The thing that makes, Hills Like White Elephants, by Ernest Hemingway such a powerful story is the subtlety with which it is told. Hemingway is commenting on subject matter which for the time would have been considered taboo, but does so without actually spelling it out for the reader. As the characters sit together drinking beer and talking, it becomes immediately apparent that there is something weighty between them and as the conversation continues, the reader can feel pressure building between the two of them. At this point, the source of the tension could be anything and the reader follows along expecting not only some kind of outburst between the man and the American girl, but also to find out what has caused the rift. At first glance the couple seems like any other, patiently waiting for their train. It is only when the American girl makes the comment, "No, you wouldn't have" (487) in response to the man's statement that he had never seen a white elephant, that we get the first implication of conflict. Her comment is laden with contempt, which the man's response seems to confirm; "Just because you say I wouldn't have doesn't prove anything" (487). As the conversation continues and we learn that the girl is going to undergo some kind of surgical procedure, it is the man's shocking indifference to her well being that affronts the reader. He continually tells her that the procedure is nothing to be scared of and that he knows plenty of people who have gone through it. Though he eventually tells her that he doesn't want her to do anything she doesn't want, it is hard to believe him. One gets the sense that she has only agreed at his instigation and now he is only telling her what he thinks he should and possibly what he th... ... middle of paper ... ...undertaking. If Hemingway had let the reader know what was happening from the very beginning, the story would have lost its punch and it would have been impossible to evoke the emotional response to the dialogue. As Readers we relate to the American girl precisely because the words are unspoken and because the way she responds to the man's comments clues us in on how difficult the situation is for her. Even if one didn't know what was going on, which is certainly possible on a first reading, Hemingway ensured that the reader would feel for the girl and know that whatever it was she was going to undertake, it would be against her will. Works Cited Hemingway, Ernest. "Hills Like White Elephants." Exploring Literature: Writing and Thinking About Fiction, Poetry, Drama, and the Essay. Second Edition. Frank Madden. New York: Pearson Education, 2004. 486-489.
Link, Alex. Staking Everything on It: A stylistic Analysis f Linguistic Patterns in “Hills Like White Elephants.”. The Hemmingway Review. 23.2 (Spring 2004); 66-74. Rpt. In Twentieth-Century Literary Critisism. Vol. 203. Detroit; Gale, 66-74. Literature Resources from Gale. Gale. . 12 Jan. 2015
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
“The Hills as White Elephants,” by Ernest Hemingway, tells a story about a couple who are expecting a baby, but want to have an abortion. The setting of the story takes places at a bar situated across of a train station in Madrid, Spain. The couple sits by the bar, and order some drinks. They began discussing about whether or not having the abortion. While they wait for the train the man convince the girl. Within the two works there are many similarities but also differences between the central idea, conflict and the language devices.
What would literature be had every author used the same perspective for every single story? Literature would not be as well received as it currently is received. Take three American short stories, “Hills Like White Elephants,” “A Rose for Emily,” and “The Yellow Wallpaper,” for example. These stories, by Hemingway, Faulkner, and Gilman respectively, each utilize a different a point of view. The perspective of a story heavily influences the impact of the story on a reader and that impact varies based on the content of the story.
“Hills Like White Elephants” depicts a private discussion between the American and Jig over a touchy subject to where a vital choice must be made. Normally, Ernest Hemingway does not give sensitivity to his female characters, yet Jig is distinctive for this situation. Hemingway’s utilization of symbolism to hint Jig’s choice is made evident in numerous ways.
Through his endless amounts of pestering he never finds a way to get his desire and true feelings across to the young lady and becomes increasingly bothersome because of his inability to convey his feelings. “‘We can have the whole world,’ the American declares. ‘No we [cannot],’ Jig retorts. ‘ We can go everywhere.’ No, we [cannot]. It [is not] ours any more.’ ‘[It is] ours.’ ‘No, it [is not].’” (3) The American is insistent on continuing the nomadic lifestyle that the couple lives by aborting this baby, and pesters Jig continually hoping to sway her with the thought of living their same lifestyle that they currently live. However he never directly tells her his desires and instead attempts to manipulate her as he feels his desire is in their best interest regardless of how he achieves his desire. However he does not realize that in his examples he is strengthening Jig’s resolve and conviction in her own wishes. Earlier on in the narrative the American is quick to turn and begin attempting to conform Jig, without any warning or inkling of a change in topic he quickly turns it into what he wants: “‘Should we have another drink?’ ‘All right.’ ‘The [beer is] nice and cool,’ the man says. ‘[It is] lovely,’ Jig agrees. ‘[It is] really a simple operation, Jig… I know you [would not] mind it.’ [Jig] did not say anything.” (2) Without transition or a telling sign, the American quickly turns an agreement about how lovely the cool beer is on a warm day, into pressuring Jig to conform to his desires. All because of his selfish need and lack of responsibility to settle down and lead a life where they can raise the child, and his desire to continue living a life of excess and materialism, yet he cannot convey these desires of him
The American in “Hills like White Elephants” is constantly saying how simple of a procedure it is when in actuality he has no knowledge of abortions. He goes on to say that “she doesn’t have to be afraid because he knows lots of people that have done it (Hemingway 476) The taking of a life no matter how it is done is never as simple as saying other people have done it so don’t be scared. Even though the American says he just wants her to be happy. It is clear that the most important thing is not her safety or happiness but him being able to live his care free lifestyle burden free (Wyche). He is constantly pushing the conversation even when she ask him to stop. For him the thought of death is an escape from his responsibilities. Her indecisiveness is hindering his plans to travel and he says if she does have an abortion then he will be happy again and then she will be happy too. He is so simple minded and egotistical that he tells her what she needs to do to be happy and that that’s the only way. At this point the American has indirectly said I cannot love you and be happy if we have a child, but if she has this procedure then everything will be back to normal. In “A Clean, Well-lighted Place” the protagonist the young waiter has a similar outlook but in a different situation. The waiter is constantly saying that “he wishes the old man had just killed
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
There is a common theme in “Hill’s like White Elephants” and “The Birthmark” of a life altering decision. Both women are thinking about having an operation that will affect them for the rest of their lives. In “Hill’s like White Elephants”, Jig and the American are debating whether or not they should have an abortion. This decision is something that will affect both of them deeply throughout their lives together. By the way the two characters interact with each other the reader can deduce how important they feel the operation is. There seems to be a tension in their sentences with each other. Jig says things like “Everything tastes of licorice. Especially all the things you've waited so long for” and “That's all we do, isn't it-look at things and try new drinks” (Hemingway 841)? These responses to the American show that Jig is in a distasteful state of mind which would most likely stem from her thoughts about the operation and what they will do in regard to it. Because these thoughts of the operation are affecting her socially, it shows just how important the operation is to her. How Jig interprets the scenery around them while they are discussing the operation also suggests the importance ...
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
Hills Like White Elephants, written by Ernest Hemingway, is a story that takes place in Spain while a man and woman wait for a train. The story is set up as a dialogue between the two, in which the man is trying to convince the woman to do something she is hesitant in doing. Through out the story, Hemingway uses metaphors to express the characters’ opinions and feelings.
Ernest Hemingway's short story "Hills Like White Elephants" touches on an issue as ageless as time: communication problems in a relationship. He tells his story through conversations between the two main characters, the American and the girl. Conflict is created through dialogue as these characters face what most readers believe to be the obstacle of an unexpected pregnancy. Their plight is further complicated by their inability to convey their differing opinions to each other. Symbolism and the title's meaning are other effective means of communicating conflict.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.