Critical Analysis Of Young Goodman Brown

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One of the most effective ways to read Nathaniel Hawthorne’s “Young Goodman Brown” is by using psychoanalytic criticism to approach and interpret the text. Throughout the short story, Goodman Brown is under constant pressure from the three parts of his psyche, the Id, Ego, and Superego. Young Goodman Brown’s doesn’t just take a physical journey but in fact takes a psychological journey that explores the downfall of Goodman Brown’s sanity by having a constant struggle between his id, superego and ego. Sigmund Freud coined the terms Id, Superego and Ego in 1923 and the terms are responsible for a different aspect of a person’s psyche or mindset. “The id is the seething cauldron of basic drives in their primitive, selfish, unorganized state” …show more content…

Some believe that he projected the entire experience as a way for his Id portion of his psyche to manifest itself and to quench his sinful and guilt ridden desires. Goodman Brown portrays the Devil as a figure that closely resembles Brown himself, “and bearing a considerable resemblance to him, though perhaps more in expression than features. Still, they might have been taken for father and son” (Hawthorne pg#). Brown is so guilt ridden that he starts to project his anxieties and evils on the people around him. Psychoanalytic critics assert that the horrors of Brown 's dream and his criticism of others stem from the projection of Brown 's subconscious guilt onto those around his immediate vicinity and the village in which he lives. Brown feels guilt that he initially and subconsciously was overcome by his id to partake on this horrendous journey, to leave his wife Faith at home, and to meet with the Devil for a nefarious and evil ritual. Brown’s conflict originates in his superego, whose job is to discipline the ego for its defections and, as the voice of conscience and reason, to repress urges and instincts of the …show more content…

Multiple times throughout the text a “pink ribbon” or “pink” is visible, “letting the wind play with the pink ribbons of her cap, while she called to goodman Brown” (Hawthorne 796 ). The pink ribbons in Faith’s hair are exceedingly symbolic of her overall innocence and makes the fact that Goodman Brown is leaving her even more painful and riddles him with guilt. The pink ribbons resurface later on in the text as a bridge between the innocent Faith at the beginning of the story and the Faith of the latter part of the text that is going to succumb to evil and join the ranks of the other members of the Salem community. When Faith is being initiated to the Witches Sabbath ceremony and it is not until Goodman Brown sees a pink ribbon from Faith 's cap that has fallen from the sky and caught on a branch of a tree does he abandon all hope, crying “My Faith is

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