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Regarding the literary successes of The Road and No Country for Old Men and the research of various critical essays about the author, Cormac McCarthy, it is evident that McCarthy’s barren outlook of humanity and his blunt, economic use of words and scarcity of punctuation are the most notable aspects regarding the success of his novels. McCarthy’s position is primarily influenced by the historical and social concerns of his time. His unique form, lack of punctuation and his simplistic use of grammar and rhetoric all hold a significant role. This rationed use of writing, however, does not prevent him from displaying his grim opinions of the state of future of society in his novels. There is a plethora of information supporting the notion of an ill fated society in No Country for Old Men and the doomed post apocalyptic world of The Road. The critical reading of No Country for Old Men and The Road provides necessary, primary textual information to develop this paper. Secondary sources, critical essays and bibliographical texts, support and confirm claims advanced from primary sources and aid to focus on the reoccurring theme and style: a grim view of humanity and an economical use of language. Gormley 2 Biographical data supports a great deal of McCarthy’s themes. This is made obvious through his choice of settings, characters and story lines. After observing the time line of McCarthy’s life, changes in moral climate appear to have directly affected his outlook on society, and not always favorably. Born on July 20, 1933 in Providence, Rhode Island, Cormac McCarthy was the eldest of six siblings. In 1937, McCarthy’s family transitioned to life in Knoxville, Tennesse, where McCarthy would spend the majority of his childho... ... middle of paper ... ... 14 May 2013. Web. 10 Apr. 2014. . Jones, Josh. "Cormac McCarthy’s Three Punctuation Rules, and How They All Go Back to James Joyce." Open Culture. N.p., 13 Aug. 2013. Web. 10 Mar. 2014. . Macfarlane, Robert. "CORMAC McCARTHY'S BLEAK ROAD." More Intelligent Life. Intelligent Life, Cambridge University, n.d. Web. 10 Apr. 2014. . McCarthy, Cormac. No Country For Old Men. New York: Alfred A. Knopf, 2005. Print. McCarthy, Cormac. The Road. New York: Alfred A. Knopf, 2006. Print. "Cormac McCarthy Book Club." Winfrey, Oprah. Oprah Winfrey Show. OWN. 5 June 2007. Television.
In All the Pretty Horses, Cormac McCarthy reveals the limitations of a romantic ideology in the real world. Through his protagonist, John Grady Cole, the author offers three main examples of a man’s attempt to live a romantic life in the face of hostile reality: a failed relationship with an unattainable woman; a romantic and outdated relationship with nature; and an idealistic decision to live as an old-fashioned cowboy in an increasingly modern world. In his compassionate description of John Grady, McCarthy seems to endorse these romantic ideals. At the same time, the author makes clear the harsh reality and disappointments of John Grady’s chosen way of life.
Joseph McCarthy was born on a country farm in a little town called Appleton in the state of Wisconsin. He was born on the fourteenth of November in 1908. He grew up with parents who were very devout Catholics. McCarthy was also the fifth child out of nine children. He grew up like any other child, but he dropped out of school at the age of fourteen to work. At first, he worked on his farm taking care of the chickens. After keeping the chickens, McCarthy managed a local grocery store in the city of Manawa, Wisconsin. Finally, McCarthy decided to return to high school. He went back in 1928 which would have made him twenty years old and still enrolled. After finishing high school, McCarthy attended college at a place called Marquette University. He then attended law school and became a lawyer after graduating (“Joseph McCarthy” 1).
Cormac McCarthy's setting in Blood Meridian is a landscape of endless and diverse beauty. McCarthy highlights the surprising beauty of combinations of scrubby plants, jagged rock, and the fused auburn and crimson colors of the fiery wasteland that frame this nightmarish novel. Various descriptions, from the desolate to the scenic, feature McCarthy's highly wrought, lyrical prose. Such descriptions of the divine landscape seem to serve a dual function. While being an isolated highlight to this gruesome novel, McCarthy's beautiful setting also serves as an intricate device in defining the novel's themes and creating the reality in which it is set.
McCarthy wrote the novel in ways that force readers to remove themselves from their comfort zones. He wrote The Road with a lack of punctuation that can make things somewhat confusing for readers. Some critics find that without quotation marks it makes the book hard to follow. But when I read the book I found that after the first fifty pages I understood when the characters were speaking. Finding that I had to pay a little more attention didn’t bother ...
