Differences Between Movie And Movie
opinion Essay
1136 words
There is no doubt in anyone’s mind that over the last couple of decades movies have become more and more intricate and immersive. These effects can be directly linked to the advances in technology, which have allowed filmmakers to create very elaborate special effects and camera movements. As an aspiring filmmaker myself, it seems that the filmmaking and film going communities have grown exponentially over the last couple of years leaving behind other forms of entertainment such as books. With that being said it is sometimes a bit of a shocker to find out that some of my favorite movies were actually based on books that I had never even heard of before. Even though I am not a huge fan of reading myself, I do agree that reading the book will …show more content…
Some characters were changed, others were reversed while others were completely taken out from the movie. I will begin by discussing the role of Alan Grant. In the book he is described as an outdoors bearded man of forty while in the movie he is portrayed as a brainy scientist (CineFix). Now a few examples were roles were reversed. First, I will talk about the characters of Tim and Lex. In the book Tim is older and is good with computers while Lex is younger and more into sports. In the movie Lex is older and good with computers while Time is younger and has a deep fascination for dinosaurs (CineFix). Another example of reversed roles in Jurassic park is the characters of Ian Malcolm and Donald Gennaro. In this example the roles were not completely reversed but some of the characteristics were. In the book Ian Malcolm is a serious scientist and kind of coward while Donald Gennaro is a lawyer but portrayed as a muscular hero. In the movie Donald Gennaro is the coward that runs away while the tyrannosaurus rex attacked the kids and Ian Malcolm was the one that saved them. In the book that event occurred with Ian Malcolm running away and Donald Gennaro saving the …show more content…
Why do people not mind information being lost? The answer is very simple. In today’s society most people have such busy lifestyles that finding time to read a book is very difficult among the average person (“Britain’s dilemma”). Between school, work, and spending time with family, the last thing on people’s mind is to spend hours out of their already busy day to read a book. Especially in todays society which has been accustomed to quick and easy access to information. In the end, it is very convenient to just go out and watch a movie, not only does it allow people to experience great stories, it is also something that can be done with family or friends which makes it seem less of a hassle for some people. As stated before, it is understandable that it is more convenient to experience a story that has been adapted to a medium that allows more free time such as movies. Even if the movie does not follow the book word-by-word, most of the time it is great to enjoy a movie without worrying too much about the adaptation. However, experiencing life through the limited perspective of movies is a terrible way to
In this essay, the author
- Explains the four main stages of a script's development, production, shooting, and post-production.
- Explains the life of a script and how it eventually ends up on the big screen. they will compare the movie and the book they are based on.
- Compares the roles of alan grant, tim, and lex in the book and the movie. ian malcolm and donald gennaro's roles were reversed.
- Explains the four main stages of a script's development, production, shooting, and post-production.
- Explains the life of a script and how it eventually ends up on the big screen. they will compare the movie and the book they are based on.
- Compares the roles of alan grant, tim, and lex in the book and the movie. ian malcolm and donald gennaro's roles were reversed.
- Explains that the filmmaking community has grown exponentially over the last couple of years leaving behind other forms of entertainment such as books.
- Opines that it is convenient to watch a movie without worrying about the adaptation, but many people don't explore the stories through the limited perspective of movies.
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- Analyzes how tyler's dominance over jack is similar to a sado-masochist relationship. the brutal imagery of the quarrels submerses the reader in the action.
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- Analyzes how fight club centers on an anonymous narrator, who under the stress of his mind-numbing job and jet lag from business trips, suffers from chronic insomnia.
- Analyzes how tyler's dominance over jack is similar to a sado-masochist relationship. the brutal imagery of the quarrels submerses the reader in the action.
- Analyzes how tyler's demise becomes more prevalent when he burns the narrator’s hand with lye after kissing it.
- Analyzes how the constant interchanging of camera shots intensifies the plot, creating peaks of intense action and troughs of dialogue.
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- Analyzes how fincher hired dust brothers to compose the post-modern film score. the music in fight club includes drum loops, electronic scratches, and computerized samples.
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- Analyzes how the movie opens up with scout singing and drawing/coloring. the first thing they noticed was the way the audience meets dill in the book and movie.
