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Analysis essay on why we crave horror
Analysis essay on why we crave horror
Key features of a horror
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The rough fabric of the sack grated her face as she hit the ground, landing on her side and slamming her head. Sweet chirps flitted through the air above her, dancing. Birds. She could hear them for the first time in months. So she was outside? Did that mean it was over? That her torture was going to end? The wretched sack was ripped off her head, along with some of her hair. She was yanked back by the neck of her dress, forced into a kneeling position. Ropes wrenched at her wrists and ankles, tearing at her scabs. Cautiously, her eyes slid open to blinding pain as she stared into the sun. At first, she could only pick out the most prominent details, but the blurriness gradually faded. She felt groggy, as if she had been knocked out. Trees …show more content…
He nodded, tilting his head as he did so. Claude. It could only be Claude. No one else tilted their head that way. Slowly, slowly, he raised his arm, his fingers curled familiarly around the handle of a gun. How many people had he killed with it? How many more would die at his hand? This person in front of her was not the one she had known; that Claude was long buried, replaced with this heartless being about to kill her. How would she bring him home? He terrified her. Claude, her own flesh and blood. “Why?” Eliza pleaded. “I still love you. You’re my big brother, you’re supposed to keep me safe. I don’t care if you’re-” The gun handle smashed into her face, impressing its cruel lines into her skin. Blood mixed with dirt as she crashed into the ground, her breath ripped forcefully from her lungs. Another wound to add to her long list of injuries. Ha, battle scars. Battle scars of a war she didn’t care about. How had this happened? How had she ended up in this mess in the first place? Not too long ago, she had been a farm girl in Virginia, running barefoot through the woods with the wind in her hair. Now her brother was about to kill her. Claude’s low hiss brought her back to the present. “I don’t have a sister,” he spat. Claude stepped back, no hint of emotion on his face. His rage had subsided already, satisfied with this last offering of blood. Once again, she was yanked back into the kneeling …show more content…
Her father had barricaded them in, as the mob surrounding their house grew, even as their fields and barn burned. The stench of burning animal flesh numbed her nose, the shrieks of dying animals deafened her ears. Claude had never come home that night, and the men from the gathering were still there. Her mother was the acting drill sergeant, ordering them about the house. In different circumstances, it would have triggered at least a snigger. Eliza helped out any way she could, until her mother forced her into the cellar. “One of us is getting out alive, Eliza. You need to find your brother and bring him back home. Get into the crawlspace you two dug out, and don’t leave until this is all over and done with.” Her mother’s fierce eyes didn’t betray a single fear: She already knew she wouldn’t see the sun rise. The smell of smoke permeated the damp cellar, and it wouldn’t be long until it spread to the house proper. Squeezing into the small crawlspace dug into the wall, Eliza held off the tears as best she could. If she was going to find Claude and bring him back, she would need to stay strong. She could always cry
Daisy’s face was filled with fear as she slowly stood up and walked around the room. “She was…she was killed?” Daisy questioned in a trembling voice.
time he plans on going home and visiting his family. When he arrives his mother asks
As a small child, about two years old, Lizzie's mother died. Her father, Andrew, married again. Lizzie did not like her stepmother even though she did not really remember her real mother at all. She never really accepted her stepmother as the person who raised her. And then one afternoon they were robber sunk in the house a...
Norman Schwarzkof once said, “It doesn’t take a hero to order men into battle. It takes a hero to be one of the men to go into battle”. As young adults, many of us have a preconceived notion that being a hero is in some way the same as being a leader. In times of war, being a leader defines ones as a superior that others look to for guidance and direction in predicaments; not necessarily a hero. The true heroes are not always the ones calling the shots, but the soldiers who courageously leave their comforts behind to fight on the fronts for their country, even if it results in their death. In All Quiet on the Western Front, written by Erich Maria Remarque, describes the journey of a young man named Paul and the struggles he endures as an effect of the declaration of World War One by his elders. Remarque develops the theme of how older men’s decisions of declaring war effects the younger generation by elaborating on how this declaration effects the younger soldiers’ physical physique and their mental wellbeing.
