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Freud in History of Psychology
Freud in History of Psychology
Freud in History of Psychology
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For my critical analysis paper I went to the Evansville Museum of Arts located in Evansville, Indiana to pick a subject for my paper. I chose to review the sculpture created by the American artist Frederic Remington. This sculpture was casted by the Henry-Bonnard Bronze Company in New York in the year 1895 (Evansville Museum of Arts, History, and Science). There was an object label that was next to the sculpture that gave some background information about Remington and his work. It said that Frederic was inspired by horses and accurately depicted them in mediums such as drawings, woodblock prints, painting and sculptures. His incredible sense of detail increases the drama and intensifies the power of the animal in motion.
Frederic Remington was born was born Canton, New York on October 4, 1861 (Hatfield, Frederic). His childhood was during the Civil War, where he participated in many outdoor recreational activities including hunting, fishing, boating, etc. He also liked to draw sketched and doodle around, mainly soldiers in uniforms. His father was a newspaper man and told him many stories of the west, sparking his love for it. He went to college for a little bit, Yale School of Fine Arts, but dropped out after his father became ill and died. He then tried the world of business, but that only lasted a few months. During the summer of 1879 he met Eva Adele Caten, and became infatuated with her. In the fall of 1884 the two were married. They began their life in the West, but after a short time decided to move to the city, Brooklyn, New York. His wife left to go to her father’s home and Remington went into to the west to do some soul searching. While there he dug deep into the cowboy, rough and rugged, lifestyle (Evansville Museum ...
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...ns and the way he positioned them. I think that it was a perfect gift to give to Theodore Roosevelt, because of his involvement with the Rough Riders and his love for the outdoors and the Wild West. It is a symbol of the toughness and the strength that cowboys have, and it portrays this from the cowboy overcoming the bucking bronco and being able to ride it. I have seen many bucking broncos at local rodeos and the way they move their bodies is magnificent. They are graceful yet powerful in each stride and leap that they take. Remington does a wonderful job of creating a statue that expresses so much of the motion that he first handedly observed from the broncos. It takes a lot of talent to accurately portray an object that you witnessed firsthand, not just a still object but a moving one, and to have it convey the same motion you saw, and Remington had that talent.
I selected this picture because as soon as I walked into the Evans wing it jumped right out at me. The painting's huge size and grandeur drew my attention. I like the use of bold colors and strong details. The painting evokes an image of power with the muscled Automedon holding two giant horses.
I visited the Oriental Institute of Chicago Museum, which contains various artifacts, I choose a Model Hippopotamus from Egypt. The hippopotamus is dated to Egypt’s Middle Kingdom, circa 1878 BC. According to wall text at the Oriental Institute of Chicago, hippopotamuses in Egyptian culture represented the enemies of the ruler. I was attracted to the Model Hippopotamus based on its size/shape, lines, texture, and the color.
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
In 1911, Rockwell illustrated his first book, “Tell Me Why Stories”. Two Years later he contributed to “Boys Life”, He soon became art director of the magazine. Commissions for other children’s magazines, among them “St. Nicholas”, “Youths Companion” and “American Boys”, soon followed. In 1915, Rockwell moved to New Rochelle, New York, home to many of America’s finest Illustrators. He studied the work of older illustrators while painting crisply, painted renditions of fresh-faced kids and dogs.
Examining the formal qualities of Homer Watson’s painting Horse and Rider In A Landscape was quite interesting. I chose to analyze this piece as apposed to the others because it was the piece I liked the least, therefore making me analyze it more closely and discover other aspects of the work, besides aesthetics.
When beginning my sketch, I took a moment to analyze the work of art and found that the statue illuminated a sense of serenity. Like most viewers my initial reaction was to explore the statue from head to toe as I sought out the different elements and principles of art. The statue was close to life-size and just about my height, so looking straightforward we were eye to eye. I noticed the softness gathered about the facial structure, but all the same time the depth and complexity that was engulfed around the muscularity of the body. The rigorous symmetry was accounte...
