A COMPARATIVE ESSAY ON JOSEON BUDDHIST
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Introduction
Although considered to be on its own painting style, the Joseon Buddhist arts borrowed much of the iconographic features and basic techniques from exquisite Goryeo Buddhist arts. Joseon Buddhist painting stressed the frontality of the figures, the complexity and density of the composition, and the immediacy and proximity of content. Confucianism had less influence compared to Buddhism which emphasized on other realms, visualizing the spiritual in earthly forms and so extending the present to the afterlife. Moreover, late Joseon Buddhist art was highly syncretic. The painting in comparisons is two centuries apart.
Preaching Sakyamuni Buddha-1755
Preaching
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Gwaneum is shown sitting on a rock probably intended to be Mount Botarak, the mountain near the ocean where the deity was believed to reside, and waves can be seen in the foreground. Holding Buddhist prayer beads in the right hand, the deity is in the yunwangjwa pose, facing forward. A green nimbus can be seen around the head, and a larger red nimbus surrounds the body. A water vessel in blue has a spout in the shape of a phoenix head; a willow branch has been placed in the vessel, which sits in a transparent …show more content…
This hanging scroll was painted with ink, color, and gold on cotton. Gwaneum’s face is square with small features; a line of brown color was used for the facial features. Yellow ocher was used for the flesh, and white pigment was used for the robes. The ink was applied to create the creases of the robe. The Vermilion, blue, and dark blue border of the robe were first sketched with ink, then painted with pigment, and finally embellished with gold
Information from the textbook and Hays’s article help illuminate the events depicted and their significance in culture and art of the New Kingdom, and how the style ties into the art of the time.
I learned about many significant artwork and artists in this class. This class provided me with a better understanding of the history of the world of art, but also helped me understand the development of art styles. However, among all of these precious pieces of artwork, there are two special ones that caught my attention: The Chinese Qin Terracotta Warriors and The Haniwa. Each of them represents the artist’s stylistic characteristics and cultural context. Although they represented different art of rulers, historical values, and scenes, there were visible similarities.
...igy was found wrapped in a piece of cloth which was very similar to textile garments which other effigies were wrapped in at the site of Garagay (Berger and Salazar-Berger 45). The characteristic of the Mina Perdida effigy which is seen in other Initial Period sites are fanged mouths with the upper incisors overlapping the lower lip; this characteristic is seen in religious images and in examples of both portable and public iconography (Berger and Salazar-Berger 41&46). At the site of Garagay, portable art was seen in the form of heads having striking similarities to the effigy including the flaring nostrils, fanged teeth, eccentric eyes and markings on the face. The Garagay frieze also shares many of the characteristics of the sacred effigy from the fanged teeth, eccentric eyes, flaring nostrils and their representations that suggest a supernatural nature.
The statue of the Royal Scribe Yuni was found in the tomb of his father, Amenhotep. In this sculpture Yuni is shown kneeling and holding a highly decorative carved shrine. Within this shrine is a miniature figure of Osirus, the god of the underworld. Yuni is dressed in what is considered to be costume for persons of high status at the time, such as a curled wig and papyrus sandals. He wears a double-strand necklace of large lenticular beads known as the “gold of valor”. Two holes located at either side of his neck may have been for the placement of the “real garlands”. The statue of Yuni once had eyes of semi-precious stone in metal sockets. On either side of the back pillar lies a relief of Rennutet, Yuni’s wi...
Buddhism saw its initial, but slow rise under the Han Dynasty, which lasted from 206 BCE to 220 CE; however, the religion spread rapidly towards the end of the Han amidst political chaos and hesitance in Confucian principles. During the postclassical era, Buddhism’s spread in China was caused by the prospect of Nirvana, while it also gave way to both negative and positive responses.
Originally from Japan, Soyen Shaku was the first Zen master to arrive in America. His followers urged him not to come to a nation that was so ill-mannered and uncultivated and that the Japanese were facing extreme discrimination. Shaku’s countrymen Hirai Ryuge Kinzo “offered pointed examples: the barring of a Japanese student from a university on the basis of his race; the exclusion of Japanese children from the San Francisco public schools; the processions of American citizens bearing placards saying ‘Japs Must Go!’” (Eck 185). After several decades, there was a Zen boom of the 1950s and that was how Buddhism affected western culture, especially in regards to entertainment. “‘Zen’ is “the Japanese pronunciation of the Chinese character "chan," which is in turn the Chinese translation from the Indian Sanskrit term "dhyana," which means meditation’” (Lin).
