Deportation and Redemption: The Differences and Use in Edgeworth and Dickens Both Maria Edgeworth’s Belinda and Charles Dickens’ Great Expectations depict characters who are menaces to society- specifically, English society. What makes a character irredeemable for both authors is that he or she fails to conform to the laws and guidelines of England. For the worst transgressors, deportation is the punishment: Edgeworth deports Mr. Vincent to Germany and Dickens deports Magwitch to Australia. However, the two authors differ in both their view of what is unacceptable in England and what makes a character irredeemable. Edgeworth considers gambling in men and cross-dressing in women as transgressions against the social standards of England; Dickens …show more content…
Unlike Edgeworth, Dickens sympathizes, even pities, his deported criminal. Magwitch describes himself as a “ragged little creetur” who was “in jail and out of jail” his entire childhood- a description that makes even Pip pity him (Dickens, 346). “O Lord, be merciful to him, a sinner!” Pip exclaims after Magwitch’s death in an emotional moment of redemption for both characters (Dickens, 460). It is this mix of pity and sympathy Dickens shows to Magwitch that starkly contrasts with the distant respect Edgeworth shows towards the character she …show more content…
Vincent, Dickens’ sympathy for Magwitch and the fact that the law, not the author himself, deports him implies that Dickens does not support the law that sentences Magwitch to death. Magwitch is described as one who had “taken to industrious habits, and had thriven lawfully and reputably” (Dickens, 456). Dickens’ sympathy towards Magwitch as a hard worker who has earned his right to return home contrasts his frustration toward the law. The law cannot consider the time served or the industriousness of a criminal, but can only try him for returning home: “Nothing could unsay the fact that he had returned...It was impossible to try him for that, and do otherwise than find him Guilty” (Dickens, 456). This lack of redemptive power in the law clearly frustrates Dickens, along with the fact that the law traps lower class offenders in a cycle of
On February 7, 1812, a popular author named Charles Dickens was born in Portsmouth, England during the Victorian Era and the French Revolution. He had a father named John Dickens and a mother named Elizabeth Dickens; they had a total of eight children. In Charles’s childhood, he lived a nomadic lifestyle due to his father 's debt and multiple changes of jobs. Despite these obstacles, Charles continued to have big dreams of becoming rich and famous in the future. His father continued to be in and out of prison, which forced him, and his siblings to live in lodging houses with other unwanted children. During this period of depression, Charles went to numerous schools and worked for a boot cleaning company. This caused him
Every detail of the setting, devices, language and characterisation and some further aspect of narrative voice are necessary for the full apprehension of the reader. At the start of chapter one, we meet the narrator Pip in a churchyard. Dickens creates a sinister and menacing atmosphere in his description of setting. He starts the novel off in a churchyard which describes as a ‘bleak place overgrown with nettles’ with a young child, Pip, staring at the graves of his parents and brothers. Pip is about seven years old when the novel opens (Dickens mentions his age on page 409).
Abel Magwitch was one of the two acquitted criminals in Dickens' Great Expectations. The convicts in this novel were sent to either Newgate prison or shipped to Australia where they were placed in penal settlements. Magwitch was sent to New South Wales for his connections with Compeyson (the other convict) and was sentenced on felony charges of swindling and forgery. Convicts sent to penal settlements suffered the same abuse that slaves were exposed to. The difference lies in the fact that these men and women were in these settlements because of crimes committed such as pickpocketing and murder. Such settlements were New South Wales, Van Dieman's Land, Devil's Island, and Botany Bay, to name a few. In fact, "Botany Bay meant convicts and was looked upon merely as the fit receptacle of national crime" (Inglis 4). Convicts were sent to these settlements as a way to curb the number of felons in the British Isles. Settlements created a place to live and work in order to change or correct the character of the convict. During the nineteenth century, convicts made up most of the population of Australia with a mere fraction of actual free emigrants. The Australian penal settlements helped to develop a new penal theory as well as different view of Australia. By looking at the journey of the convicts, their service, jobs, authorities, punishment, and freedom, we will be able to understand the complicated theory of penal ideas and the plight of Magwitch, Pip's convict.
In Victorian times, one who came from a wealthy and respectable family was considered to be a gentleman. This is clear in numerous characters in the novel, who are immediately perceived to be gentlemen as they boast a large amount of money and dress in the finest clothes. One example, Compeyson, uses this to get a reduced sentence in court, as Magwitch says ‘one, the younger, well brought up, who will be spoke to as such’. This highlights the importance of social class in the Victorian era and it is clear to see here that the justice system is very much more favourable to the higher social ranks, deciding how they would get treated and addressed, and that the punishment is not dependent on the crime, rather the individual at trial’s background and upbringing. Dickens has shown that the Victorian concept of a gentleman is all about wealth and social ranking, not the characteristics we see in a gentleman today.
Magwitch first meets pip at the graveyard on the marshes, from this we see that pip is a lonely child, who has lost his mother and father. Magwitch threatens to kill pip and " rip out his heart and liver" unless pip obeys Magwitch's orders to bring him some "wittles" and drink for him. The relationship as it first blossomed is full of fear and terror and we pick up immediately that Magwitch is in control of the situation, yet there is still the fear lingering over him being seen or handed over to the authorities if Magwitch made any mistake to be seen by anyone else, or if pip told somebody else where he was. Pip and Magwitch's first meeting place is highly ironic, because pip is visiting his parents graves and then ironically Magwitch turns up, who will later be pips benefactor and will act and play the role of Pip's surrogate farther. Pathetic fallacy is used in this graveyard scene as it is set in the marshes at the dead of night with " the cold air whipping" around them, to resemble the scary emotions that pip feels when he is being threatened by Magwitch pip passes a gibbet on the marshes which is also ironic as when Magwitch comes back to see pip later on it the novel there is the fear that he might be hanged. It also sets the setting to resemble death. The night black sky also will resemble death and deep dark fears. The graveyard is a " bleak over grown place, with nettles" the description makes the scene scarier, and the overgrown weeds could be where others are hiding. The setting is very gothic, in true Victorian style and when contemanoray readers read this they were automatically prepared for something unpleasant to happen. When Magwitch orders pip to get him some food and a drink for him from where he lived or where he could, pip could take the advantage of this situation, and tell the authorities or tell his guardians, but he doesn't.
