to some degree foolish, and everyone is to some degree fooled” (510). Self-delusion from the main characters is dominant throughout this play, and these characters that are either lovesick, in love with themselves, or otherwise out of touch with reality are easily manipulated by grounded characters. Twelfth Night demonstrates delusion by having certain characters triumph over their self-delusion and find
Function of Disguise in Twelfth Night by William Shakespeare William Shakespeare's Twelfth Night is a play based around disguise in the form of deception and becoming someone different. In Twelfth Night, disguise takes many different shapes from physical disguise to mental disguise. Disguise is one of the main topics of the play and helps to create the plot. It brings in confusion and comedy as well as the darker and sadder side of the play which is disguised as fun and happiness. Disguise is evident from the very beginning of the play.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
It is said that the philosophy on human nature is that we ought to be
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.
...h the underlying theme of festivity in the play. Edward Cahill’s article and evidence from the play provides solid evidence to support this argument. However, what Salingar hasn’t addressed in his article is that the sub-plot also serves to illustrate the dangers of unchecked festivity. The sub-plot is absolutely necessary to the play and adds a layer of depth and insight into the themes of Twelfth Night but most of all, the subplot is what allows this play to be classed as a comedy.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.