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In both novels novels A Streetcar Named Desire and Death of a Salesman, there is one major character in each novel that shares an almost unique characteristic with the other one; delusion. Both of the characters, Blache Dubios, and Willy Loman, respectively, live deluded lives in some shape or form, be it a delusion of self-perception, friends and family, or something else. One facet of delusion with both characters is how they rely on the people around them to maintain their delusions. They all use their surrounding characters actions and the way they interact with them as objects of which to reinforce and build their own delusions off of. Simply put, their delusion can only stay intact with the participation of the other characters in “playing along,” with the delusion.
Blache Dubios, the delusional major character in A Streetcar Named Desire, is a bit of an airhead. She is a very “floaty,” person, whose head is usually up in the clouds and rarely ever in the real world. Due to this, she acts on her own impulses, which results in a shady past. After leaving her hometown, she moved to a hotel and began living with many men, and eventually she got kicked out of the hotel due to her messing around with a student of hers, as she taught at school during her tenure in the hotel. After all this trouble, as a last ditch-attempt to regain a somewhat stable life, she moves in her with sister Stella and Stella’s husband Stanley, to a small house in urban New Orleans. And this is where her delusions begin.
Due to a combination of her being an airhead, and her want to start over and dismember her past from herself, Blanche begins self-delusion. She creates a fantasy life, in which she is still a young, beautiful, innocent woman who has ju...
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...me speech about becoming successful as he did from when before he was fired. It wasn’t his self-worth delusion that was the main one, it was the one about his legacy that he would pass on toward his children, mainly and maybe only Biff. When this delusion of how well that his teachings were going is thrashed and loses the support of another character, when at the end of novel Biff declares that Willy’s path that he kept trying to set for Biff was just not working so Biff was going to set out on his path, that is when Willy collapses. It was after this admission of Biff’s that Willy went and killed himself.
Blanche Dubios and Willy Loman were both delusional characters whose delusions, and therefore their own “sanity”, relied on the enabling and support of the delusions by the other characters, and once that support was lost, so too were the delusional characters.
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
Blanche’s presence in the narrative exists to illuminate her path to purgatory through a series of conflicts, insecurities, and failed romantic interactions. Her history is plagued with the past; and she seldom forgets it nor lets those around her forget their alleged responsibility to comfort her.
Shortcomings, whether it is of a person, society, situation, or nation, are often revealed through literature and media. In Arthur Miller’s play, Death of a Salesman, the specific shortcomings of American life are explored, with an emphasis on social, economic, and personal issues. Willy Loman could be seen as a possible embodiment of all of these flaws, but an argument could be equally made that he is an innocent victim, due to the inherent problems in all societies, but especially in American life.
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
By believing her own lie, Blanche disconnects herself from the reality in which she lives. She becomes so immersed in her lies that she herself is unable to tell where her fantasies end and reality begins. It is no longer a lie to maintain her appearance but a delusion that she believes in. In her mind she is not an aging women with few social contacts but a proper young lady with friends of high standings.
To conclude, the author portrays Blanche’s deteriorating mental state throughout the play and by the end it has disappeared, she is in such a mental state that doctors take her away. Even at this stage she is still completely un-aware of her surroundings and the state she is in herself.
Through the incorporation of dramatic irony, Williams divulges the truth behind Blanche’s charade. As Stanley begins to question about her past romantic involvements, Blanche is quick to fabricate a tale. Her lies slowly gravitate toward depicting herself as the ideal woman. She describes, “But the beauty of / the mind and richness of the spirit and tenderness of the / heart– and I have all of those things” (12-14). Blanche is none of which she claims. She is a woman who struggles to escape her past and fears to be in the light. In addition, she is not physically nor realistically rich in spirit; her past left her in pieces. The audience is aware of her grapple to overcome her ex-husband’s suicide and the usual sound of a gunshot that is heard at the mention of his death. At the present, she attempts to use
As Stanley continues torturing Blanche and draws Stella and Mitch away from her, Blanche’s sanity slowly dwindles. Even though she lied throughout the play, her dishonesty becomes more noticeable and irrational due to Stanley's torment about her horrible past. After dealing with the deaths of her whole family, she loses Belle Reve, the estate on which her and her sister grew up. This is too much for Blanche to handle causing her moral vision to be blurred by “her desperate need to be with someone, with ancestors for models who indulged in “epic fornications” with impunity, [Blanche] moves through the world filling the void in her life with lust” (Kataria 2). She also loses a young husband who killed himself after she found out he was gay when she caught him with another man. After that traumatic experience she needed “a cosy nook to squirm herself into because ...
This essay will describe whether or not Blanches’ unfortunate eventual mental collapse was due to her being a victim of the society she went to seek comfort in, or if she was solely or at least partly responsible. The factors and issues that will be discussed include, Blanches’ deceitful behaviour and romantic delusions which may have lead to her eventual downfall, the role Stanley ended up playing with his relentless investigations of her past and the continuous revelations of it, the part society and ‘new America’ played in stifling her desires and throwing her into a world she could not relate to or abide by.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
The line between reality and illusion is often blurred in Arthur Miller’s play, Death of a Salesman. Whether it is incorporated in the content or the actual structure, this struggle between recognizing reality from illusion turns into a strong theme; it eventually leads to the downfall of Willy and his family. Willy is incapable of recognizing who he is, and cannot realize that he, as well as his sons, is not capable of being successful in the business world. Happy and Biff both go through some battle between reality and illusion that cause a collapse in some part of their lives. The line between Willy’s flashbacks and current time also send him into turmoil when he cannot distinguish between the two.
During the 1890s, Sigmund Freud introduced the psychoanalytic theory which stated that one’s psyche is governed by the id, ego and superego. It is evident that in Death of a Salesman, this psychological lens can be applied to Willy Loman in order to understand his actions and thoughts. Death of a Salesman by Arthur Miller is about a delusional salesman who wishes to fulfill the American Dream and his dysfunctional family who do not live up to his expectations. Through the psychoanalysis of Death of a Salesman, it is evident that Willy’s personality is a product of his id, ego, and superego. This is portrayed through the frequent examples of an impulsive id, a powerful superego and the defense mechanism his ego utilizes in order to deal with