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- Analyzes how most of the movie is the same, but is brief and key details from the book are missing, such as tom robinson, the mad dog. calpurnia ran over to the radley's house, even though she knew no one would answer.
- Opines that they were happy for the jail scene, which was important to the movie and book.
- Opines that jem was punished to help and understand mrs. dubose as a punishment, and he took out his anger on her most precious thing, her garden.
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- Explains that the debate on cinematic adaptations of literary works was dominated by the questions of fidelity to the source and tendencies to prioritize the literary originals over their film versions.
- Explains that the issue of fidelity has been a battle-ground for film theorists since the beginning of film theory. some suggest that adaptation and film, in general, is an art-form inferior to literature.
- Analyzes fidelity in the two sets of cry, the beloved country adaptations: 1951 film version produced and directed by zoltan korda; and 1995 remake starring james earl jones and richard harris.
- Explains that andré bazin's understanding of adaptation was groundbreaking, as no one before him had thought of it as anything other than the direct transfer from book to screen.
- Explains that adaptation is a process in which connections are established between two different modes of representation, such as television and movie screen, musical and dramatic stage, internet, novels and comic books.
- Summarizes ryan & thon's view that adaptation is a key concept in the context of media convergence, cross-platform story worlds, and transmedia storytelling.
- Explains that fidelity to the original novel is a major criterion for judging the film adaptation. no critical line is in greater need of re-examination and devaluation.
- Analyzes how fidelity is critical when examining how critics and audience members justify their complaints or praises. fidelity abandons techniques of simple matching through media for a creative transformation.
- Narrates the story of reverend stephen kumalo, who lived in poverty in kwazulu-natal. he received a letter summoning him to johannesburg to see his sick sister, gertrude, and his son, absalom.
- Explains that 's intention in writing the novel is to raise awareness on apartheid, racial segregation, and brutality in south africa. these intentions were carried over in the film adaptations of 1951 film version with the same title.
- Analyzes how the apartheid system was highlighted in the 1951 and 1995 versions of the movie, based on the historical and social context of south africa.
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- Analyzes four key film extracts: the introduction of mina in the westenra house, the mise-en-scene, and the background noise of chirping birds.
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- Analyzes how hollywood distorts and corrupts serious literature for the entertainment pleasures of a mass audience.
- Analyzes four key film extracts: the introduction of mina in the westenra house, the mise-en-scene, and the background noise of chirping birds.
- Analyzes how coppola mimics the book onto the film with a degree of exactitude in the staking scene.
- Analyzes how hollywood distorts and corrupts serious literature for the entertainment pleasures of a mass audience.
- Analyzes how lucy's three suitors are stereotyped by the actors clever use of characterisation, such as quincey p. morris, dr. john seward, and arthur holmwood.
- Analyzes how dracula's sexual innuendo restores the victorian balance of sexual penetration from the female domain back its accepted station within the male domain.
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- Analyzes how lemmy kilmister's words are so powerful that people don't even want to use their energy to read a book and imagine.
- Analyzes how lemmy kilmister's words are so powerful that people don't even want to use their energy to read a book and imagine.
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In this essay, the author
- Opines that film and literature are very different mediums and that they are both accurate and concise in the way they relate to one another.
- Analyzes how the movie adaptation and the original work, the book, deal with the same topic: struggling to find identity in a place that's not really your own.
- Analyzes how the book mentioned ashoke and ashima's first neighbors while living in the states, the montgomery family, and shared a single washing machine.
- Opines that film and literature are very different mediums and that they are both accurate and concise in the way they relate to one another.
- Analyzes how the movie adaptation and the original work, the book, deal with the same topic: struggling to find identity in a place that's not really your own.
- Analyzes how the book mentioned ashoke and ashima's first neighbors while living in the states, the montgomery family, and shared a single washing machine.
- Analyzes how the movie focuses on gogol's relationship with maxine and his failed marriage, while the book is condensed.
- Analyzes how ashoke tells gogol about the train accident and the details that surrounded that in the movie.
- Compares the book and movie versions of the namesake, stating that they both get the point across and are fairly accurate representations of one another.
- Describes the films of mira nair, sooni taraporevala, kal penn, tabu, and irrfan khan.
1014 wordsRead More