While in Milan, Da Vinci spent a considerable amount of time on a number of dissections of the horse in preparation for a statue. While the bulk of the drawings on the anatomy of the horse are of the surface anatomy, and drawn by Leonardo in the guise of the artist, there are nevertheless some detailed ones illustrating the muscles of the horse's thigh compared to the corresponding muscles of man, suggesting that ...
The Harlem Renaissance had a lot of influence on modern day art because many artist white and black drew inspiration from traditional African sculptures. In the 1900s, “the aesthetics of traditional African sculpture became a powerful influence among European artists who formed an avant-garde in the development of modern art.”(“African
...was created with an innovative production method for bronze sculptures. (Lee, p. 57) The advancements in technology could explain the massive differences in size, as well as the level of intricacy in regards to the motifs on both sculptures.
Three dimensional art is defined as media which “occupies space, defined through the dimensions of height, width and depth” (SAYLOR). These art works can be geometric or organic in nature (NORTON). Three dimensional art forms include sculptures, crafts and architecture. Three dimensional art form is fascinating to me because of the amount of realism and beauty it embodies, as well as for its functional and aesthetic value. For this assignment, I chose two beautiful pieces that illustrated the characteristic of three dimensional art and the processes it took to produce them. The first art work I want to analyze is a sculpture done by an Iraqi artist from Kalhu (modern day Nimrud) entitled, “Assurnasirpal II Killing Lions” (Sayre, 420).
One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.
The Italian Renaissance and the Baroque era are two major periods in art history, some of the types of art in those periods were painting, sculpting, and architecture. During these periods, many artist gained enormous fame from creating wonderful pieces of work that represented their beliefs and artistic thinking. This essay will analyze and evaluate two pieces from those major art periods. Rembrandt 's painting The Anatomy Lesson of Dr. Nicolaes Tulp and the sculpture David, by Michelangelo. These two masterpieces shed light of their significance in art history. David represents the Italian Renaissance for it being a strong symbol of the new republic, The Anatomy Lesson of Dr. Nicolaes Tulp depicts the focus on human progression.
This breaks all of our tradition in sculpture. On the one hand the simplification and distortion of body and limb seem extremely daring departures from the tradition which few do; on the other hand, this is reminiscent of the earliest sculpture ever produced, which is far from a perfect balance. Thus he has created a new form; that of pure laziness.
In an article that takes a look at the modernism of Rodin’s work, it is stated that, “Some saw the Age of Bronze as merely one more academic nude, and his subsequent exploration of the expressivity of the human form has been dismissed as little more than pandering to melodrama and sentiment… literature on the sculptor caricatured nineteenth-century sculpture as a wasteland in which Rodin was the solitary oasis, and he was often held up as the only sculptor of any interest comparable to the rapid advances of modern painting” (Getsy 132). Rodin’s work was not interesting simply because he was the only “interesting” sculptor; Rodin’s work was interesting because he had modernized and turned to a new direction. When Rodin created The Age of Bronze in 1876, many critized him for “cheating” by casting his sculpture from a live model; however, after more research and Rodin himself providing evidence of his model, it was clear that this sculpture was in fact not cast from a live model. In order to achieve this level of modernism Rodin had to cast aside all the traditional styles and ideas that had been used in sculpting. This is shown in the article when the author states that Rodin, “Employed and adapted a sophisticated and subtle formal language of the sculptural body.
John Moses Browning who is often referred to as the “Father of modern firearms” was born in Ogden, Utah on January 23, 1855. The younger John Browning was well suited for his soon to be chosen field of firearms manufacturer as his father Johnathan had been a gunsmith for many years with many original firearm designs of his own. This afforded John Browning the opportunity to be exposed to the art of gunsmithing early on, and his ingenuity and God given abilities were quickly compounded by the invention of the metallic cartridge. The initial effort was to improve the rugged firearms of the day that were used for hunting big game that were so bountiful at the time and made up a large component of life. John’s inventions developed from there and included all facets of firearm manufacturing; his designs dominate the field even in the present day. John M. Browning’s contribution to firearm design arguably influenced more firearm designs than any other firearm inventor, and played a key role in influencing the outcome of wars from the First World War up to the present day war on terror.