Filled with a plethora of themes and convictions, Cormac McCarthy’s No Country for Old Men excels in its endeavor to maintain the reader’s mind racing from cover to cover. The setting is the Texas-Mexico boarder; the story embodying a modernized western-themed Greek tragedy filled with drug runners and automatic weapons. Llewelyn Moss, a Vietnam veteran, finds himself on the run from forces that seem to be an instrument of karmic consequence. While on the run, Llewelyn is given the opportunity to end the madness that has arisen so immediately in his life. But he doesn’t. Instead he braves on, defying his own advice, and persistent on luck, only leaving him a misfortunate ending. To fully recognize the circumstance the novel surrounds itself in the reader must digress into the thoughts of the town’s Sheriff, an old vet just like Llewelyn, named Ed Tom Bell. From there and with a deep analysis of Llewelyn Moss, McCarthy succors light to why such an assessment was made amongst the lawless violence that has entered this town.
"But there are no absolutes in human misery and things can always get worse, only Suttree didn't say so" (372).
Stephen Siperstein describes Cormac McCarthy’s novel in his essay “Climate Change Fiction: Radical Hope from an Emerging Genre.” He says that her book The Road “perpetuates a particularly pernicious set of assumptions about the relationship between masculine individualism and survival and also makes invisible the racist and sexist dimensions of environmental risk.” Climate change fiction novels should not set certain roles to certain characters based on the color of ones’ race or sex. As they focus on issues such as social class, minorities, and gender roles, Climate change fiction should clearly state the issues in the environment of the novel. Siperstein states that climate change fiction has “opened a space in mainstream media or discussions about how the power of culture, role of environmental humanities, and the necessity for focused climate change education.
In The Road by Cormac McCarthy, a man and the boy live in a post-apocalyptic world in which fire has destroyed much of the landscape leaving forests and cities in ash and ruins. They spend a majority of their days trekking a southbound road, and throughout their journey on the road, they are unremittingly challenged by their environment. The threat of cannibals capturing them, the possibility of hypothermia, and imminent starvation are constant terrors. Each trial they face is met with the man’s constant attempts to encourage the boy. Due to the troubles they face and the security they lack, it is difficult for the man to keep the faith to continue on their journey. Because of the many mentions in the novel, the man and boy’s recognition of an omniscient being is proof they rely on a god to be their motivation and the man’s hope for the future is fueled by a higher power acting as their guiding light.
McCarthy is trying to show that during desperate times there is a sudden loss in humanity due to the uneasiness and the drastic measures one will take in order to survive. A person will do anything it takes to survive in desperate and desolate worlds. McCarthy is proving this with his diction and choice of imagery. A man and a boy set out to survive in a tragic and dangerous world, where the main food source is depleting and all resources are deteriorating. A novel about what is left of a man’s family and how they struggle to survive. Humanity is tested and shows just how extreme ones actions can be. The want for life is tested, one could question whether or not survival will be possible for the man and the
Jack Kerouac's On The Road is the most uniquely American novel of its time. While it has never fared well with academics, On The Road has come to symbolize for many an entire generation of disaffected young Americans. One can focus on numerous issues wh en addressing the novel, but the two primary reasons which make the book uniquely American are its frantic Romantic search for the great American hero (and ecstasy in general), and Kerouac's "Spontaneous Prose" method of writing.
“Truman Capote, as obsessed with fame and fortune as with penning great words, was a writer who became as well-known for his late-night talk show appearances as for his prose” (Patterson 1). Capote was a literary pop star at the height of his fame in 1966, after he had written such classic books as, Other Rooms, Other Voices, Breakfast at Tiffany’s, and In Cold Blood. Postmodernism was a literary period that began after the Second World War and was a rejection of traditional writing techniques. It used fragmented sentences and questionable narrators, as well as many other unconventional techniques, to break the previous barriers of literature. Truman Capote was a major player in the postmodern game, using his own broken childhood to sympathize with a convicted murderer, and invent an entirely new genre of non-fiction literature known as the true crime genre.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Moss, Joyce and George Wilson. “Uncle Tom’s Cabin.” In Literature and its Times: Profiles of
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
Following World War I and the strife it brought to American culture, seemingly good times were felt by all in the roaring twenties; however, the reality is expressed through the negative happenings of the “Lost Generation.” Published in 1926, Ernest Hemingway’s The Sun Also Rises acts as an allegory of the time, explaining the situations of American and foreign young adults of the “Lost Generation." The journey of Robert Cohn, Lady Bret Ashley and Jake Barnes and their experience abroad in France is one of false relationships, the disparaging actions of women and the insecurity of men; moreover, the major issues of the time compile to form what people living in the 1920’s and historians postulate as the “Lost Generation.” As an enlightening tale, The Sun Also Rises is Hemingway’s portrayal of a morally ailing generation. In conclusion, Hemingway utilizes character description and symbolism in order to present the aimless destruction of the “Lost Generation.”