In life, there are many objects that define a person and who they are. The items that define me as a person are items with close memories of me, and they are the things that people can remember me by. Without objects in life, we cannot have the memories that define us as a person.
The Tang Dynasty (618 -907 A.D), also known as China’s glorious revelation, was a time of major change both politically and economically in the Chinese Empire. During this time period, trade became greater than ever. The military power strengthened. The population also increased during this time period from fifty million to eighty million in just two centuries with its large population base, the dynasty was able to raise professional and conscripted armies of hundreds of thousands of troops to contend with nomadic powers in dominating Inter Asia. The Tang also has a strong influence on its neighboring states such as Korea (which was at the time made if of three kingdoms) and Japan. During this time period the Silk Road expanded and trade
Our present way of thinking; our perceptions, desires, feelings, and reactions control how we experience the world. Our minds are the core of our existence, everything we have thought is everything that we are, for everything is mind-made. If we are experiencing suffering, it is because our minds created it, and only our minds have the power of relieving it. Buddhist meditation is the practice of transforming the mind through the cultivation of mindfulness, concentration, detachment, insight, and objectivity. My background in psychology made me interested in discussing the concept of Buddhist mediation due its immense focus on mastering the mind. It has the crucial transformative effect on the mind that leads to new perspectives of oneself,
Bodhisattva, a sculpture from the region of central Tibet, is now being displayed in the Rubin Museum in New York. It is a large-scale sculpture, standing at approximately 6 7/8 inches, that was made by craftsmen recruited in Tibet, whom were known for their artistic skills. Bodhisattvas are awakened beings who aspire to attain enlightenment and help others to achieve it by postponing nirvana and buddhahood. This sculpture is portrayed in a harmonious and compassionate state. The Bodhisattva is showcased as a mentor figure, seeking to help others achieve Enlightenment, through the presence of its physical elements.
Jack Kerouac spent his creative years writing in a prosperous post world war II America. He was in many ways a very patriotic person who had no problem making known his love for his country , particularly within his literature. It was, quite literally, America that he was in love with. Taking cues from writers such as Whitman, he embraced the American landscape as a field for spiritual cultivation. Kerouac was indeed a writer with spiritual preoccupations. He saw himself as partaking in a lifelong journey through the America that was waiting to reveal itself and, consequently, himself. Also, of course, considering himself a serious writer, he would chronicle this spiritual expedition throughout a series of novels that together would be called “The Duluoz Legend.'; This was the name Kerouac had intended the novels to take on when he would assemble them in chronological order before he died. Unfortunately he died earlier than he expected and was unable to formally assemble them. However, the legend remains.
Lee, Soyoung. "Heilbrunn Timeline of Art History." Art of the Korean Renaissance, 1400–1600. Metropolitan Museum of Art, Sept. 2010. Web. 24 Feb. 2014.
The most fascinating aspect in Korean history prior to the 1500’s is the introduction and influence of Buddhism. Although Buddhism was introduced into the Korean society in early years, it was not accepted until many years later. After acceptance, Korean Buddhism began to grow, develop and spread throughout the country. With Buddhism, came many distinctive aspects. These very distinctive Buddhist characteristics have influenced Korean culture throughout the different time periods in many ways such as art, architecture, spiritual civilization, and Korean society as a whole.
An Essay Answering Questions From the Assigned Text by Faure This essay will attempt to answer questions coming from the Bernard Faure text assigned to class. The questions are as follows: How does Hu Shih’s approach to Chan differ from D.T.? Suzuki’s. Why was the scholarship of the Japanese on Zen not objective? What does Faure mean by the teleological fallacy?
During the Three Kingdoms period (BC-AD 668), the first major period of Korean Art during recorded history, the local powers of Koguryo in the north, Paekche in the southwest, and Silla in the southeast fought for control over the Korean peninsula. Koguryo's art survived mostly in the form of fresco-type mural paintings decorating 5th and 6th century tomb chambers. The vigorous polychrome paintings represented lively everyday scenes, animals, and other stylish figures, some of which display Central Asian influences. The Paekche kingdom maintained close relations with Japan in the 6th and 7th centuries. Its art is mostly known for gracefully sculpted Buddhist images preserved in Japan. The finest example from this period is the painted wood figure of Kudara Kannon in Japan, which either was brought from Korea or was carved by one of the many Paekche artists working in Japan at the time. Silla art of the Three Kingdoms period is noted for the refinement of its metalwork. Monumental tomb mounds surrounding Kyongju, the Silla capital, is famous for a striking array of uniquely Korean ornaments, including a group of gold crowns richly decorated with masses of jade pendants and gold discs.