Her bedroom was closed but with an “open window” (463), with a roomy armchair she sank into. As she is looking out the window she sees “the tops of trees,” “new spring life,” “breath of rain was in the air,” and she could hear a peddler below in the street, calling to customers, and “patches of blue sky showing” (463). The author depicts in the previous sentence that when she uses “breath of rain was in the air,” rain is more like a cleansing so she could be feeling a sign of relief but can’t recognize it. She sat with her head on the cushion “quite motionless,” except when a sob came in her throat and “shook her,” like a child “continuously sobbing” (463) in its dreams. The author uses imagery in the previous
“This is real, I know I’m dead, and I already told you to stop whispering.” She uttered the last part more aggressively than the rest of her sentence. Philip was shocked, he was flabbergasted, he felt ready to pass out or call for his mother like he use to when he was afraid.
Sitting there, about to row towards the professors, a bead of sweat dripped into the wound. Not only did I realize that this tiny cut would be a bother until it scabbed, but the pain of a half a day’s rowing suddenly caught up. Then I realized that the “adventure” of walking through the tree island had felt more like a difficult mission than the fun time I had expected. This got me really upset.
All Quiet on the Western Front is the most superb World War I motion picture. The movie had a budget of $1.25 million (which was very expensive at the time) and runs 128 minutes long giving enough time to capture the horrors of war perfectly. The Great War was the subject for many movies during the late 1930’s and early 1940’s, most offering a serious and very emotional time for the audience. It’s no coincidence that two of the first three Best Picture Oscars were awarded to World War I movies. Even though the movie is dated for this day in age, the battle scenes are still as emotional and bone chilling. Director Lewis Milestone’s attention to detail plays a major role when filming trench scenes and because of this, it makes it hard to realize that the film was actually filmed in California and not in Germany or France.
As Manley Pointer slammed the barn door shut behind him, the ladder to the loft collapsed to the floor. Hulga did all she could—scream. Minutes passed. Hours dragged on as Hulga continued crying for help. Deeming her efforts futile, Hulga wept. As the sun set beyond the horizon, Hulga’s eyes dried up. With no glasses and no rays of sun seeping in through the cracks in the roof, Hulga felt around blindly, gathering a small bundle of hay upon which to lay her head.
“This book is to be neither an accusation nor a confession, and least of all an adventure,
The sound of rubbish bags tumbling their way through the long shoot, echoed through the abandoned alley assuring Liesel’s stomach. It had been three days since she had eaten anything more than a half a slice of mouldy bread. She shoved her hands into the big bin and heaved a bag out, collapsing right after. Wheezing and spacing out, as if she had just ran a marathon.
In a deep, muddy trench, a lone soldier lies, a silver bullet embedded in his abdomen. He clutches his side, screaming in pain, crying for help -- but no one is listening. The sky slowly darkens, and his voice becomes no more than a faint rasping, until it fades into nothingness. Millions of soldiers found themselves in similar situations during World War I, also known as the Great War, which involved multiple European powers; most notably, Germany, France, Britain, and Russia. Written from the perspective of Paul Baumer, a 19-year-old German soldier, All Quiet on the Western Front by Erich Maria Remarque follows his journey as he is thrown into the chaos of World War I. At the warfront, Paul witnesses countless horrors that
World War I had a great effect on the lives of Paul Baumer and the young men of his generation. These boys’ lives were dramatically changed by the war, and “even though they may have escaped its shells, [they] were destroyed by the war” (preface). In Erich Maria Remarque’s novel, All Quiet on the Western Front, Paul Baumer and the rest of his generation feel separated from the other men, lose their innocence, and experience comradeship as a result of the war.
Before overhearing the conversation, Lizabeth already has a sense of guilt as she finishes attacking Miss Lottie: “Suddenly I was ashamed, and I did not like being ashamed.” The conflict of not being either a child or an adult yet both together has been in her mind badgering her. After overhearing the conversation, she realizes that she is the oldest kid of all the kids she plays with, and she should be aware of her responsibilities for their
I wearily drag myself away from the silken violet comforter and slump out into the living room. The green and red print of our family’s southwestern style couch streaks boldly against the deep blues of the opposing sitting chairs, calling me to it. Of course I oblige the billowy haven, roughly plopping down and curling into the cushions, ignoring the faint smell of smoke that clings to the fabric. My focus fades in and out for a while, allowing my mind to relax and unwind from any treacherous dreams of the pervious night, until I hear the telltale creak of door hinges. My eyes flutter lightly open to see my Father dressed in smart brown slacks and a deep earthy t-shirt, his graying hair and beard neatly comber into order. He places his appointment book and hair products in a bag near the door signaling the rapid approaching time of departure. Soon he is parading out the door with ever-fading whispers of ‘I love you kid,’ and ‘be good.’