Diction In A Midsummer Night's Dream

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Analysis of “A Midsummer Night’s Dream” Understanding of love and true devotion is one of the most prevalent themes, if not the theme, in literature since the beginning of time. William Shakespeare often wrote of the implications of love and how truly foolish it can be. This is made most apparent in his work, “A Midsummer Night’s Dream” in which love is cast about from person to person by the power of a flower’s juice in the eyes of its victim. The scene in which both pairs of lovers reunite after having the love spell cast on them by Puck is one of the best displays of the transient and seemingly foolish nature of love through the use of clever syntax, diction, and vivid imagery for which Shakespeare is known. In Scene II of Act III, Lysander …show more content…

Shakespeare well utilizes the ambiguous meaning of words in his texts, this one included. Shakespeare shows the power associated with size and gives merit to Hermia’s concern, although ill founded. Hermia questions if Helena has “grown so high in [Lysander’s] esteem” as to forget their love entirely. The double meaning of growth is hidden within their banter, but also shows the importance that size really did have in how people were viewed in the era. Femininity was important, but power was also valued. That is something that one who deems themselves “dwarfish” cannot attain. The author proceeds to show “growth” of hatred and love throughout the passage such as how Lysander has “grown so rude”, yet also employs several instances of animal imagery. Lysander pits vitriol at Hermia, “Hang off, thou cat, thou burr! Vile thing, let loose, Or I will shake thee from me like a serpent!” The animal imagery distances Lysander from his recently loved enemy, Hermia, making her less and less in his eyes to the point that her love to him is like poison, urging “Thy love! Out, tawny Tartar, out! Out, loathed medicine! Hated potion, hence”. The animal imagery extends to the sisterly love Hermia and Helena once shared, “Both warbling of one song, both in one key” like that of song birds as that is how they find mates and as common warblers, life partners. Diction is used in the rhyme that prevails the piece when the lovers talk. The rhyme functions to keep the play light-hearted and interesting to the audience. Rhyme, however, is sacrificed in select portions to emphasize a point. Helena speaks in prose when she proclaims how close Hermia and herself once were, potentially showing how the loss thereof has caused the joy to also leave her life. Lysander speaks in prose for one line in the beginning of the interaction when he wishes to implore, “Demetrius loves [Hermia], and he

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