Great Expectations’ main character, Phillip Pirrip- generally known as Pip- had a rough upbringing as a child. His sister, Mrs. Joe had “brought him up by hand”, after their parents and five brothers had all been laid to rest many years ago. Another character, Herbert Pocket experienced a bizarre childhood, though in a different manner. Charles Dickens’ Great Expectations develops through the novel following Pip, a young “common boy” who grew up in the countryside. As he matured so did his love for a girl of higher class, Estella. However, being a common boy, Pip was not good enough for his Estella, thus once he was given an opportunity to become a gentleman in London he seized it without much hesitation. Charles Dickens’ had his own style in the ways he portrayed his child characters’ upbringings, history, and the children’s emotions. Also in Great Expectations, Dickens creates his child characters in unique methods; Pip, Estella, and Herbert Pocket all have miserable backgrounds, however none of them is too similar.
Schlicke, Paul, ed. Oxford Reader’s Companion to Dickens. Oxford: Oxford University Press, 1999. “101-3+281-86+315”. Print.
Charles Dickens' Exploration of the Victorian Society's Awful Treatment Of The Children Of The Poor
...ntation of the distinctions between the social classes. Dickens uses Pip’s relationships with Estella, Joe, and Magwitch to show how the lower class is judged by social status or appearances, instead of morals and values. The lower class is looked down upon and taken advantage of the upper class, and this is prevalent in the novel Great Expectations.
It can be seen through Dickens’s highly successful novel Great Expectations, that his early life events are reflected into the novel. Firstly the reader can relate to Dickens’s early experiences, as the novel’s protagonist Pip, lives in the marsh country, and hates his job. Pip also considers himself, to be too good for his ...
Mr. Jaggers' silent and terrifying ambiguity conjures mystery and enigma all around him. We find that very little is mentioned of his background and that he has no family. He is the epitome of callousness and displays the very least human feelings and affection. Through his desperate attempts to remain on the pedestal and away from social company, he is also Dickens' classic example of isolationism, in line with the theme of Great Expectations. He fears that friendly relationships with others will inconvenience his professional work. Undoubtedly, we find him to be an extremely intelligent and capable lawyer of high calibre. It is he that saves both Molly and Magwitch from the gallows through his expertise. He is also the one who supposedly saves Estella from the misery of orphanhood. Although many may argue that he did her more harm than good by giving her to Miss Havisham, we cannot blame him for he thought "that here was one pretty child out of the heap who could be saved.", which he did. By doing all this, he contributes effectively to the movement of the plot.
Characters who yearn for appreciation, the portrayal of a depressing ambiance, and the repetition of buried guilt are a few resemblances of the Masterpiece rendition of Great Expectations and Dickens’ novel. In both adaptations, many characters struggle with the loneliness and troubles of life. Although life’s issues differ from when the novel was written until now, the audience can still relate to the characters. This classic story has traveled through many era’s and the moral is still understandable to all people who have enjoyed the tale in its many different formats. It is especially relatable to those who have struggled to cope with the challenges of life.
In essence, Dickens artfully uses several types of language to portray the evils of the Victorian court system through the Chancery Court in Bleak House. Though political language aims to “ . . . make lies sound truthful and murders respectable, and to give an appearance of solidity to a pure wind.” (Orwell 1), Dickens counteracts these effects with language of his own Naming schemes, vacuous logic, and the gothic element all work in unison to convey his frustration toward the court system to provide a modern audience with a historical record of its shortcomings.
Many choices the characters make have a negative effect on their lives. The characters of Magwitch and Pip make bad decisions, but throughout the novel they realized their wrong doings and strive for improvement and better understanding. In the beginning of the book, Pip ventures into the marshes around the forge. As he encounters Magwitch, a convict, he is asked to bring back some “wittles” or food and a file to break free from the chains (Dickens 25). Magwitch informs Pip that if he were to disobey orders, a man would sneak in to his house and eat his heart. Afraid, Pip takes Joe’s file and Mrs. Joe’s cake instead of alerting them about Magwitch and the threats; this displays Pip’s low level of trust in his guardians. The guilt he feels “on the score of this minor theft is only part of a larger guilt,” leaving him to believe he is not only thought of as a burden to his sister, but also a delinquent (Barnard 109). Pip would rather go behind Mrs. Joe’s b...
Throughout Dickens’ novel Great Expectations, the character, personality, and social beliefs of Pip undergo complete transformations as he interacts with an ever-changing pool of characters presented in the book. Pip’s moral values remain more or less constant at the beginning and the end; however, it is evident that in the time between, the years of his maturation and coming of adulthood, he is fledgling to find his place in society. Although Pip is influenced by many characters throughout the novel, his two most influential role models are: Estella, the object of Miss Havisham’s revenge against men, and Magwitch, the benevolent convict. Exposing himself to such diverse characters Pip has to learn to discern right from wrong and chose role models who are worthy of the title.